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| 101. The Smashing Pumpkins - Greatest Hits by Virgin Records | |
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(20 November, 2001)
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Editorial Review The Smashing Pumpkins' greatest-hits album, Read more Reviews (102)
Subjects: 1. Alternative Pop/Rock
2. Indie Rock
3. Pop
4. Post-Grunge
5. Punk
6. Rock
7. United States of America | |
| 102. Turn On the Bright Lights by Matador Records | |
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(20 August, 2002)
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Editorial Review Interpol create literate, atmospheric, moody, trashy post-punk music that recalls '80s faves the Psychedelic Furs. And this is definitely a good thing. While most young bands are content to rhyme "make it" with "fake it," Interpol pens melodramatic tales of tortured and tortuous urban relationships that are truly refreshing. Like their peers the Strokes, they're bright, sophisticated, and meticulous enough to build stirring soundscapes. Read more Reviews (473)
Subjects: 1. Indie Rock
2. Pop
3. Rock
4. Rock/Pop | |
| 103. When It's All Over We Still Have to Clear Up by Jeepster Records | |
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(14 December, 2004)
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Features Reviews (6)
Subjects: 1. Alternative Pop/Rock
2. Indie Rock
3. Pop
4. Rock
5. Rock/Pop
6. Scotland | |
| 104. The Covers Record by Matador Records | |
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(21 March, 2000)
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Editorial Review Chan Marshall devised the Cat Power moniker in order to put a degree of separation between herself and the often-twisted individuals who inhabit her songs. Here, she takes another step back while also taking a step forward. As the album title indicates, these are covers of other people's songs. Yet she sings them with no less intensity than if they were her own. Mick Jagger may have snarled the definitive "(I Can't Get No) Satisfaction," but Marshall takes a different tack. She removes the chorus and returns it as elegant slow blues. The Velvet Underground's "I Found a Reason" becomes a near-wordless cry. She relies only on her sufficient guitar picking and likeably amateurish piano tinkling, creating an isolated web not unlike that of Neil Young at his most deserted. Most appropriately, she covers "Red Apples" by Smog, whom she resembles in approach. Obscure (traditional and early) Bob Dylan, Nina Simone, and Michael Hurley tunes complement the bruised but not buried surroundings. Read more Reviews (47)
Subjects: 1. Indie Rock
2. Pop
3. Rock
4. Rock/Pop
5. Sadcore
6. Singer/Songwriter | |
| 105. You Could Have It So Much Better | |
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(04 October, 2005)
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Editorial Review After more than a year spent on the road behind their breakthrough self-titled debut--just how many times can Alex Kapranos sing "Take Me Out" without getting his skinny tie into a knot, anyway?--you might expect the members of Franz Ferdinand to feel a little frayed around the edges. But if Read more Reviews (144)
Subjects: 1. Alternative Pop/Rock
2. Indie Rock
3. Pop
4. Rock
5. Rock/Pop
6. Scotland | |
| 106. Mutations by Geffen Records | |
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(03 November, 1998)
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Editorial Review It's unfortunate how much attention has been paid to how this album was recorded--quickly, without the same level of studio fuss that marked Beck's breakthrough album, Read more Reviews (232)
Subjects: 1. Alternative Pop/Rock
2. Indie Rock
3. Lo-Fi
4. Pop
5. Rock
6. Rock/Pop
7. Singer/Songwriter | |
| 107. Mellow Gold by Geffen Records | |
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(01 March, 1994)
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Editorial Review Far more than a novelty jester, Beck is a musical anarchist and bummed-out street prophet whose audience will squirm and thrill to the slacker delta blues of "Whiskeyclone" and urban nightmares like "Truckdrivin Neighbors Downstairs." Read more Features Reviews (78)
Subjects: 1. Alternative Pop/Rock
2. Experimental Rock
3. Indie Rock
4. Lo-Fi
5. Pop
6. Rock
7. Rock/Pop
8. Singer/Songwriter | |
| 108. Rebels, Rogues & Sworn Brothers by Liberty & Lament | |
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(26 September, 2006)
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Editorial Review Torn and frayed, the voice of Lucero singer Ben Nichols epitomizes a band that spends half it's time on the highway driving to the next gig. But judging by the fun the Memphis four-piece appears to be having on its fifth album, that road may go on forever. Produced by David Lowry (Camper Van Beethoven, Cracker), the record draws a parallel with its 2005 release Read more Reviews (2)
Subjects: 1. Alternative Country-Rock
2. Indie Rock
3. Pop
4. Rock
5. Rock & Roll
6. Rock/Pop | |
| 109. Weeds: Music from the Original Series by Rykodisc | |
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(13 September, 2005)
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Editorial Review Read more Features Reviews (6)
Subjects: 1. Adult Alternative Pop/Rock
2. Indie Pop
3. Indie Rock
4. Instrumental Pop
5. Pop
6. Singer/Songwriter
7. Soundtracks & Film Scores
8. TV Soundtracks
9. Television Soundtrack | |
| 110. Chulahoma by Fat Possum | |
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(02 May, 2006)
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Editorial Review For their latest, Akron, Ohio duo The Black Keys have brought forth an EP of six songs by Junior Kimbrough. This is no mere dalliance; the late elder Mississippi blues musician was a powerful influence on guitarist Dan Auerbach and drummer Patrick Carney. Their three previous albums, full of dusty grooves and simple but impassioned dynamics, would have found strong rapport with Kimbrough, who unfortunately died before they could ever meet. However, his widow, Mildred gives her passionate endorsement for these performances in the form of a short phone message that appears at the end of the disc. Among the highpoints is "Meet Me in the City," which positively shimmers as the plaintive vocal soars over a virato-ed guitar. The Black Keys, besides paying their heartfelt respects, also demonstrate the breadth and durability of Kimbrough's music. Read more Features Reviews (4)
Subjects: 1. Blues-Rock
2. Garage Punk
3. Indie Rock
4. Pop
5. Punk Blues
6. Rock
7. Rock/Pop | |
| 111. Transfiguration of Vincent by Merge Records | |
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(18 March, 2003)
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Editorial Review M. Ward has been championed by Howe Gelb, who released Ward's 2000 debut disc Read more Reviews (15)
Subjects: 1. Indie Rock
2. Pop
3. Rock
4. Rock/Pop
5. Singer/Songwriter | |
| 112. Consent to Treatment by Umvd Labels | |
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(15 August, 2000)
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Reviews (41)
Subjects: 1. Indie Rock
2. Pop
3. Post-Grunge
4. Rock
5. Rock/Pop | |
| 113. Is This It | |
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(09 October, 2001)
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Editorial Review With all the media hype that dogged the Strokes before the release of their debut album, it's rather apt that they chose the title Read more Reviews (884)
Subjects: 1. Garage Rock Revival
2. Indie Rock
3. Pop
4. Rock
5. Rock/Pop
6. United States of America | |
| 114. The All-American Rejects by Dreamworks | |
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(04 February, 2003)
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Editorial Review While comparisons to nerd-rock dandies Weezer are probably inevitable for the fabulously named All-American Rejects, discerning listeners will note that where the cheeky lyrics about painfully awkward love end, the group's rhythmic force picks up, positioning the Oklahoma crew more as a geeky Green Day than the above-named preppy pop dabblers. No shame in that--on their major label debut, the All-American Rejects marry punk and pop with a clear sense of purpose and no particular loyalty to either form, cherry-picking the best of each and arriving at a spiky, effervescent middle ground. Singer Tyson Ritter is especially convincing in his role as hapless lover. But on tracks like the muscular "Too Far Gone" and the vaguely orchestral "The Last Song," Ritter's comrades drive the whole shebang home with instrumental freight. And you'd have to be pretty hard-hearted not to find yourself echoing the sing-singy strains of "Swing Swing" and "My Paper Heart." Fans of ironic pop--Box Car Racer, Fountains of Wayne, and their ilk--get crackin'. Read more Features Reviews (643)
Subjects: 1. Adult Alternative Pop/Rock
2. American Trad Rock
3. Bar Band
4. Emo
5. Indie Rock
6. Pop
7. Pop Underground
8. Punk-Pop
9. Rock
10. Rock/Pop
11. United States of America | |
| 115. Drunken Lullabies by Side One Dummy | |
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(19 March, 2002)
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Reviews (93)
Subjects: 1. Indie Rock
2. Pop
3. Punk Revival
4. Rock
5. Rock/Pop
6. Traditional Irish Folk | |
| 116. Her Majesty by Kill Rock Stars | |
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(09 September, 2003)
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Editorial Review Failing students have had such an influential role in shaping rock & roll that it's easy to give the bookworm segment short shrift. Witness the vital contributions from the likes of Ray Davies, the Zombies, and Neutral Milk Hotel's Jeff Magnum--the kind of smartypants songwriters with whom the Decemberists' Colin Meloy is often compared. The second full-length CD from Portland, Oregon's Decemberists certainly posits Meloy near the top of the current crop of literate indie rockers. Meloy is the brother of author Maile Meloy and a fellow whom one concludes has his own well-worn library card. Eschewing conventional pop-song subject matter, he delves deep into the past for his narratives and even his lexicon, witness "Shanty for the Arethusa," the high-seas opener, and "The Chimbley Sweep," which recalls the Zombies' similarly dark-hued "Butcher's Tale." Though the subject matter is frequently dire and the approach is lyrically erudite, one shouldn't conclude that listening to Read more Reviews (59)
Subjects: 1. Chamber Pop
2. Indie Pop
3. Indie Rock
4. Pop
5. Rock
6. Rock/Pop | |
| 117. Inside In/Inside Out by Astralwerks | |
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(03 October, 2006)
list price: $15.98 -- our price: $12.97 (price subject to change: see help) Asin: B000H7JDHM Sales Rank: 1683 US | Canada | United Kingdom | Germany | France | Japan |
Subjects: 1. Garage Rock Revival
2. Indie Rock
3. International
4. Pop
5. Rock | |
| 118. Spongebob Squarepants: The Best Day Ever by Nick Records | |
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(12 September, 2006)
list price: $13.98 -- our price: $11.97 (price subject to change: see help) Asin: B000H7JD8G Average Customer Review: US | Canada | United Kingdom | Germany | France | Japan |
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Editorial Review It was only a matter of time before SpongeBob Squarepants became a star big enough to pull off a concept album. Where so many other megawatt celebrities, be they living and land-based or fictional and sea-dwelling, can get all high-minded and grand when cobbling together a theme for their music, though, our man Sponge proves he's as humble and porous as ever on Read more Features Reviews (5)
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