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| 81. The Very Best of Dwight Yoakam by Rhino / Wea | |
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(27 July, 2004)
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Editorial Review Moving to Los Angeles after an unproductive stint in Nashville, Kentucky-born Dwight Yoakam made a name for himself by reviving the more robust honky-tonk traditions of the Bakersfield Sound--a bold contrast with Music City's assembly-line approach. In 1984, his independently released six-song EP, Read more Reviews (25)
Subjects: 1. Alternative Country
2. Bakersfield Sound
3. Country
4. Country-Pop
5. Country-Rock
6. Neo-Traditionalist Country
7. New Traditionalist
8. Pop
9. United States of America | |
| 82. Nashville Rebel | |
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(26 September, 2006)
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Editorial Review Though the late Waylon Jennings has had numerous greatest-hits compilations, this four-disc box that encompasses almost half a century of music making is his first comprehensive, career-spanning anthology. While the 1970s and early '80s were plainly Jennings's commercial and creative heyday--when the Outlaw movement christened by his recording of "Ladies Love Outlaws" was in full swagger--highlights here extend from his 1958 revival of the Cajun classic "Jolie Blon" (produced by Jennings's mentor Buddy Holly) through his swan-song recordings with Willie Nelson, Johnny Cash, and Kris Kristofferson as the Highwaymen. The trademark lope of Jennings's music and his penchant for self-mythologizing material give him a strong signature sound, but the anthology shows just how much musical territory he covered--from his folkish reading of Gordon Lightfoot's "(That's What You Get) For Lovin' Me" and his bluesy transformation of Little Richard's "Lucille" through his dips into the songbooks of Neil Young ("Are You Ready for the Country"), Jimmy Webb ("MacArthur Park"), and Los Lobos ("Will the Wolf Survive?"). The 140-page booklet provides thorough credits and annotation, as well as an abundance of photos of Waylon with friends, fellow musicians, and every famous person he ever met (from Muhammad Ali to Metallica's James Hetfield). Read more Features Reviews (4)
Subjects: 1. Box Sets (Audio Only)
2. Country
3. Outlaw Country
4. Pop
5. Progressive Country
6. United States of America | |
| 83. The Hits by Capitol | |
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(13 December, 1994)
list price: $15.98 Asin: B000008O4G Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
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Editorial Review In 1991 Garth Brooks did what no other country artist before had: he broke the million-seller mark with Read more Reviews (68)
Subjects: 1. Contemporary Country
2. Country
3. Country & Western
4. New Traditionalist
5. Pop | |
| 84. Wanted! The Outlaws | |
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(30 April, 1996)
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Editorial Review Less successful when it's sentimental (Waylon Jennings' "My Heroes Have Always Been Cowboys") than when it's wry (Willie Nelson's myth-puncturing "Me and Paul"), this cash-in compilation of previously released cuts was just in time to grab the first platinum record ever awarded a country album. It's not bad, but both Jennings' contemporaneous Read more Reviews (21)
Subjects: 1. 70's
2. Alternative Country
3. Americana
4. Country
5. Country & Western
6. Country-Pop
7. Heartland Rock
8. Nashville Sound/Countrypolitan
9. Neo-Traditionalist Country
10. New Traditionalist
11. Outlaw Country
12. Pop
13. Progressive Country
14. Rock/Pop
15. Roots Rock
16. Singer/Songwriter
17. Traditional Country | |
| 85. The Johnny Cash Children's Album | |
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(16 May, 2006)
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Editorial Review As foreboding a figure as Johnny Cash was, his son John Carter Cash writes in liner notes to this excellent CD, he was also a big kid: "a fun-loving, easygoing, laughing man." That's not to say he was more inclined to skateboard over the line than to walk it, only that given his mesmerizing voice and his gift for storytelling, he had an enviable way of relating to kids. Thirty years on, parents who pick up this disc will find not a lot has changed: In 15 songs never before released on CD--four of which are bonus tracks not included on the 1975 classic--the Man in Black melds the silly with the sweet, the madcap with the meaningful, and emerges as a country-folk Pied Piper any kid would kill to have for an uncle. "Nasty Dan," the opener, will be familiar not only to those who grew up singing along to the original LP, but also to subsequent generations of "Sesame Street" watchers (Oscar duets on a later version). But for most, the rest will arrive as pure revelation. "Old Shep," a dog song, deserves placement on a disc of classic pet tributes, if such a thing exists; "Tiger Whitehead" treads fearlessly through wild bear territory; "Ah Bos Cee Dah" is nonsensical noodling with the language at its most brilliant; and "I Got a Boy and His Name Is John," a duet with the great June Carter Cash, steers the modern listener to a long-lost place where love of family was enough for a kid to get by on. Read more Reviews (10)
Subjects: 1. Childrens
2. Country
3. Pop
4. Traditional Country
5. United States of America | |
| 86. Melt by Lyric Street | |
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(29 October, 2002)
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Editorial Review Country music's hottest boy band really doesn't do anything that hasn't already been done just as well or better by earlier country-pop "all-guy" bands like Diamond Rio and Restless Heart. Yet Rascal Flatts' pretty harmonies, so full of painful earnestness and pubescent yearning, are often very affecting, particularly coming from a trio that looks--and often sounds--like its members are still trying to grow their first chest hairs. And now and then, as on Marcus Hummon's rousing "Dry County Girl" and the Nickel Creek-like "Shine On" (cowritten by the three band members), these rascals even show fleeting innovation. But on too many of the remaining nine tracks the trio's youthful exuberance doesn't quite escape the confining shackles of generic production and overly predictable song fare. Read more Reviews (100)
Subjects: 1. Country
2. Country & Western
3. Pop | |
| 87. Car Wheels on a Gravel Road by Mercury / Universal | |
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(30 June, 1998)
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Editorial Review Six years in the making, Read more Reviews (267)
Subjects: 1. Alternative Country-Rock
2. Americana
3. Contemporary Folk
4. Folk-Rock
5. Pop
6. Popular Music
7. Rock
8. Rock/Pop
9. Singer/Songwriter | |
| 88. Timeless | |
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(18 October, 2005)
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Editorial Review In paying tribute to her roots, Martina McBride doesn't merely cover a selection of classic country favorites, she conjures an entire era. You'd swear that was Floyd Cramer playing piano on the album-opening "You Win Again," and Chet Atkins picking guitar on the following "I'll Be There." The steel guitar featured so prominently throughoutRead more Reviews (95)
Subjects: 1. Contemporary Country
2. Country
3. Country-Pop
4. Neo-Traditionalist Country
5. New Traditionalist
6. Pop
7. United States of America | |
| 89. Gunfighter Ballads & Trail Songs | |
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(19 October, 1999)
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Editorial Review A lonely Westerner in Nashville, Marty Robbins salved his soul by cutting an album (in one afternoon) of mostly self-composed cowboy ballads. One of them was a four-and-a-half-minute epic, "El Paso," that broke every rule of Top 40 programming to become a No. 1 pop and country hit in 1960. Robbins was arguably the most surefooted and accomplished singer in all country music, and that was never more obvious than on these Western ballads performed to often breathtaking perfection with a very small group and a vocal trio. Other titles include "Big Iron" (also a Top 30 hit), "Running Gun," and Western classics like "Cool Water," "Billy the Kid," and "The Strawberry Roan." Three extra tracks flesh out the 1999 release, including "Saddle Tramp" (the B-side of "Big Iron") and "The Hanging Tree" (title song from the 1959 Gary Cooper Western). Read more Features Reviews (53)
Subjects: 1. Country
2. Country & Western
3. Country-Pop
4. Cowboy
5. Hawaii
6. Nashville Sound/Countrypolitan
7. Pop
8. Traditional Country | |
| 90. Nickel Creek by Sugarhill [Country] | |
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(21 March, 2000)
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Editorial Review San Diego is not exactly known as a hotbed of contemporary bluegrass music, but then again, Nickel Creek are a far cry from most bluegrass bands you've ever heard. On their Alison Krauss-produced debut, they serve up a lilting, ethereal fusion of bluegrass, Celtic, modern folk, and even classical influences, offering exquisite harmonies that would be more at home at a Crosby, Stills & Nash tribute than at a musical salute to the late Bill Monroe. Yet it makes for delightful listening, all the same. The three principals (Sara Watkins on fiddle and vocals; her brother Sean Watkins on guitar, mandolin, and vocals; and Chris Thile on mandolin, banjo, bouzouki, and vocals) are either barely out of their teens or still in them. Individually and as a band, they've already won a slew of awards and notoriety on their respective instruments. The three prodigies (joined by Thile's dad, Scott, on bass) really strut their eclectic hot licks on a few soaring, skittering instrumentals, but even more impressive are Nickel Creek's graceful, heartfelt harmonies on the many lovely ballads. Hot licks, when you get right down to it, are a dime a dozen; this sort of pluperfect tunefulness is a much rarer thing. Read more Reviews (262)
Subjects: 1. Bluegrass
2. Contemporary Bluegrass
3. Contemporary Country
4. Country
5. Mandolin
6. Neo-Traditional Folk
7. Pop
8. Progressive Bluegrass | |
| 91. Trio by Warner Bros / Wea | |
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(25 October, 1990)
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Editorial Review "Appalachia circa 1907" is the way they described it in the postgame interviews. It wasn't, of course, but it was as close as you could come in 1987 and still hope to sell the million copies that this ended up selling. The "Three Tenors" of country music juggle leads, complement each other to often haunting effect, and subjugate their egos to a greater cause. The songs run the gamut from primordial country favorites like "Rosewood Casket" and "Hobo's Meditation," to '50s pop (a rather anomalous "To Know Him Is to Love Him"), and mainstream country. The instrumentation is restrained, the vocals areunfailingly lovely, and the result is a trio that is more than the sum of its parts. Read more Reviews (35)
Subjects: 1. Country
2. Country & Western
3. Pop | |
| 92. South Pacific in Concert from Carnegie Hall by Decca | |
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(18 April, 2006)
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Editorial Review From the second the majestic overture of Rodgers and Hammerstein's 1949 show starts, you know you're in for a treat: In this age of diminished Broadway pits, hearing the 45-piece Orchestra of St. Luke's firing on all cylinders is just thrilling. And that's only the beginning of the fun in this most traditional, most delightful musical, recorded live at Carnegie Hall in June 2005. As Nellie Forbush, Reba McEntire deploys a homespun Southern charm that works marvels against the urbane Emile de Becque, i.e., Brian Stokes Mitchell and his impossibly buttery baritone (check out his rendition of "Some Enchanted Evening"). Of course we shouldn't be surprised, since country star Reba had turned out to be musical-theater star Reba when she replaced Bernadette Peters in Read more Features Reviews (33)
Subjects: 1. Cast Recordings
2. Music Theater
3. Musical Theater
4. Pop
5. Showtunes / B'way | |
| 93. License to Chill | |
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(13 July, 2004)
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Editorial Review Country music's infatuation with the puka-shell rock of Jimmy Buffett has been one of the genre's less fortunate indulgences. Most of Nashville's hat acts do little more than dip their toe in the water and do nothing to build upon Buffett's signature sounds. That's why Read more Reviews (203)
Subjects: 1. Adult Contemporary
2. Contemporary Country
3. Country-Rock
4. Pop
5. Pop/Rock
6. Rock
7. Rock/Pop
8. Singer/Songwriter
9. Soft Rock | |
| 94. Ultimate Waylon Jennings | |
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(23 March, 2004)
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Features Reviews (12)
Subjects: 1. Country
2. Country & Western
3. Country-Folk
4. Outlaw Country
5. Pop
6. Progressive Country
7. Traditional Country | |
| 95. Golden Road by Capitol | |
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(08 October, 2002)
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Editorial Review Album 2 for the Aussie transplant and former member of the Ranch kicks harder than his debut and fulfills Keith Urban's goal of capturing the elusive "band feel." The solid arrangements are particularly well tailored to Darryl Brown's ruptured romance ballad "You Think of Me" and the swampy "You Look Good in My Shirt." Urban catches fire lyrically on the moving "Song for Dad" and "What About Me," a cautionary view of selflessness he cowrote with Rodney Crowell. That, unfortunately, is as good as it gets. While the Ranch enjoyed a cult following, Urban, who should bring an idiosyncratic side to his music, is clearly out to play Nashville's game. Proof? A preponderance of bland material aimed at pleasing radio consultants and programmers. Consider his original "You're Not Alone Tonight," replete with harmonies used on countless country hits of recent past. True, a banjo occasionally surfaces throughout the album. Nonetheless, reviving David Dunda's 1976 Top 20 pop hit "Jeans On" reveals much about Urban's true musical roots. Read more Reviews (366)
Subjects: 1. Country
2. Country & Western
3. Pop | |
| 96. Tulsa by Bloodshot Records | |
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(10 October, 2006)
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Editorial Review It's an irresistible concept: Wayne "The Train" tearing it up on 14 original juke joint/swing tunes backed by a raw, first-rate band. He's got the assets to make it work: sharp, incisive vocals, fresh numbers, Lloyd Maines as producer, and an awesome recording band featuring the blazing lead guitar of veteran Hancock sideman Eddie Biebel, guest guitarists Paul Skelton and Dave Biller, and non-pedal steel guitarist Eddie Rivers. By avoiding self-conscious imitation (a pitfall that's done in many acts inspired by the past), they often come fetchingly close to capturing the feel of any number of obscure '40s Texas honky-tonk 78s: swinging out on "Tulsa," down and dirty on "Drinkin' Blues" and the Ernest Tubb-inspired "I Don't Care Anymore" and "Goin' Home Blues," and the earthy "Brother Music, Sister Rhythm." Given Hancock's often-stated affinity for Bob Wills-style swing, the sole disappointment is the scarcity of those sorts of songs here. With a group of musicians this dynamic, a few more rip-roaring moments would have been welcome. Read more Reviews (3)
Subjects: 1. Country
2. Pop | |
| 97. Patsy Cline - The Definitive Collection by Mca Nashville | |
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(22 June, 2004)
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Features Reviews (11)
Subjects: 1. Country
2. Nashville Sound/Countrypolitan
3. Pop
4. Traditional Country
5. United States of America | |
| 98. 20 of Hank Williams' Greatest Hits by Mercury Nashville | |
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(17 October, 1990)
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Editorial Review Hank 101. Country 101. After 27 years in print as Read more Reviews (20)
Subjects: 1. Country
2. Country & Western
3. Honky Tonk
4. Pop
5. Traditional Country | |
| 99. Reba #1's by Mca Nashville | |
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(22 November, 2005)
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Editorial Review Two things hit you while listening to this two-disc, 35-song collection. First: Reba McEntire, one of country's most twangy, yet recognizable and singular voices, has consistently chosen material that captures life's dramatic moments of consequence, whether it's the decision to leave a romantic coupling, face up to a failed relationship with a parent, or handle the passing of a loved one. And second: in the course of her 23-year career, several of her 33 #1 hits slipped up to the top of the charts virtually unnoticed, and seem hardly memorable today (e.g., "I Know How He Feels"). Yet the best of her work ("Whoever's in New England," "Rumor Has It") remains as emotionally resonant today as when it first appeared. Not only a fine singer, however, McEntire picked up the mantle of woman-to-woman songs first carried by Loretta Lynn and Tammy Wynette. Long before Martina McBride began singing songs of social relevance, McEntire had been encouraging and empowering women to change their lives--to look beyond their roles as dutiful wives and mothers ("Is There Life Out There")--if perhaps more subtly than McBride. Read more Reviews (36)
Subjects: 1. Contemporary Country
2. Country
3. Neo-Traditionalist Country
4. Pop
5. United States of America | |
| 100. Greatest Hits, Vol. 1 by Arista | |
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(02 May, 2006)
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Reviews (53)
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