Blue Light, Red Light
Average Customer Review:
Audio CD (24 September, 1991)
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Reviews (30)

Can never be replicated
This is by far Harry's most complete album.I got this CD in 1991 when I was twelve and just getting into music and fell in love with it.Thirteen years later I am still listening to the CD.It starts out with a powerful ballad in Blue Light, Red Light, comes to the halfway point with a great dixie land swing mix in With Imagination (great solos) and ends with a high energy big band piece, Kiss Me.People who appreciate jazz and music alike will be assured to enjoys hours of listening.P.S. Go see Harry live, the man puts on a great show and is an audience pleaser.

My favorite
This album is by far my favorite of all Harry's offerings.I first saw him on Donahue ages ago and ended up getting this CD.Harry since put out several other albums trying to re-invent himeself along the way with a little funk but the songs from Red Light Blue Light are what I measure all his other albums up against.

Harry on Red Light Blue Light is backed up by an extremely talented big band whom much of which are also featured on a Harry Connick Jr. DVD I highly recommend called The New York Big Band Concert.

The BEST of the Best
My mother, guided by a recommendation from a store clerk, bought the cassette of this album for my father on their wedding anniversary. So my very first exposure to Harry Connick Jr. was by chance. Or rather, by destiny: as this album has inspired me in more ways than I can describe.

Six years later, after having worn out two tapes, i bought the album on CD. Now, five years after buying the CD, I plan on buying another - as it's been played over and over and over, causing much abuse.

A romantic effort with emotion so deep it is best measured in leagues, every song on the album is an amazing listen. From the beautiful title track that tells how all one needs for happiness is love to "He is, They Are" that tells of the care of a single father, Harry's voice takes you on a musical journey of which is likened to a quiet stroll in central park (or perhaps Berkley Square) on a warm August night.

His voice is often compared to Frank Sinatra and Bing Crosby, yet he remains undoubtedly his own - with a swing that is straight from 1943. Sometimes sweet, sometimes hot - the jazz is always grooving, rich and enveloping with instrumentation that is nothing less than perfect - thanks in no small part to solos by Leroy Jones (trumpet), Jerry Weldon (tenor sax), Brad Leali (alto sax), Ned Goold (tenor sax), and Russell Malone (acoustic guitar).

Enjoy "A Blessing and a Curse" and "With Imagination (I'll Get There)." Delight in romance with the likes of "She Belongs to Me" and "If I Could Give You More." Have fun with "Just Kiss Me" and "You Didn't Know Me When." Shed a tear with "Sonny Cried" and "The Last Payday." Listen to "Jill" and consider if it isn't the best Love song you've ever heard.

"Blue Light, Red Light" is, without a doubt, Harry Connick Jr's best album. I can say this because I own all of his albums. Proudly.

Treat yourself to good music with passion and soul and travel into the far, shadowed corners of your own heart and see what you discover. Treat yourself to "Blue Light, Red Light." ... Read more

Asin: B00000284F
Sales Rank: 9180
Subjects:  1. Pop    2. Pop Vocals    3. Swing    4. Traditional Pop   

The Girl In The Other Room
Average Customer Review:
Audio CD (27 April, 2004)
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Editorial Review

Singer/pianist Diana Krall breaks new ground interpreting modern standards by Tom Waits, Mose Allison, and Joni Mitchell, as well as compositions by herself and new husband, Elvis Costello. Krall's piano-jazz cred comes through loudly and clearly on her Count Basie-styled version of the Bonnie Raitt staple "Love Me Like a Man" (written by folk-bluesman Chris Smither). But it's the collaborations with her spouse that unearth untapped emotional nuances of her velvet voice; many are reminiscent of Bill Evans's moody, impressionistic pieces. The title track, "Narrow Daylight," "Abandoned Masquerade," and "I’m Coming Through" all deal with love and loss. "Departure Bay," a picturesque ode to her hometown of Nanaimo, B.C., proves that this is the start of something big, and that two heads--and hearts--are better than one. --Eugene Holley Jr. ... Read more

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Reviews (285)

What a disappointment............
First of all, I'm a huge Diana Krall fan.She has amazing talent and I'm sure that her heart and soul are rooted in jazz.I have no idea why she's decided to appeal to the pop music crowd unless it stems from her marriage to Elvis Costello.She should be influencing him instead of the other way around.

It's not that this album completely sucks, everything is done with her usual aplomb, it's just that it's so superficial compared to her previous work.What's wrong with realizing what you do best and sticking with it?Sinatra wasn't a songwriter but he was an amazing interpreter.She's got brilliant interpretations plus incredible jazz skills.

It's really unbelievable that anyone who dares criticize this cd is called reactionary by some of the other reviewers.The material on this album is very much in the Norah Jones mode and is far beneath an artist of Diana Krall's stature.I wouldn't go so far as to call it "bubblegum pop" but I would say that it's a major letdown compared to her previous work.

COMPELLING RETURN TO THE 70'S
I have always like the traditional jazz background that Diana comes from, so it was quite a surprise to hear a cd by her that conjers up of all things, the singer-songwriter movment of the seventies.I am not only speaking of the cover songs here, but the ones she and her husband Elvis Costello write as well.Departure Bay could have come off of For the Roses by Joni Mitchell, which outdoes Mitchell's own Black Crow.For Krall fans and those who like a little less jazz and more introspection, "GIRL" will satisfy.

Disappointing
I really expected to like this CD more.So I kept listening to this expecting it would grow on me.But I've learned that, even though some CDs take several listens to catch on, it's not going to stick more than it has after 10 listens.

This is not about what Ms. Krall has recorded in the past.Nor is it about whether this is Pop or Jazz, I don't really care as long as it's good.I'm very open minded about music and judge any recording on its own merit.Half the songs on this CD are covers and half are original compositions (her first) co-written with husband Elvis Costello.I don't find the covers were that well chosen."Love Me Like A Man" is thoroughly unconvincing, like a suburban housewife auditioning to be a stripper.And a lot of the original material sounds like it would have been better suited to husband Elvis."Abandoned Masquerade" is just boring.

This is certainly not a bad CD and "Departure Bay" is outstanding, one of her best on any album.On paper, the combination of Krall/Costello seemed unbeatable but, as we know from sports, dream combinations on paper aren't always borne out in reality.

I can certainly understand why Ms. Krall would want to do this, especially after marrying one of the best pop songwriters of the last 30 years.It's just disappointing it didn't produce better results.There's no shame in doing covers, after all how many songs did Sinatra write?There's a rare skill to selecting excellent material and interpreting that material in a fresh and exciting way.This is a skill that Ms. Krall has clearly demonstrated (on previous releases) she possesses.

It will be interesting to see which direction Diana takes from here.Whatever it is, I hope it produces results as engaging as many of her previous releases. ... Read more

Asin: B000148KK2
Subjects:  1. Jazz    2. Pop   

Collection: 1947-1972
Average Customer Review:
Audio CD (22 September, 1998)
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Reviews (5)

New to Me...But what a Treasure...
As I am learning to appreciate more and more diversity in musical selections, from pop to opera, Johnny Hartman comes across as a melodic genius....every one who loves beautiful smooth classics will love Mr. Hartman!

Hartmans one of the Greats!
Nice and easy on the ears for a change. The songs are all fine and mellow. because Hartman was black, he didn't get the attention that the white guys did, and he was a much better singer. buy this one and you will not regret it!

A MUSICAL MASSAGE FOR THE STRESSED!
In the shadows of this week's terrorist catastrophes, I cower to the shelter of Johnny Hartman's healing voice; so smooth...like liquid fire. I have been alone with him all this week trying to make sense of this perpetual function called life. He sings consolingly to me in my dark room with incense burning, and a Bose Wave Radio where every note breaths in my ear and gently kisses my saddened soul; and I am comforted and hopeful for the future. Let the beauty that is his fluid melodies help to heal you in your time of need. ... Read more

Asin: B00000BKK5
Sales Rank: 21554
Subjects:  1. Ballads    2. Jazz    3. Pop    4. Standards    5. Traditional Pop    6. Vocal Jazz   

All for You: A Dedication to the Nat King Cole Trio
Average Customer Review:
Audio CD (12 March, 1996)
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Editorial Review

All for You is a tribute to the Nat "King" Cole Trio of the 1940s, when Cole performed as both a singer and a pianist. Krall, like her heroes Lena Horne and Carmen McRae, is also a singer-pianist, and she plays both roles on most of the songs here. She's able to link her singing to her piano playing in sympathetic ways and projects tremendous feeling through both. Like Cole in the '40s, Krall plays with a drummerless trio--here with guitarist Russell Malone and bassist Paul Keller. Their sense of intimate rapport is especially valuable on ballads such as "You Call It Madness" and "I'm Thru with Love," but also allows such uptempo tunes as "Hit That Jive Jack" to swing with surprising lightness. --Geoffrey Himes ... Read more

Reviews (79)

In the spirit of Nat King Cole
This is, without a doubt, one of the best albums I have ever heard.As good as the entire package sits - from the foldout wrapping to the wonderful easily accessible program notes to the sultry black and white silhouette inside - nothing compares to the music.And this music astounds in variety, depth and most of all, the sophistication and sheer quality of the recording. The band is superb, Krall, Keller, Malone (and Benny Green in "If I Had You").


What could be more satisfying than the lyrica "I'm no Errand Girl for Rhythm" that carries a sultriness and breathiness that others only hope for.The "Boulevard of Broken Dreams", a slow incredibly beautiful ballade, captures the essense of the entire set.The vocal trio on "Hit That Jive Jack" reminds one of the Manhatten Transfer. The gems continue to roll forth - the sensuous piano duet and lyrics of "You're Lookin At Me", the piano (and voice) of "Deed I Do" and last, but certainly not least, the quintessential show ending, "If I Had You".

What she does, she does well
Diana Krall has become a huge selling singer over the years, which has often made her a target of the jazz "purists" who scoff at anything popular as a sellout.Perhaps she's not the greatest lounge-style singer and pianist ever, but I would argue that she's very good, and has popularized that style of music with her success.That's not a bad thing.

Of her CD's, I enjoy this one the most.As another reviewer wrote here, it's a lot "swingier" than much of her other material, and she brings meaning to the lyrics, the playfulness and the innuendo of it all.This album is a great place to start for those who've liked anything they've heard from Diana Krall.What she does, in this case smoky lounge music, she does very well.

The Diva's Best to Date
Diana Krall is the consensus Diva of Jazz these days.While I don't necessarily agree, there's no denying her talent, and if you're curious about her artistry, this is a good place to start.This, her tribute to Nat King Cole, along with the ensuing "Love Scenes", are her best works to date.Highlights include the rollicking "Hit That Jive, Jack" and the haunting "Boulevard of Broken Dreams" (the latter proving that Krall is capable of doing something memorable that isn't necessarily "cool.")Highly recommended, whether you're a big fan or not. ... Read more

Asin: B000003N89
Subjects:  1. Bop    2. Canada    3. Contemporary Jazz    4. Jazz    5. Pop    6. Standards    7. Swing    8. Torch Songs    9. Vocal Jazz    10. Vocalese   

The Bridges Of Madison County: Music From The Motion Picture
Average Customer Review:
Audio CD (30 May, 1995)
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• Soundtrack

Reviews (15)

Romantic Music
After reviewing the DVD movie, I was touched by the love that 2 people can share.As in any movie, I believe music helps the movie.I had to get the CD for at least the movie theme song.
But once listening to the complete CD, you'll find several songs that you'll remember the movie's scenes.One of the artist, Johnnie, has an exceptional deep, romantic voice that you'll want to hear over and over.A beautiful CD to capture romantic memories that you'll relate to!

The Ultimate Late Night Date Album
This is the ultimate late-night date album. Beautiful music and very romantic. Lower the lights, put this in your CD player, then let nature take it's course!

Remember the '40's and 50's?
I have this music in cassette and am now getting it in CD.
The entire group of songs are soooo beautiful. Reminds me
of the slow love songs of long ago. I could listen to Johnny
Hartman all day and night! ... Read more

Asin: B000002MZS
Sales Rank: 30298
Subjects:  1. Ballads    2. Pop    3. Soundtracks    4. Soundtracks & Film Scores    5. Standards    6. Vocal Jazz    7. Vocal Pop   

Love Scenes
Average Customer Review:
Audio CD (26 August, 1997)
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Editorial Review

Like a mink draped over mahogany, Diana Krall's luxuriously supple alto adorns the vintage songs of romance and longing found on Love Scenes with a palpable aura of glamour and late-night cool. Her ostensibly effortless command of phrasing and intonation, whether the mood is seduction or a sweet sassiness, further fortifies the opinion that the Canadian vocalist-pianist possesses one of the great female jazz voices to surface in the late 1990s. Augmented by spare but skillful instrumentation from bassist Christian McBride and guitarist Russell Malone, Krall sustains a largely quiet (though hardly sleepy) ambience throughout the CD's 12 selections, from Irving Berlin's "How Deep Is the Ocean (How High Is the Sky)," which she also uses as a showcase for her touch at the keyboard, to Gershwin's "They Can't Take That Away from Me." Her swing is artfully subdued ("All or Nothing at All"), and her wry, expressive approach to "Peel Me a Grape" is pure charm. Yet Krall shines most luminously on languid gems such as "I Don't Stand a Ghost of a Chance with You" and "Garden in the Rain." Anyone in search of an album ideal for watching city lights at 2 a.m. should keep Love Scenes in mind. --Terry Wood ... Read more

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Reviews (152)

About as perfect as hubby's "North"
I have not purchased the new CD by the husband-wife team of Diana Krall and Elvis Costello but am planning to do so.Both have long been in my vocal top ten for sheer talent, originality and musicality.You never know what to expect from such a hyped offering but for once, I was not disappointed.There is something interesting and lovely in ever single track.From the sexy "Peel me a Grape" to the fantastic "Garden in the Rain" these are extremely intelligent interpretations of several old classics.

One almost wants to enter that smoke-filled bar, order a Martini and take a seat.The piano-playing complements the vocals and that is another reason to like this album. With so many rap and hip-hop "singers" abounding who can neither read music nor play a musical instrument, it is refreshing to find an artist who can do both effortlessly. Wonderful, soulful sounds.

Sit down and relax...
Being next to her just as she sings... simply couldn't get better than that! As a jazz freak, it is nice to settle down and just enjoy little nicely composed tunes, in all sense just a great work! Very standard preserved jazz, well structured and entertaining, and Diana's piano skills just add more and more to the scene, not to mention her consonant beautiful voice that is always precisely adding more harmonic structure overall. The girl is talented, no doubt, but I recognize other than her virtuosity the fact that she sticks to her style, and she does it like few others, Sarah Vaughanet al... Great music, just get it...

Amazing
The first song I ever heard of Diana Krall was 'Peel me a grape' and boy did I fall in love.I automatically bought the cd and fell in love.She is one of the first jazz artists I was introduced to and remains to be my favorite. ... Read more

Asin: B000003NA4
Subjects:  1. Bop    2. Contemporary Jazz    3. Jazz    4. Pop    5. Standards    6. Swing    7. Torch Songs    8. Traditional Pop    9. Vocal Jazz   

When Harry Met Sally: Music From The Motion Picture
Average Customer Review:
Audio CD (13 July, 1989)
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Editorial Review

Plucked from the piano bars of New Orleans, Harry Connick Jr. was an unlikely choice to pen the soundtrack for a major Hollywood release. But everyone concerned hit the jackpot. As with the best of Connick's music, When Harry Met Sally resonates with a whimsical yet sophisticated and urbane energy. That smooth, breathy tenor, combined with some inventive arrangements, brought color and setting to the film, playing a plum supporting role for Billy Crystal and Meg Ryan. Beyond the film, this collection of reworked standards stands on its own quite well. A lustrous vocal line bookends the hopping instrumental swing in the middle of "Don't Get Around Much Anymore," playing that song's central melancholy up with a Nelson Riddle-esque big-band sweep. Connick's take on "Love Is Here to Stay" puts a gentle cha-cha behind the familiar verses, slowly working in a lazily wandering tenor sax. By the time the record fades out in a hushed, tender rendition of "Where or When," Connick has managed to thoroughly charm us, whether we'd seen the movie or not. --Matthew Cooke ... Read more

Features

• Soundtrack

Reviews (41)

Where are the original?
Harry Connick, Jr. did a fair job representing the musical legends that were found in the movie, but nonetheless, this soundtrack should contain the artists who created the songs and/or who were featured in the motion picture. If you are purchasing this CD because you enjoy the classics performed by musical legends, as I do, then I do not recommend this CD; instead I would buy the originals.

When Harry Met Sally movie soundtrack
This CD is NOT the music soundtrack from the movie.It's only some of the music that is in the movie.I was very disappointed.I wanted the original soundtrack of the music you hear when you watch the movie.That's why I purchased it.Is the original soundtrack NOT available or was it not produced?I wouldn't buy this CD again.

This is not the original soundtrack
This collection of music by Harry Connick, whom I normally like very much, is NOT the music we heard in the motion picture. (...) I was very disappointed by this product and would not recommend this CD to anyone. Note that I'm not a Harry basher. I saw him live this summer at the Hollywood Bowl and he was fabulous. It's just a shame that this CD is borderline (...) presenting itself as the movie music (just look at the jacket). I cannot recommend this CD. ... Read more

Asin: B0000026V6
Subjects:  1. Pop    2. Soundtrack    3. Soundtracks    4. Soundtracks & Film Scores    5. Swing    6. Traditional Pop    7. Vocal/Standards   

Unplugged
Average Customer Review:
Audio CD (28 June, 1994)
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Editorial Review

This CD won Grammy Awards in 1995 for Album of the Year and Best Traditional Pop Vocal Performance. Recorded live with Tony Bennett's long-standing accompanists Ralph Sharon on piano, Doug Richeson on bass, and Clayton Cameron on drums, the set includes more than 20 songs, many of them standards Bennett has sung for years, such as "Old Devil Moon," "I Wanna Be Around," "I Left My Heart in San Francisco," "All of You," and "Body and Soul." Guest artists k.d. lang and Elvis Costello appear on, respectively, "Moonglow" and "They Can't Take That Away from Me." It's a joyful romp for Frank Sinatra's favorite singer. --Stanley Booth ... Read more

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• Live

Reviews (17)

Great Album
This is a delightful album and, honestly, one of my most favorite CDs.A wonderful selection of songs! Bennett was 68 years old when this live performance was recorded in 1994 (part of MTV's "unplugged" series of live performances); yet, his voice was soothing, and delivery stylish as ever.Impressive!!Listen to Bennett's early albums from the 50s and 60s ... then listen to this album and the albums that followed this one, and you'll find that his voice has changed little.While Sinatra's voice had gone raspy with age, Bennett continued to set the standard in traditional jazz with this album, through the 90s, and beyond ... expertly manuevering each turn-of-phrase in these elegant reprises of the many tunes Bennett hasn't recorded in years.

Maybe Bennett's Most Essential Live Recording (3.5 stars)
To win the Album of the Year Grammy for an MTV Unplugged two years after Eric Clapton did with his classic unplugged album, to win the Grammy when acoustic shows were not near that much in vogue -- it must indicate something. And it does. Tony Bennett's comeback in 1990's could not have a better place to solidify.

Second only to Frank Sinatra on the all-time list of standard 'crooners', Bennett (67 at the time) was here singing his signatures and favourites accompanied by efficient Ralph Sharon trio, of which especially the pianist Sharon deserves special attention (listen to "I Love A Piano" or his glorious solo on "Steppin' Out With My Baby").

Bennett's shoes fit best on ballads, like "It Amazes Me", "It Had To Be You" and his signature "I Left My Heart In San Francisco". k.d. lang and Elvis Costello offer guest vocals on two subtle duets. Probably unrehearsed, as a nice misstep with Elvis shows.

Intimacy between Tony and the audience is almost tangible on this record. Tony sings, the audience cheers. Oh, what a night it was. Billie Holiday was right when she predicted a career for the young Italian-American Bennett back in 1950's.

Let's get really unplugged!
Having been to many Bennett concerts, I can attest to the fact that Tony swings in front of a live audience. If there is any one artist that can be credited with keeping jazz on the front page of the American popular songbook, it is Tony Bennett. What other pop artist sells albums accompanied by only a piano? (The Bill Evans recordings.) Here, Tony uses a trio to bring down the house. Yes, there are standards, but they sound fresh and alive. It's clear that both artist and audience are having a great timeand this cd conveys that excitement. On one selection Tony gets "really unplugged"! This Grammy winning cd includes duets and a short drum solo for good measure. This concert was credited with the revial of the Bennett career and one listen will make you part of that. Great support from the Ralph Sharon trio and the appreciative audience inspires Tony's offer "to come back someday and sing all new songs." MTV take him up on that! Until then, I will be listening to this cd. ... Read more

Asin: B000002AON
Subjects:  1. Pop    2. Pop Vocals   

Best Of Ella Fitzgerald & Louis Armstrong
Average Customer Review:
Audio CD (26 August, 1997)
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Editorial Review

Ella Fitzgerald's voice was satin to Louis Armstrong's sandpaper, but when you put them together on a single song, their chemistry was unimpeachable. This disc selects highlights from the three albums they made together at Verve (including their Porgy and Bess), and adds a spiffy live track from the Hollywood Bowl. Though they don't harmonize much (Armstrong's voice wasn't built for harmony), Ella's dignified swing and flashes of teasing wit play off Satchmo's gritty, good-humored roar symbiotically. The material is mostly lightweight Tin Pan Alley stuff (lots of Gershwin, plus the likes of "I've Got My Love to Keep Me Warm"), and they fly it like a kite. --Douglas Wolk ... Read more

Reviews (45)

MA-AN!Too much talent for the the spoiled youth to bear...
I have good instincts, folks.Just like all of you who've already givin' this a glowing review.I checked this out from the library a few days ago and was immediately FLOORED.So much so that I'm thinking about no reteurning it; telling them I lost it an' just paying for it.I'm amazed at the gracefulness that comes across when you put together two so distinct an' so DIFFERENT voices.Louis' scratchy, gruff, yet likeable an' melodic croon an' Ella's smooth-as-silk, soothing an' intoxicating voice incredibly, to me, go PERFECTLY on these duets here.From that first opener 'Let's Call the Whole Thing off', done so sly an' flirtatious on both parts, to 'Gee, Baby, Ain't I Good to You' to the ever-engaging 'Autumn in New York' and 'Stars Fell on Alabama' one of the GREATEST standards EVER written ("And in the center just you and me, My heart beat like a hammer, My arms wound around you tight, And stars fell on Alabama last night").THAT is what romance is, kiddies!Oh, an' I can't forget 'Summertime'.Ahhh, yes, 'Summertime', with that opening trumpet that tugs at your heart strings and makes you wish for days of love, happiness, sunlights an' flowers; a world of beauty that should never be taken for granted.

Yeah, I know what you're thinkin'; "there he goes, layin' it on thick again."Well, I can't help it.In a time filled with the most repugnant excuses for music I've ever heard in all my soon-to-be twenty-five years, it is a shining gift that this music has been preserved for us who TRULY appreciate talent and genius.There's no show-boating here, no bone-headed braggadocio, no studio gimmicks.THIS is what music is.

Geniuses make Geniusjust by being together
Perhaps this is the collaboration of the two greatest singers in the history of Jazz. Louis is the fundamental jazz singer who changed it all once he put down that coronet and began to scat and sing. Louis's inflections and his rhythm, his ability to do what he could do on a trumpet with his voice started real Jazz singing. People forget but Fats Waller's "Ain't MisBehavin" was introduced by Louis in a Broadway show in the 1920s.When he sang and played the tune he would often get three or four encores, and people who had already seen the show several times would pay full price to come in and see that one song!

Norman Grantz of Verve put together these combination recordings on the fly, whoever was in town, no rehearsals, no real arrangement worth much, a set list drawn together on a piece of paper, the artists hustling to make time between gigs, not usually having their regular accompaniests.

Yet, all the Louis Armstrong collaborations are wonderful. None are as brilliant as Louis and Ella for sheer wit and vocal power, for inventions. They are great in regard to rhythm, perhaps that is why Lester Young called Ella Lady time. Listen to them alternating verses, and also listen to the way that Louis's trumpet playing comments on both their vocals.

While this sampler is good, I recommend their album doing songs from Porgy and Bess to anyone who has ears, whether you can hear or not.If you can't hear, you want the CD on hand for the day they find a cure. You deserve something this good to be the first thing you hear!

Among the best CDs I have ...
As others have said, you just can't miss with this one. Production value is very high -- these are also great recordings (incredible really). Makes you think that these were anticipated to be great performances ... Louie and Ella did not disappoint.

The back cover says it all "These 15 tracks may be the greatest recordings in Verve's hallowed vaults -- masterpieces selected from the three albums of duetsrecorded by 'Pops' and a Lady named Ella ..." ... Read more

Asin: B0000047FO
Subjects:  1. Ballads    2. Bop    3. Jazz    4. Pop    5. Standards    6. Swing    7. Traditional Pop    8. Vocal Jazz   

Francis Albert Sinatra & Antonio Carlos Jobim
Average Customer Review:
Audio CD (26 May, 1998)
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Editorial Review

Multitalented Brazilian musician Jobim's talent was revealed to a larger world in 1959 by his and Luis Bonfa's score for the film Orfeu Negro (Black Orpheus) in 1959. Songs such as "A Felicidade" and "Desafinado" generated the bossa nova movement of the early '60s that inspired the likes of Stan Getz, Charlie Byrd, and Miles Davis. This 1967 album features Jobim sharing vocals with Sinatra on "The Girl from Ipanema" and "How Insensitive." Three standards--"Change Partners" by Irving Berlin; "I Concentrate on You" by Cole Porter; and Robert Wright, George Forrest, and Alexander Borodin's "Baubles, Bangles, and Beads"--round out the program of seven Jobim tunes. This is a lovely taste of Latin melody and rhythm from two masters of relaxed swing. --Stanley Booth ... Read more

Features

• Original recording remastered

Reviews (91)

One of the best albums ever!
Frank Sinatra and Carlos Jobim combining to create a masterpiece.
This is one of my favorite albums of Frank. The songs are very relaxing to listen to. All the songs feel like they should be on the album as well, no clutter thrown on this one.

This album is short and sweet - A must purchase for the Sinatra collection!

Sinatra digs bossa nova!!!
In the 60's, when Stan Getz, Sergio Mendes & Brasil 66, Eydie Gorme and a sleuth of other jazz/pop performers all got in on the greatest thing to happen in the 60's, The Bossa Nova, Sinatra decided to take a crack at it, and this cd is that awesome album.Jobim plays on the album, while there is some fine bossa nova tunes mixed in with standards like Change Partners.This cd is a 100% classic, and is easily the highlight of Sinatra's 60's concept albums!!!

The tops of tops
If you're a Bossa Nova nut like me, you'll flip over this wonderful teaming of Sinatra and Jobim. It's so totally engrossing. A young man I know asked for advice from me on a very special date he was going to have. He was going to prepare a dinner at his apartment. I told him make a nice dinner; lower the lights; have a chilled bottle of wine or champagne. And top it off with Sinatra, Jobim and Bossa Nova playing softly. I added, "If she doesn't fall head over heels for you, check your breath because something is very wrong. I still do this every month for my wife and I. She can't keep her hands off me!
I'm 73 and she's 68. The romance is still there thanks to Sinatra and Jobim.

... Read more

Asin: B000006OBR
Subjects:  1. Pop    2. Pop Vocals   

Woman on Top
Average Customer Review:
Audio CD (12 September, 2000)
list price: $17.98 -- our price: $14.99
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Editorial Review

The soundtrack from Woman on Top, starring Madrid-born bombshell Penelope Cruz as the beauty and brains behind a popular cooking show, is the perfect introduction to the Brazilian sound--and just might live up to the label's promise that it's "destined to bring Bossa Nova music to the world" (though bossa nova has long been popular in the West, albeit in specialized circles). The highly listenable album features contemporary Brazilian artists such as singer-songwriter Lenine; pop-rocker and Joao Gilberto sound-alike Paulinho Moska; and the three-DJ collective Bossa Cuca Nova putting a new spin on a classic Geraldo Pereira tune. It also includes gems such as Maria Creuza and her delicately wavering voice, and guitarist Dori Caymmi performing one of his father's songs. Mellow yet upbeat, it's relaxation music that won't put you to sleep. --Jamie FitzGerald ... Read more

Features

• Soundtrack

Reviews (44)

Excellent Bossa-Samba CD
There's little need to review this CD after Daniel Hamlow's thoughtful and informative critique above, but I loved the CD so much I had to weigh in.In case you aren't familiar with his citations, he mentions the big three Brazilian music classics: Astrud Gilberto's "Jazz Masters 9" from Verve, "Jazz Samba" featuring Stan Getz and Charlie Byrd also from Verve, and Bebel Gilberto's "Tanto Tempo."If you liked the soundtrack, you should find these three CDs.I'm not usually a big fan of movie soundtracks, but "Woman on Top," is not a typical movie soundtrack in that it stands by itself as a music CD, you really don't need to even know the movie to enjoy it.Although the CD is misleadingly titled "Penolope Cruz:Woman on Top" she's only the CD cover art.The musical performances feature some of Brazil's best contemporary samba crooners.This CD should appeal to fans of Brazilian music, jazz fans, world music fans, as well as people who enjoyed the movie.

Excellent Soundtrack, Unfortunate Movie
I was a corporate trainer in Brazil for a year. Brazilian music was easy to love and I have had a difficult time finding music from Brazil to purchase in the United States.The only reason that I watched the movie in its entirety is because the music intrigued me. This soundtrack has a sampling of many types of Brazilian music and it is extremely well made.

splendid!
The soundtrack totally made up for whatever crap there was in the movie. I am just in love with this soundtrack. Do yourself a favour and get this piece of art. ... Read more

Asin: B00004XSXX
Subjects:  1. Afro-Brazilian    2. Brazil    3. Brazilian Jazz    4. Brazilian Pop    5. MPB    6. Pop    7. Samba    8. Soundtracks & Film Scores   

Buena Vista Social Club
Average Customer Review:
Audio CD (16 September, 1997)
list price: $18.98 -- our price: $13.49
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Editorial Review

Ry Cooder's name has helped bring attention to this session, but it's the veteran Cuban son musicians who make this album really special. Reminiscent of Ellington in its scope and sense of hushed romanticism, Buena Vista Social Club is that rare meld of quietude and intensity; while the players sound laid-back, they're putting forth very alive music, a reminder that aging doesn't mean taking to bed. Barbarito Torres's laoud solo on "El Cuarto de Tula" is both more blinding and more tasteful than any guitar showcase on any recent rock album; a quote from "Stormy Weather" and some very distinct parallels to Hawaiian styles remind us of why it's called "world music." --Rickey Wright ... Read more

Reviews (294)

* I Didn't Realize I Even Liked Cuban Music *
I have never listened to Cuban music in my life until 5 yrs ago when I happened upon a PBS special with the Buena Vista Social Club.I am in love.This stuff is fabulous.What treasures these old Cuban singers are.This CD is wonderful ... makes you think you are in a little club in Havana or somewhere on a hot, humid beach in Miami ... the music literally transports you -- most music cannot do that.

I think a few of these treasures have since passed but this music will live on carrying their names on the wind forever.Wonderful music for Cuban or South Florida dreaming.Enjoy!

Its officially a staple for me!
I have had this cd since its release- and I still play it- which is a real surprise to me.Most of our music these days is so disposable- one hit wonders- sixteen bands that sound & look identical-but this cd lives on.It's a beautiful & astonishing cd.I sincerely believe its just one of those things that gets better each time I hear it.

a highly enjoyable piece of work
I don't understand the people who say that this album sounds "washed up" or "out of place" with real Cuban music.I suppose a hardcore cuban music fan might have objections with Ry's blues guitar, which I happen to like.But for a person who doesn't have a lot of strong ties to world music, this cd is a wonderful addition to the collection, and is quite a classic album.All of the songs are awesome, the musicians are extremely strong on here, and it is just a terrific album.other reviewers are just trying to be extremely elitist; their complaints really have no basis in how this album sounds.If you are a fan of Santana, Linda Ronstadt, Pink Martini and similar artists, you will definitely enjoy this piece of work.Highly Recommended.It is fun and amazing work. ... Read more

Asin: B000005J56
Subjects:  1. Latin    2. Tropical   

Unauthorized
Average Customer Review:
Audio CD (22 February, 2000)
list price: $18.98 -- our price: $18.98
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Editorial Review

Composer-guitarist David Cantor has an unusual talent among contemporary songwriters, weaving cabaret tales of retro angst and postmodern humor that casually refer to the brand names of cars (from Hyundai to Cadillac) and French philosophers (Sartre and Foucault). Along the way, he finds metaphors in Ted Bundy's execution and Nixon's trip to China and manages rhymes for "bacchanalia" and "big-screen television," meanwhile setting it all to music that's alive with touches of swing, klezmer, and lounge Latin. For her part, singer Kelly Flint possesses a real voice, filled with hints of Anita O'Day and Peggy Lee. She finds just the right blend of irony, experience, and conviction for Cantor's verbal inventions, articulating them with a conversational ease that makes them sound natural, if not normal. This CD is a fine successor to Sex Without Bodies. --Adam Rains ... Read more

Reviews (7)

mellow and fine
Wonderful rock (as stated above) that won't give you a migraine. You can play their music over and over and not get tired of it.
The only complaint I have is the talking number (Chicks) on this CD, in fact, that's my only complaint with their music. When the guy talks (not sure who it is, Dave or someone) it just disrupts the entire mood.

When I buy a CD for the music, I expect it to be ALL music.

A Marvel!
This has quickly become one of my all time favorite discs.It's a marvel. The instrumentation and arrangements are fantastic. The recording, as always with Chesky, is top drawer.Ms. Flint's voice is just "to die for", and Dave Cantor's writing is everything everybody else has noted: hip, understated, clever, and ironic.It has been called "retro angst", and it is that. But, I think it's more, too. It's current social commentary. Not the kind that preaches or hits you over the head, and you don't need to find it to enjoy the songs; still, I think it's there, and proves that serious comment need not sound serious.

"Dear Miss Lucy" is a professional dominatrix. She's being asked "to set the poor boy free". The "poor boy" being the singer's (in the song, of course) husband. The wife ends up promising to do Miss Lucy proud by letting hubby sing under her own "black stilletto" rather than Lucy's. "Lilly-110-140" might properly be called the prozac cha cha. Its protagonist gets let off (after chopping up her analyst) with a "stern and judicious warning" from the judge and a ten year supply of prozac (Lilly-110-140) from his bailif. Then there's the unrepentant slasher doing "Florida Time" who, after ten years, can still taste his victim's fear; and "Baby, Who Are You?" is about waking up next to someone you no longer recognize (Billy Joel's "Stranger", anybody?). Last, but not least, where else in all of jazz/pop ("Chicks") are you ever going to find rhyming references to Homer (Circe, turning men into pigs) and Keats (modern "Belles Dames Sans Merci")?

This is one teriffic album.Highly recommended!

A seductive dry martini with a twist....
Recorded in St. Peter's Church in New York, this CD brings forth a collection of original songs that brings an ageless re-birth to the meaning of "lounge Jazz".Making use of a smoky musical hue, combined with lyrics that read like a black and white film from the 40s this CD takes you back to a time and place when cynical thought was hip and still had its sense of innocence.

Combining 13 original songs by Dave Cantor, and the coolly laid back vocals of Kelly Flint along with a well placed sax or bongo drummixes up a cocktail blend of "lounge jazz meets beat music" that has a touch of the avant-garde without ever losing its earthiness.By blending the ironic with angst, and wittiness with coolness, the songs on this disk travel to the past without ever leaving the present and, on songs like "Florida Time", a crime story gone awry, the listener has the feeling that they have entered a 1940s black and white crime movie.

One of the bigger standouts on the disk, "Chicks" is the only song in which Dave Cantor sings lead vocal, and if I have one complaint it is that he does not do more of this as his dry wit and droll delivery are in nice contrast with Flint's cool irony.In Cantor's hands, the dryly-witty "Chicks", a song not about the desire for love but for sex, becomes a song for every man who has been burned, spurned and cast off in his desire for just this one simple thing.

When all is said and done, this is a disk where understatement speaks the loudest.Kelly Flint may not have the biggest of voices on the jazz scene or the most flashy but then here it is not "size that matters" it is what you do with it that counts and Flint, with her understated sense of irony uses coolness rather than aggression disarming the listener with her frankness and sense of chic.Where many of today's singers seem intent on impressing with vocal acrobatics, Flint has a unique focus on the lyrics and musical line that is rare in singing today - one in which the listener is transported directly into the places where the songs are being sung.In songs like "When Kafka Was the Rage" she opens the listener up to an intimacy that is magnetic and frank with just enough angst to make it believable."I Still Adore You" is an example of old fashioned balladry that in Flint's hands has the understated feel of a classic nightclub romance complete with couples dancing in close detachment.

With its simple arrangements, and simplicity of sound, the emphasis here is on the ambiance, and the result is a collection of songs that is laid back, hip, and smoky.Jazz fans, fans of the slightly eclectic, and of the off-beat won't be disappointed by Cantor and Flint's quirky outlook on life and may find themselves wishing they could be transported into Cantor and Flint's time and space as well. ... Read more

Asin: B00004R87E
Subjects:  1. Jazz    2. Pop   

DAVE'S TRUE STORY - version 2002
Average Customer Review:
Audio CD (18 June, 2002)
list price: $15.98 -- our price: $15.98
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Reviews (3)

just the best!
Kelly Flint and Dave Cantor! Wow! Love the hypnotic sound. The lady can sing. If you're having a bad day and are stressed out (not a good thing at all, as we know by now) this is the kind of mellow-sounding rock that can take that stress away and make you feel pretty good about things after all.

I only wish that these talented artists would create a few more albums.
Own three of their CDs and love all three!

Well-Crafted and Goofy Fun
Many people are content to listen to songs whose lyrical complexity ranges all the way from "Ooh, baby" to "Ooh, baby, ooh". And there's nothing wrong with that. But sometimes it's nice to have a change of pace and try something a little more daring and sophisticated. With Dave's True Story, you'll find references to Tutankhamen, mermaids, and rocks impacting skulls. And also eggs made of "rare Siberian wood". I'm still not quite sure about that last one, but evidently it has something to do with bondage. So I guess this album deserves an adult rating.

David Cantor writes the lyrics, Kelly Flint provides the vocals. (Cantor also takes an amusing vocal turn on "Flexible Man", an ode to kink.) He notes his influences as including Tom Waits, Lyle Lovett, and Steely Dan's Donald Fagen. Together, Cantor and Flint create a smoky and sly sound with retro jazz/standards roots, music that doesn't take itself altogether seriously but that rewards the careful listener who wants to feel their college education counted for something.

This release features some bonus tracks, including an updated version of "Crazy Eyes". (Evidently, this song and "Sequined Mermaid Dress" were featured on the soundtrack to "Kissing Jessica Stein", an indy film of a year or two ago.) I did not find their covers of "Fever" and "Blue Moon" to be too compelling, but I did like the instrumental work on the former.

Be that as it may, if you're looking for something a little bit intellectual, a little subversive, and a little naughty, this is an excellent album to buy. Just let me know about those rare Siberian wooden eggs...

Exceptional, unique, cool music...
I cannot find enough superlatives to describe this cd. That I waited so long to get acquainted with this group's unique music is my loss! Not easily characterized, other people have described this as jazz/noir/lounge music.It doesn't really matter what you call it; I haven't stopped listening to it since I first heard it at a local store's listening station last week. David Cantor is an expert songsmith.He MUST be the best lyricist in contemporary America.Witty, intelligent language that he even manages to rhyme!Many of the songs are perfect little gems of human stories. And in his music, he has created the perfect accompaniment to his words. Furthermore, Kelly Flint wraps her voice around the words and music so well that you feel as ifshe's living each song.She has impeccable phrasing, timing, and inflection.What a great song interpreter! Besides Mr. Cantor's songs, the standards "Blue Moon" and "Fever" are included here.Ms. Flint's version of B.M. is the first one I've been able to listen to without cringing.As for "Fever," Peggy Lee's and Shirley Horne's versions pale to Ms. Flint's.If you're temperature doesn't rise when you hear this track, you'd better check your pulse to see if your heart is still beating! ... Read more

Asin: B000068WXP
Sales Rank: 63063
Subjects:  1. Jazz    2. Lounge    3. Pop    4. Vocal Jazz   

Sex Without Bodies
Average Customer Review:
Audio CD (15 April, 1998)
list price: $18.98 -- our price: $18.98
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Features

• Live

Reviews (20)

disappointed
After the Unauthorised album with its haunting vocals this did not appear to be progress nor indeed as good.

love it!
Simply can't get enough of this type of music. Not easy to classify--not exactly rock, and not exactly jazz--well, whatever the heck it is (jazzy rock?), it sounds great to these ears.
I'd like to see these talented folks cut a few more CDs.

My only objection, (as stated elsewhere regarding two of their other CDS) is when Dave does the talking number.
I don't know, but it just sounds way too weird, and throws the works off. Shouldn't a music CD be all music? Why talk at all, unless it's live and talent is being introduced, etc.

Anyway, that's my only beef with their output.

When will you cut another record, guys? Your fans are waiting.

ABSOLUTELY INCREDIBLE!!!
I cannot find words to come close to describing how fabulous this CD; this group; this music is! The melodies of Dave Cantor are beautiful. Coupled with kinky lyrics or incredibly intelligent lyrics or just plain fun lyrics - everything works! And Kelly Flint's voice. Cool and sultry. And, great sound. Ballads like Stormy, Nirvana, and Crazy, reach into the depths of one's feelings, explore taboo thoughts, mine deep human emotions - and do it all within the framework of sophisticated and haunting melodies. There is not a weak link to this music.
And where and how did I find this absolute gem? In an out of the way cut-out bin in a record shop in, of all places, Tokyo! Let's hope that some hip Japanese are enjoying this now, as I have been since the day I found it.

This is GREAT MUSIC! Get this and the other 2 DTS disk's - NOW!!! ... Read more

Asin: B000003GH8
Sales Rank: 78630
Subjects:  1. Jazz    2. Lounge    3. Pop    4. Vocal Jazz   

Mob Hits: Music From And A Tribute To The Great Mob Movies
Average Customer Review:
Audio CD (09 March, 1999)
list price: $21.99 -- our price: $21.99
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Editorial Review

As you may already know from seeing it hawked incessantly on late-night TV by Jerry Vale, Mob Hits is a compilation CD that attempts to capture the ambience of the modern gangster pic by assembling songs heard in key scenes of such films as The Godfather, GoodFellas, Donnie Brasco, and Casino. While licensing restrictions keep the music of Frank Sinatra from being part of this collection (odd, as the address on this package is the address for his long-time label Capitol Records), the selection and sequencing of well-known Italian "hits" by Vale, Dean Martin, Louis Prima, Lou Monte, Al Martino, and Julius LaRosa gets the job done with discretion and honor. And the liner notes even offer a toll-free number for homemade pasta sauce. --Gregg Turkington ... Read more

Reviews (43)

Very good album
This is actually a very good album. I agree with another reviewer that if Sinatra was on here it would be 5 stars. I love the fact that some great songs are on here, and the sound quality is very good. Of course some of the songs on here are very common. I love the fact that it covers 2 discs and Al Martino is on here more than once. A great companion for the mob movie lover!

I can understand people complaining about the price, and that they could pick up many of these songs at the library. However, I'd rather rate the album! Reminds me of the saying "You get what you pay for"

GREAT!
Don't listen to the PC idiots who are speaking negatively about this cd.It is a great representation of the mob movies we all love (though it's a same Sinatra is not here, hence the 4 star rating).Throw this set on, kick back, and imagine your living in your favorite mafioso flick.

Way over priced for over-produced songs from yesteryear
I agree with the reviewer who commented that this CD is WAY overpriced for what it offers. . .a bunch of old recordings most of which I was able to find FREE in my local library on the Italian American CDs there! And yes, the MOB title is a disgusting sales tool. . .can't believe Italian Americans would support this lusterless CD that stereotypes a culture. If you are Italian American and care about your heritage, you shouldn't waste your money on these crappy (and offensive) CDs. ... Read more

Asin: B00000IGQI
Subjects:  1. Ballads    2. Brill Building Pop    3. Pop    4. Soundtrack    5. Soundtracks & Film Scores    6. Swing    7. Traditional Pop    8. Vocal    9. Vocal Jazz    10. Vocal Pop   

Remembering Madison County (1995 Film Soundtrack Companion)
Average Customer Review:
Audio CD (11 June, 1996)
list price: $11.98
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Features

• Soundtrack

Reviews (1)

As The Movie. "BEAUTIFULANDCANNEVERBEMATCHED"
There's not words to write from my spirit that could express the deepnest in my heart every time I see the movie or hear it's soundtrack. This movie is myself really but in a some what differant way. In every case I hear themusic or watch this outstanding, moving art work of many people in lifethat share this same path in life I can't stop from crying thinking howvery close this touches home. Clint is my man in life and I worship all hisworks. Meryl I've never thought much of till this. She is the reason for mytears. The truth is. "It only passes ONCE in a life time". Thechance never returns.

To: Sandra my love and mate in life Iwish.

Ronald ... Read more

Asin: B000002N80
Sales Rank: 127973
Subjects:  1. 80's    2. Adult Contemporary    3. Pop    4. Soundtracks & Film Scores   

We Are in Love
Average Customer Review:
Audio CD (15 June, 1990)
list price: $11.98 -- our price: $10.99
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Editorial Review

Harry Connick Jr. has a rare gift for summoning the style of classic 1940s saloon singing, hinting at Frank Sinatra, Tony Bennett, and especially Dick Haymes, without engaging in actual impersonation. What's more uncanny still is his songwriting, an idiomatic command of the standards that often summons some of the rhythmic ease of Gershwin, the tunefulness of Jerome Kern, and the wit of Cole Porter. Both his singing and songwriting talents are evident on this CD, recorded in 1990 when Connick was just 22. Its emphasis is squarely on the subject of love, both on the ballads and some harder swinging tunes, and Connick's voice shines on original songs and the standards "A Nightingale Sang in Berkeley Square" and Porter's "It's All Right with Me." Connick's voice and piano are ably supported by bassist Ben Wolfe, drummer Shannon Powell, and a string section, while there are some good jazz solos by regular associate Russell Malone on guitar and guest Branford Marsalis on tenor and soprano saxophones. --Adam Rains ... Read more

Reviews (16)

The New Standard: Harry Connick Jr.
I have been enjoying this CD for several months now and I have truly grown to love every track on it. His unique style and interpretations harkens back to a time when the songs were beautifully written and the performers were masters of there craft.Almost single-handedly Harry Connick Jr. has managed to create a new fresh awareness to jazz music as a whole, and even now in 2004 he continues to reacquaint the world to the beautiful songs from the past.

If you LOVE listening to GREAT CROONERS and are in the mood for some Bigger, Brassier, Swingin' versions of tunes from the Great American Songbook, I would also recommend MONTE PROCOPIO "SWINGIN' WITH STYLE" CD. He is also a Great Crooner that can really SWING and deserves a listen. Buy both these CDs, you can't go wrong!

the king of jazz
buy it.......
sit back and listen.............
appluade the genius of harry connick jr!!!!!!!!,.......
......enough said

the jazz god
this album is the greatest album by harry, and thats going some
it is unfortunate that this music genius is not more well known,you can listen to his music for any number of reasons because it is all so varyed,and we are in love(the single)is prob the best song i have ever heard
i want you all to buy this album now and applaud the genius that is harry connick jr!!! ... Read more

Asin: B000002743
Subjects:  1. Pop    2. Pop Vocals   

Live in Paris
Average Customer Review:
Audio CD (01 October, 2002)
list price: $18.98 -- our price: $13.99
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Editorial Review

Recorded at the historic Olympia Theatre in Paris in November 2001, this is Diana Krall's first live album. Backed by her quicksilver comboof bassist John Clayton, drummer Jeff Hamilton, and guitarist JohnPisano (on some tracks), Krall's jazz heritage comes through loud and clear on this programof standards, ballads, and bossa novas. On Peggy Lee's "I Love Being Herewith You," Bob Dorough's "Devil May Care," and Frank Sinatra's "Fly Me to the Moon," Krall's snappy, postbop piano playing shows off her debt to Nat "King" Cole and Jimmy Rowles. Her cool contralto vocals are illuminated by the Orchestre Symphonique Europeen, under the direction of Alan Broadbent, as well as the London Symphony Orchestra, led by conductor Claus Ogerman. Krall's deep take on Joni Mitchell's "A Case of You" is a great choice for an encore, and the CD concludes with Billy Joel's "Just theWay You Are" (a studio track from a film called The Guru), withtenor saxophonist Michael Brecker and bassist Christian McBride. This collection only hints at what Diana Krall has to offer in the future.--Eugene Holley Jr. ... Read more

Features

• Live

Reviews (108)

Let's Fall In Love (with this CD)
I saw Diana Krall on the same European tour at London's Royal Albert Hall, so was looking forward to listening to this.I purchased this CD a few weeks ago and yesterday put it away on the CD rack for the first time.However, unlike a lot of other recent purchases, I know this CD will be coming off the shelve many many times in the future.

Put simply, Diana Krall is a highly effective song interpreter, both in her singing and her playing.I was a little concerned when looking at the song list and the number of pop songs on it - five of the 12 songs here.I needn't have been.It takes guts to take really well known pop songs and give them jazz arrangements.It takes musical brilliance to do so this successfully.Her interpretation of Bacharach's "The Look Of Love" is stunning.When she sings "I can hardly wait to hold you..." the longing in her voice is passionate without a hint of melodrama.I have never heard this song performed this beautifully.Joni Mitchell's original version of "A Case Of You" was brilliant, one of the best songs on Blue, an acknowledged classic.Yet fellow Canadian Krall reinterprets the song with great success offering a moving tribute to her native land.I'm not a big fan of Billy Joel's "Just The Way You Are", possibly because it's just been overplayed, but Krall's version (the only studio track) is upbeat and magnificent.

The CD gets off to a great start with the jumping "I Love Being Here With You" which showcases Diana and her band in top form and obviously loving every minute of what they're doing.There is that feeling of a band just being "on" that's rarely captured in studio recordings.Most of the songs have extended instrumental breaks and Ms. Krall really gets the opportunity to show off her chops, as does guitarist John Pisano whose playing is excellent throughout.

Let's be real, if you're preferred style of jazz is avant garde or free jazz, this isn't for you.However there is a legitimate genre of vocal jazz and there are few albums in the genre that offer such an irresistable listening experience from start to finish.

Astounding
Let it be said that I AM a Diana Krall fan.Of all her albums, this is an essential must-have for anyone who likes jazz or loves Diana Krall.I agree that some of Ms. Krall's albums have been over produced and over orchestrated (namely The Look of Love - what's with all the bossa novas anyway?).But this album is where Ms. Krall shines.I mean REALLY shines!I can't help but tap my foot, sing along and wish to god that I could play piano when I listen to this CD.

It doesn't get any better than "A Case ofYou", "Maybe You'll Be There" and "I Love Being Here With You".My only wish would be that "Do It Again", "All or Nothing At All" and "I Don't Know Enough About You" had been included on the CD like they had on the DVD... which I also highly recommend.

'S Wonderful
I steadfastly refused to jump on the Diana Krall bandwagon.I tried and enjoyed a number of the other wave of female jazz/pop singers.I really liked a lot of that stuff.And I thought I was avoiding a middle-of-the-road crowd favorite without much to offer.As is so often the case I WAS WRONG AND I AM SORRY.Live In Paris is magnificent.That voice, that confidence, that attitude - it's all good.The only thing potentially better would be to actually be in Paris at a Diana Krall concert.Enjoy! ... Read more

Asin: B00006J9OT
Subjects:  1. Adult Contemporary    2. Contemporary Jazz    3. Jazz    4. Pop    5. Standards    6. Vocal Jazz    7. Vocal Pop