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| 141-160 of 200 Back 1 2 3 4 5 6 7 8 9 10 Next 20 |
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| 141. The 50 Greatest Love Songs by Bmg / Elvis | |
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(11 September, 2001)
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Editorial Review It's a shame that only one side of Elvis' multi-faceted talent is remembered 25 years on from his death but there is so much more to the millennium's greatest performer than garish jump suits and shaky legs. The Read more Reviews (15)
Subjects: 1. Oldies
2. Pop
3. Pop/Rock
4. Rock
5. Rock & Roll
6. Rockabilly
7. Traditional Country
8. United States of America
9. Vocal Pop | |
| 142. Ways Not to Lose by Blue Note Records | |
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(07 March, 2006)
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Editorial Review Modern folk and blues rarely sounds as inventive and colorful as the Wood Brothers' spare, soothing studio debut. Currents of jazz, pop, and country also ripple through these 12 lovely arrangements built around Chris Wood's upright bass (previously heard in Medeski, Martin & Wood) and Oliver Wood's gentle acoustic and electric guitars. It's not simply that the brothers' sweet, high voices have the genetic gift of close harmony: they're in absolute synch creatively, too. So when one's singing lingers over a lazy phrase in a number like the languid ode to living "Chocolate on My Tongue," the other hangs back on his instrument until just the right, complementary moment. Drummer Kenny Wollesen, who plays on a handful of tracks, is on the same wavelength--never rushing or pushing the Woods' behind-the-beat sensibility. And the rich dark tones of the bass and, in particular, slide guitars perfectly illuminate their unhurried stories about spiritual discovery and the trials of life. All of which makes Read more Subjects: 1. Acoustic Blues
2. Alternative Folk
3. Americana
4. Contemporary Folk
5. Pop
6. Rock
7. Rock/Pop
8. Traditional Bluegrass | |
| 143. 20 of Hank Williams' Greatest Hits by Mercury Nashville | |
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(17 October, 1990)
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Editorial Review Hank 101. Country 101. After 27 years in print as Read more Reviews (20)
Subjects: 1. Country
2. Country & Western
3. Honky Tonk
4. Pop
5. Traditional Country | |
| 144. Reba #1's by Mca Nashville | |
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(22 November, 2005)
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Editorial Review Two things hit you while listening to this two-disc, 35-song collection. First: Reba McEntire, one of country's most twangy, yet recognizable and singular voices, has consistently chosen material that captures life's dramatic moments of consequence, whether it's the decision to leave a romantic coupling, face up to a failed relationship with a parent, or handle the passing of a loved one. And second: in the course of her 23-year career, several of her 33 #1 hits slipped up to the top of the charts virtually unnoticed, and seem hardly memorable today (e.g., "I Know How He Feels"). Yet the best of her work ("Whoever's in New England," "Rumor Has It") remains as emotionally resonant today as when it first appeared. Not only a fine singer, however, McEntire picked up the mantle of woman-to-woman songs first carried by Loretta Lynn and Tammy Wynette. Long before Martina McBride began singing songs of social relevance, McEntire had been encouraging and empowering women to change their lives--to look beyond their roles as dutiful wives and mothers ("Is There Life Out There")--if perhaps more subtly than McBride. Read more Reviews (36)
Subjects: 1. Contemporary Country
2. Country
3. Neo-Traditionalist Country
4. Pop
5. United States of America | |
| 145. Greatest Hits, Vol. 1 by Arista | |
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(02 May, 2006)
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Reviews (53)
Subjects: 1. Contemporary Country
2. Country
3. Pop | |
| 146. Mountains by Bna Entertainment | |
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(17 October, 2006)
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Editorial Review Inspirational power ballads with soaring harmonies dominate the ninth album by this veteran Texas quartet. Whether singing of the everyday, character-building challenges faced by ordinary folks in the title track, celebrating the comforts of domestic bliss in "Nothing to Prove," or thanking a higher power in "Hey God," much of the material has a thematic uplift that matches the music.Two of the songs, "Long Lost Smile" and "What She Had to Do," tell the story of a heroic woman who runs away from an abusive or neglectful relationship. Yet the band shows a sexier side with the double entendre of "Cowboy Girl," the sensual "One of Those Nights," and the steamy "Careful Where You Kiss Me." While songs name-check rock idols like Van Morrison and Bob Seger, the closing "Always in the Band" makes Lonestar sound more like the Journey of contemporary country. Read more Reviews (6)
Subjects: 1. Country
2. Pop | |
| 147. Great Days: The John Prine Anthology by Atlantic / Wea | |
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(17 August, 1993)
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Editorial Review If you buy Read more Reviews (38)
Subjects: 1. Contemporary Folk
2. Folk & Traditional
3. Pop
4. Progressive Folk
5. Rock
6. Rock/Pop
7. Singer/Songwriter | |
| 148. Comin' to Your City by Warner Bros / Wea | |
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(15 November, 2005)
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Editorial Review Anybody who needed a saddle to stay in the frantic groove of Big & Rich's 2004 debut, Read more Reviews (49)
Subjects: 1. Contemporary Country
2. Country
3. Country-Pop
4. Pop | |
| 149. The Very Best of Randy Travis by Rhino / Wea | |
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(03 August, 2004)
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Reviews (10)
Subjects: 1. Contemporary Country
2. Country
3. Neo-Traditionalist Country
4. New Traditionalist
5. Pop
6. Rock | |
| 150. The Very Best of Emmylou Harris: Heartaches and Highways by Rhino / Wea | |
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(19 July, 2005)
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Editorial Review Less than two years after the death of her mentor, Gram Parsons, Emmylou Harris recorded her first album for Reprise. Read more Reviews (19)
Subjects: 1. Alternative Country
2. Contemporary Country
3. Country
4. Country-Rock
5. Country/Bluegrass
6. Folk-Rock
7. Pop
8. Progressive Country
9. Traditional Country
10. United States of America | |
| 151. "Toby Keith - Greatest Hits, Vol. 1" by Mercury Nashville | |
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(20 October, 1998)
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Editorial Review As a survey of Toby Keith's first four recordings (not including the seasonal Read more Reviews (38)
Subjects: 1. Contemporary Country
2. Country
3. Country & Western
4. Honky Tonk
5. Neo-Traditionalist Country
6. New Traditionalist
7. Pop
8. Vocals | |
| 152. The Definitive Collection by Hip-O Records | |
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(18 April, 2006)
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Features Reviews (2)
Subjects: 1. Honky Tonk
2. Oldies
3. Pop
4. Rock
5. Rock & Roll
6. Rockabilly
7. Traditional Country | |
| 153. 42 Ultimate Hits by Capitol | |
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(01 June, 2004)
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Reviews (21)
Subjects: 1. Adult Contemporary
2. Country
3. Country-Pop
4. Pop
5. Pop/Rock
6. Soft Rock
7. Urban Cowboy | |
| 154. The Best...So Far by Capitol | |
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(29 November, 1994)
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Editorial Review Not exactly a country artist, since her records lack twang, and too casual and intimate to make for a standard-issue MOR pop performer, Anne Murray's phenomenally warm, smooth voice has nevertheless secured a lofty place for her in both categories--and has occasionally brought her into the mainstream (read: traditionally rock and soul dominated) pop arena. If you're not a fan, or much of a country enthusiast, it's her '70s pop hits that'll make the package worthwhile. "Snowbird" is here, as is "You Needed Me." If you are a fan, or are looking for songs that hit only on the country or Canadian charts, there'll be a lot of key stuff missing. Investigate the 3 CD Read more Reviews (26)
Subjects: 1. Adult Contemporary
2. Country
3. Country & Western
4. Country-Pop
5. Pop
6. Soft Rock | |
| 155. Yankee Hotel Foxtrot by Nonesuch | |
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(23 April, 2002)
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Editorial Review Named in honor of the three-word codes used by short-wave radio operators, Wilco's fourth album sounds like a late-night broadcast of some weirdly wonderful pop station punctuated by static and the sonic bleed of competing signals. Songs that begin with simple, elegiac grace--"Ashes of American Flags" and "Poor Places"--end in a cathartic squall of distortion. The results can be initially jarring, but it's these tracks more than the sturdy jangle pop of "Kamera" or "Heavy Metal Drummer" that demand, and reward, repeated listens. Mixed by studio experimentalist Jim O'Rourke and produced by the band, Read more Features Reviews (592)
Subjects: 1. Adult Alternative Pop/Rock
2. Alternative Country-Rock
3. Pop
4. Popular Music
5. Rock
6. Rock/Pop | |
| 156. Modern Day Drifter by Liberty | |
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(10 May, 2005)
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Editorial Review A decade ago, country acts who sounded more like arena rockers gained hegemony on a Music Row that scorned the success of the Read more Features Reviews (25)
Subjects: 1. Contemporary Country
2. Country
3. Neo-Traditionalist Country
4. Pop | |
| 157. You Don't Know Me: The Songs of Cindy Walker by Lost Highway | |
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(14 March, 2006)
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Editorial Review Though Willie Nelson's thematic albums in recent years have been hit-and-miss, this labor of love is a thorough delight. One Texas legend pays tribute to another and evokes the inspiration of a third, as Nelson puts his stylistic signature on the songbook of Cindy Walker, with arrangements channeling the spirit of Bob Wills and the Texas Playboys (whose most familiar songs include many of Walker's).Nelson's conversational phrasing refreshes the familiar title track and brings out the soulful depths of heartfelt (and heartsick) balladry such as "Not That I Care." The nimble band features the interplay of Playboys alum Johnny Gimble on fiddle and the legendary Buddy Emmons on steel guitar, under the production of Nashville veteran Fred Foster. Saloon songs such as "Bubbles in My Beer" and "The Warm Red Wine" meet the mythic West of "Cherokee Maiden" and "Dusty Skies" and the weathered resilience of "Don't Be Ashamed of Your Age" and "I Don't Care," as the collection pays testament not only to Walker's range, but to Nelson's interpretive mastery. Read more Reviews (19)
Subjects: 1. Country
2. Country-Pop
3. Pop
4. Progressive Country
5. Traditional Country
6. United States of America
7. Western Swing Revival | |
| 158. Doin' Somethin' Right by Mercury Nashville | |
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(18 October, 2005)
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Editorial Review With his sophomore release, the Georgia singer reinforces the trend towardredneck beefcake, matching a bare-chested sleeve photo with material such as the album-opening "I Wanna Be a Hillbilly" (apparently a hillbilly with a penchant for screaming, arena-rock guitars). He engages in some pillow talk with the breathy balladry of "Must Be Doin' Somethin' Right" and takes a turn toward a dreamier romanticism with "She's Got a Way With Me," featuring vocal support from Michael McDonald. A straightforward revival of Kenny Rogers's "Lucille" connects country present with country past, while the reggae tinge of "Little Bit Lonely" jumps on the contemporary country & Caribbean boat. The genial charm that he brings to mid-tempo fare such as "Good Directions" (despite its hackneyed story of the city girl who falls for the country hunk), "That Changes Everything," and "Here I Am" suggests that Currington is more engaging when he isn't trying so hard to be so sexy. Read more Reviews (62)
Subjects: 1. Contemporary Country
2. Country
3. Pop | |
| 159. Horse of a Different Color by Warner Bros / Wea | |
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(04 May, 2004)
list price: $18.98 -- our price: $13.99 (price subject to change: see help) Asin: B00020H916 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
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Editorial Review Country music had no bigger story in 2004 than the rise of the Muzik Mafia, a renegade group of Music City misfits led by Big & Rich (Big Kenny Alphin and John Rich, the latter formerly of Lonestar) and Gretchen Wilson. Both acts shook up Nashville's lethargic, formulaic format--Wilson with her take-no-bull brand of redneck chic, and Big & Rich with their eclectic, wild-haired blend of honky-tonk, rock, rap, ballad, and western, the shoot-'em-up motif for their traveling circus, i.e., Wild West show. Their debut, Read more Reviews (268)
Subjects: 1. Contemporary Country
2. Country
3. Country-Pop
4. Pop | |
| 160. John Prine by Atlantic / Wea | |
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(24 January, 1990)
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Editorial Review Prine's 1971 self-titled debut set the tone for the rest of his career. A critical smash and a commercial disappointment, the record contains many of his best known compositions. Proving himself capable of tackling folk balladry, country, and rock with ease, Prine seems to spring into being as a fully formed singer-songwriter at age 24. Lyrically diverse,Prine offers topical songs such as "Sam Stone," the tale of a drug addicted Vietnam vet, achingly sad songs, such as the oft-covered "Angel from Montgomery," and, of course, his trademark wit gets ample time in the spotlight. Produced by the legendary Arif Mardin (Aretha Franklin, the Modern Jazz Quartet, Hall and Oates), the record is understated, letting Prine's comfy voice drive things. When needed, the famoushouse band at American Recording Studios in Memphis kicks in tasteful backing. Read more Reviews (42)
Subjects: 1. Contemporary Folk
2. Folk & Traditional
3. Folk-Rock
4. Pop
5. Popular Music
6. Progressive Folk
7. Rock/Pop
8. Singer/Songwriter
9. United States of America | |
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