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| 81. The Best of Tony Joe White by Warner Bros / Wea | |
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(14 September, 1993)
list price: $9.98 -- our price: $9.98 (price subject to change: see help) Asin: B000002MKI Sales Rank: 3528 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (13)
Read more Subjects: 1. Country-Pop
2. Country-Rock
3. Oldies
4. Pop
5. Pop-Soul
6. Pop/Rock
7. Popular Music
8. Rock
9. Rock & Roll | |
| 82. Twenty by Sanctuary Records | |
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(24 May, 2005)
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Editorial Review With his chocolaty cool, soulful Memphis croon and sure sense of melody, Robert Cray has never been considered a straightahead bluesman. His often interchangeable albums have instead stayed closer to R&B, adding compact, stinging lead guitar to songs about matters of the heart. That formula remains, with minor variations, on Cray's 14th release, rather confusingly named Read more Reviews (12)
Subjects: 1. Blues
2. Contemporary Blues
3. Modern Electric Blues
4. Pop
5. Soul-Blues | |
| 83. Change in the Weather by Alligator Records | |
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(04 April, 2006)
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Editorial Review Although this is his first nationally distributed album, Eric Lindell is probably already tired of hearing himself tagged as "blue-eyed soul." But there is truth in that description. Sounding somewhat similar to Delbert McClinton and, with his lanky frame and scraggly beard, looking a bit like a tattooed young Bruce Springsteen/Tom Waits mashup, Lindell has the pipes, the style, and the songs to break out of his bluesy niche and into the mainstream. Recorded at various times in California and New Orleans with a revolving cast of musicians, Read more Reviews (6)
Subjects: 1. Blues
2. Contemporary Blues
3. Pop
4. Rock/Pop | |
| 84. Tunesmith Retrofit by Rounder / Umgd | |
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(01 August, 2006)
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Editorial Review Like the late Chris Whitley (to whom the banjo-driven "Handful of Arrows" is dedicated), Kelly Joe Phelps initially built a following through the sharpness of his chops, but would rather be known for the strength of his songs. Thus this stripped-down exercise in musical intimacy draws attention to lyrics set to homespun melodies, with an occasional fiddle, pedal steel, melodica, or keyboard augmenting Phelps's acoustic accompaniment. Though there's a stately grace to country-tinged tunes such as "The Anvil" and "Tight to the Jar," some of his wordcraft is so oblique and self-consciously poetic that it resists translation.From the opening of "Loud as Ears": "Old, dark ruby coats his throat / gloves a feathered mind / sharpens up her fountain pen." Huh? Yet the music is always eloquent, and there's a tenderness to Phelps's Dylanesque phrasing. With three instrumentals among the dozen tracks, he pays tribute to Dave Van Ronk on "MacDougal," with the sort of ragtime picking that made its way from the Mississippi Delta to the Greenwich Village folk scene. Read more Reviews (2)
Subjects: 1. Blues
2. Contemporary Blues
3. Folk-Blues
4. Modern Acoustic Blues
5. Pop
6. Slide Guitar Blues
7. United States of America | |
| 85. Born Under a Bad Sign | |
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(18 June, 2002)
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Editorial Review Read more Features Reviews (20)
Subjects: 1. Blues
2. Blues Music
3. Pop | |
| 86. The Stuff That Dreams Are Made Of by Yazoo | |
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(04 April, 2006)
list price: $26.98 -- our price: $24.49 (price subject to change: see help) Asin: B000E6UK9Q Sales Rank: 8138 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (4)
Subjects: 1. Blues
2. Jazz Collections
3. Pop
4. V/a Compilations | |
| 87. Ray Charles Sings for America by Rhino / Wea | |
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(03 September, 2002)
list price: $11.98 -- our price: $7.99 (price subject to change: see help) Asin: B00006HICB Sales Rank: 8133 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (8)
Subjects: 1. Blues
2. Pop
3. Popular Music
4. R&B | |
| 88. Live From Austin TX by New West Records | |
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(02 November, 2004)
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Editorial Review In this 2003 performance from the Read more Features Reviews (11)
Subjects: 1. Blues
2. Contemporary Blues
3. Modern Electric Blues
4. Pop
5. R&B
6. Roots Rock | |
| 89. The Very Best of Canned Heat by Capitol | |
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(24 May, 2005)
list price: $16.98 -- our price: $10.99 (price subject to change: see help) Asin: B0008G2ETQ Sales Rank: 4148 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (5)
Subjects: 1. Blues-Rock
2. Boogie Rock
3. Electric Blues
4. Pop
5. Rock
6. Rock/Pop | |
| 90. Songs of Angels - Christmas Hymns and Carols by Telarc | |
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(18 October, 1994)
list price: $9.98 -- our price: $9.98 (price subject to change: see help) Asin: B000003D0G Sales Rank: 7825 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (15)
Read more Subjects: 1. Choral
2. Christmas
3. Christmas / Chanukkah
4. Christmas Music
5. Classical
6. Easy Pop
7. Holiday
8. Miscellaneous
9. Miscellaneous Music
10. Miscellaneous Vocal Music
11. Piano Blues
12. Sacred Choral Music
13. Secular Choral Music with Keyboard (or Continuo)
14. Vocal
15. Xmas Classical Vocal | |
| 91. Live from Mars by Virgin Records | |
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(27 March, 2001)
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Editorial Review With a slate of more than 200 shows a year, Ben Harper has never been an album-tour-album-tour kind of artist; for him and his fans, the stage is the ultimate proving ground. So after four studio albums, Harper has finally released his first official live set, a 25-song double-disc collection that surveys each of his four albums and adds a couple of well-executed, if not terribly inventive, covers. Disc one is electric and finds Harper and the Innocent Criminals tearing through their patented mix of rock, folk, soul, and blues. Yet, the solo-acoustic disc two is the true prize, putting the spotlight squarely on Harper's incredibly agile, versatile, and enormously moving voice. In this pared-down setting, Harper shows an uncanny ability to connect with his audience, offering one spellbinding performance after another. Culled from two years' worth of shows--no two songs are taken from the same concert--Read more Features Reviews (82)
Subjects: 1. Adult Alternative Pop/Rock
2. Jam Bands
3. Pop
4. Rock
5. Rock/Pop
6. Singer/Songwriter | |
| 92. It Ain't Easy by Wea International | |
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(27 September, 2005)
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Features Reviews (4)
Subjects: 1. Blues
2. Blues-Rock
3. British Blues
4. Pop | |
| 93. The Complete Studio Recordings by Vanguard Records | |
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(31 October, 2000)
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Editorial Review Gentle, graceful, subtle, sweet--these aren't descriptions generally applied to the blues, but they offer a sense of Mississippi John Hurt's uniqueness and enduring legacy. Rediscovered during the 1960s folk boom after last recording in the late 1920s, Hurt cut the three albums compiled here when he was in his early 70s. His conversational phrasing sounds as natural as breathing, while his ragtime-tinged fingerpicking on acoustic guitar reveals more complexity the closer you listen. Beyond blues classics like "Candy Man" (the sly sensualist wasn't referring to lollipops), Hurt's range encompasses everything from folkish narratives ("Talking Casey," "Spike Driver Blues") to Southern spirituals ("Nearer My God to Thee," "Farther Along"). Though Hurt died in 1966, shortly after the last of these sessions, the music still sounds so fresh, you can almost hear the twinkle in his eye. Read more Features Reviews (15)
Subjects: 1. Acoustic Blues
2. Blues
3. Blues Music
4. Blues Traditional
5. Country Blues
6. Pop | |
| 94. Train Home by Hightone Records | |
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(22 July, 2003)
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Editorial Review New Orleans-bred folk-bluesman Smither has few peers. As a musician he's expanded the six-strings-and-foot-stomps delivery of John Lee Hooker into an elegant, original style that draws as much on the sweet jazz melodies of gypsy guitarist Django Reinhardt as the spidery swing of country bluesman John Hurt. And his writing has a poet's eye for detail, as when he's pondering mortality on the disc's title track. There's also a gentle, sincere quality that comes through the dusty tones of his voice, until he drops it to a mean-eyed growl to capture the soul of characters like his "Crocodile Man"--loners condemned to live in the dark neglected corners of their own hearts. But for much of this album, Smither's coming from a happier place, where love and life are full of possibilities, and his blues are just another way of expressing joy and wisdom. Read more Reviews (14)
Subjects: 1. Blues
2. Contemporary Folk
3. Folk & Traditional
4. Folk-Blues
5. Modern Acoustic Blues
6. Pop | |
| 95. Burn to Shine by Virgin Records | |
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(21 September, 1999)
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Editorial Review Harper's soulful musical mix continues to defy genre categorization and his growth as an artist continues to amaze. Read more Reviews (123)
Subjects: 1. Adult Alternative Pop/Rock
2. Guitar
3. Guitar (Steel)
4. Jam Bands
5. Pop
6. Popular Music
7. Rock
8. Rock/Pop
9. Singer/Songwriter | |
| 96. Rattleshake by Alligator Records | |
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(27 June, 2006)
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Editorial Review Although Alligator Records no longer exclusively traffics in "genuine houserockin' music," as long as the label continues releasing albums from Lil' Ed & the Blues Imperials it won't have to change slogans anytime soon. The sixth release from the veteran foursome is another rollicking, electrified romp through old-school Chicago boogie blues. Lil' Ed Williams is the nephew of, and was schooled by, slide guitar legend J.B. Hutto, so it's no surprise that the Blues Imperials' sound is driven by the high-octane, raw, bottleneck attack popularized by Hutto and the great Elmore James. Both are covered here, and even though Williams's originals adhere to the standard blues format, the energy generated by this live-in-the-studio recording could power a small city. You can practically see the sweat dripping down Ed's fez-covered head as he charges through the humorous yet driving "Icicles in My Meatloaf" and the fast shuffle of "Broken Promises." Slow blues such as "You Just Weren't There" and "Nobody's Fault But My Own" maintain a tough edge while providing a change of pace to the party-hearty rave-ups that dominate the album. The no-frills production is crisp and crackling. It captures the excitement of the opening version of Holland/Dozier's rocking soul shouter "Leaving Here" as well as the heartfelt emotions in the country-influenced cover of Billy Joe Shaver's "Tramp on Your Street," the disc's most surprising track. The blurred shot of the band in action on the cover perfectly represents the music inside--which, as the album's title accurately suggests, rattles, shakes, and rolls. Read more Reviews (4)
Subjects: 1. Blues
2. Modern Electric Blues
3. Modern Electric Chicago Blues
4. Pop | |
| 97. We the People by Alligator Records | |
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(15 August, 2006)
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Editorial Review "I've been to hell and back, I'm still looking good / I've found the fountain of youth, I've got the blues in my blood," sings Guitar Shorty on "Blues in My Blood"--one of the more autobiographical tracks, albeit one he didn't write, on his second Alligator album in three years. After working for decades with little to show for it, Shorty makes up for lost time, charging through unapologetically tough blues rockers such as "Sonic Boom," "Can't Get Enough" (not the Bad Company tune), and "What Good Is Life?" with the rough-and-tumble enthusiasm of someone half his 67 years. There are few surprises here--Shorty's throaty voice pummels through these tunes, pausing only long enough to make room for his fat, fluid leads to slice into the powerhouse rhythm section. Subtlety is not Shorty's strong point, and even when he accompanies himself on "Cost of Livin'" with just guitar and a tapping foot, it sounds like he's a caged tiger before feeding time. The title track concerns the average laborer's tough life, but this is primarily a blues album tied to the usual subjects of nefarious women doing Shorty wrong. In fact, his ex's phone prefix in "I Got Your Number" is 666. But nobody need look for profound lyrical insights when Shorty slings his molten guitar, pouring his psychedelicized solos like lava over anything in his path. Just push play and get out of the way. Read more Reviews (3)
Subjects: 1. Blues
2. Electric Blues
3. Modern Electric Blues
4. Pop
5. Soul-Blues
6. Texas Blues
7. United States of America | |
| 98. The Best of Susan Tedeschi: Episode One by Tone Cool | |
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(18 October, 2005)
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Reviews (3)
Subjects: 1. Blues
2. Contemporary Blues
3. Modern Electric Blues
4. Pop
5. United States of America | |
| 99. Avalon Blues : Complete 1928 Okeh Recordings | |
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(08 October, 1996)
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Editorial Review Mississippi John Hurt recorded 13 country-blues songs for the Okeh Electric Records company in 1928. Then he vanished. Actually, he never went anywhere. Indeed, he never strayed from his hometown of Avalon, Mississippi. He simply put the guitar down. It was the Great Depression, times were tough, money was scarce, and he needed to work. Nearly 30 years later, a blues enthusiast tracked him down, took him back to Washington, D.C., and suddenly Mississippi John's musical career resumed as quickly as it had finished. He recorded again, but these first songs from the late 1920s--with John's melancholy voice and hypnotic guitar playing at its most inspired--are his greatest musical accomplishments. Read more Reviews (26)
Subjects: 1. Acoustic Blues
2. Blues
3. Blues Music
4. Blues Revival
5. Blues Traditional
6. Country Blues
7. Delta Blues
8. Pop
9. Prewar Blues
10. Prewar Country Blues
11. United States of America | |
| 100. A Festival Of Carols / Robert Shaw Chorale | |
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(25 October, 1990)
list price: $10.98 -- our price: $10.98 (price subject to change: see help) Asin: B000003EPA Sales Rank: 4635 Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
Reviews (12)
Subjects: 1. Choral 2. Christmas 3. Christmas / Chanukkah 4. Christmas Music 5. Classical 6. Easy Pop | |