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Supergrass Is 10: Best of 94-04 Average Customer Review: Audio CD (28 September, 2004) list price: $17.98 -- our price: $17.98 (price subject to change: see help) US | Canada | United Kingdom | Germany | France Reviews (12)
Asin: B00020QWHS |
$17.98 |
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Carry On Up The Charts: The Best Of The Beautiful South Average Customer Review: Audio CD (09 October, 1995) list price: $13.98 -- our price: $13.98 (price subject to change: see help) US | Canada | United Kingdom | Germany | France Editorial Review This is a definitive best-of from the scathingly satiric, invariably tuneful band that arose from the ashes of The Housemartins. Sadly, Paul Heaton and friends have always been too twee and clever for the colonies, though classics like "My Book" and "Old Red Eyes Is Back" deserved better. A lovely, sing-along new track, "One Last Love Song," sounds like a farewell to arms, while the limited-edition disc of B sides proves that only XTC can match them in terms of high-caliber throwaways. --Jeff Bateman ... Read more Reviews (30)
Asin: B000001FIT |
$13.98 |
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Definitely Maybe Average Customer Review: Audio CD (30 August, 1994) list price: $11.98 -- our price: $10.99 (price subject to change: see help) US | Canada | United Kingdom | Germany | France Editorial Review With the swaggering chords of the opening "Rock'N'Roll Star," Oasis announced that big, brash Brit rock was here to stay--at least for a few years. They wore their rock & roll with an angry young sneer, a Mancunian petulance wedded to a vision of cathartic release. Their supersonic two-guitar attack took them "Up in the Sky," where they would "Live Forever" or burn out in a blaze of alcoholic glory. Noel Gallagher's songs weren't subtle--or shy of overt plagiarism--but, spat out in the Lennonesque snarl of little brother Liam, they took on a venomous power that had millions of young Brits taking them at their own arrogant word. In the U.S., meanwhile, the response was more Maybe than Definitely.--Barney Hoskyns ... Read more Reviews (166)
Asin: B000002AS3 |
$10.99 |
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Different Class Average Customer Review: Audio CD (27 February, 1996) list price: $13.98 -- our price: $13.98 (price subject to change: see help) US | Canada | United Kingdom | Germany | France Editorial Review Like the Boomtown Rats fronted by Martin Amis. Classic Britpop. --Jeff Bateman ... Read more Reviews (91)
Asin: B000001E8P |
$13.98 |
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Duffy [Japan Bonus Tracks] Average Customer Review: Audio CD (04 April, 2000) list price: $32.99 -- our price: $32.99 (price subject to change: see help) US | Canada | United Kingdom | Germany | France Features Reviews (1)
Asin: B00004SF64 |
$32.99 |
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I'm Not Following You Average Customer Review: Audio CD (21 October, 1997) list price: $16.98 US | Canada | United Kingdom | Germany | France Editorial Review It would be fair to say that the unexpected success of 1995's "A Girl Like You" left Edwyn Collins, former singer known for little but an influential early-'80s Scottish group called Orange Juice, in a creative conundrum. After all, it had been over a decade since anyone even heard his name uttered in public. He could either head back to cultdom with his more experimental output or attempt to capitalize on the triumph of the big hit. It was an easy decision. For better or worse, on his second American release as a solo artist, I'm Not Following You, the songwriter tries to fit the smoky, lounge-style vocals, casual soul rhythms and gently strummed pop guitars of "A Girl Like You" into a variety of new formats. On "The Magic Piper," Collins gives the formula a mystical spin, lacing it with flutes and synth effects; with "Downer," he turns melancholy, spiking the song with grinding guitars and morose verses; and for dramatic variation there is "Seventies Night," replete with wah-wah guitars, slinky rhythms and a gruff vocal contribution from The Fall frontman Mark E. Smith. Hearing Collins' deviations on a solitary idea is an interesting if not always substantial listening experience, a fact the songwriter himself begrudgingly acknowledges with the album's opening lines, "The first two chords that I chanced upon/Became the bedrock of this song. --Aidin Vaziri ... Read more Features Reviews (1)
Asin: B000002C3H |
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The Best of Morrissey Average Customer Review: Audio CD (06 November, 2001) list price: $11.98 -- our price: $10.99 (price subject to change: see help) US | Canada | United Kingdom | Germany | France Editorial Review Morrissey hasn't released a new album in several years, but that hasn't put a damper on the willful eccentricity of his discography. "Best," in this instance, means not most popular but most characteristic. This American greatest-hits set is very different from its British equivalent,Suedehead, omitting half of his U.K. chart singles in favor of a curious lineup of high-aesthetic album tracks and B-sides, reportedly picked by the Moz himself. The original idea of Morrissey's solo career was to reach beyond the stylistic confines of the Smiths, but these songs are in basically the same line of work, with first Stephen Street and later Alain Whyte and others playing the Johnny Marr role of guitarist and musical foil. Generally, they're overmatched: "Interesting Drug" and "The More You Ignore Me, the Closer I Get" still have a wry buzz to them, but a lot of these songs are little more than vehicles for the star's lyrics and unstoppable vocal presence. --Douglas Wolk ... Read more Reviews (29)
Asin: B00005R1QH |
$10.99 |
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Introducing Gorky's Zygotic Mynci Average Customer Review: Audio CD (20 August, 1996) list price: $21.99 US | Canada | United Kingdom | Germany | France Features Reviews (5)
Asin: B000001ENB |
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The Best of Blur Average Customer Review: Audio CD (21 November, 2000) list price: $18.98 -- our price: $14.99 (price subject to change: see help) US | Canada | United Kingdom | Germany | France Editorial Review Scanning the track listing of this album, it's hard not to conclude that Blur aren't a little embarrassed by their early work. Opening with the chart one-two of "Beetlebum" and "Song 2" (from their eponymous 1997 watershed album) rather than the baggy groove of their debut single, "She's So High," it's apparent that they desire to accentuate their more recent efforts. Running order aside, it's hard to fault the 18 songs which chart the life and times of one of Britain's smartest, most inventive bands. From the tuxedoed ballad "The Universal" through the cartoon Brit-pop of numbers such as "Parklife" and "Country House" to the freshly recorded indie-influenced "Music Is My Radar," their searching intelligence and deft hooks are never less than admirable. --Mike Pattenden ... Read more Reviews (77)
Asin: B00005176F |
$14.99 |
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Loss Average Customer Review: Audio CD (07 May, 2002) list price: $16.98 -- our price: $16.98 (price subject to change: see help) US | Canada | United Kingdom | Germany | France Editorial Review Like their British indie peers Clearlake and Belle and Sebastian, Mull Historical Society seem to live in a hermetically sealed world where reality is glimpsed only through a filter of fanciful fantasy. The band is named after a genuine society dedicated to the preservation of tradition on their home island--the Isle of Mull, in the Inner Hebrides--and are a familiarly twee Scottish band. A mere duo, consisting of frontman and songwriter Colin MacIntyre and bassist Alan Malloy, their sound is bolstered on this debut with a jumble-sale of queer, quirky little touches: an alarm bell ringing in the background of "Public Service Announcer"; a children's choir accompanying the whimsical, gently unfolding "Instead"; and a mixture of samples, electronics, and imaginatively utilized household instruments that billow out of this record's numerous nooks and crannies. If you can hack MacIntyre's occasional simpering tone, songs like "Barcode Bypass"(the tragic tale of the closing of the local corner shop) or "I Tried" (heartbreak, rendered as a chugging, theremin-accompanied indie-rock anthem) offer a world so pure, so untainted, it's got to be worth a visit. --Louis Pattison ... Read more Features Reviews (9)
As you peel through the layers of Loss you realize that this is an emotionally deep and complex album. There's a fight against consumerism and corporations. There is sort of a Brian Wilson obsession on songs like "Watching Xanadu" and "This Is Not Who We Were." There is a loss and a sadness in the songs but it is more positive in the sense of the melancholy. Time passing and getting old is the loss. MacIntyre is like the Scottish Proust. These are big ideas recorded in a lo-fi way. "Only I" is similar to the stuff Ed Harcourt is doing. In "Animal Cannabus" he claims to be "hiding from the world." Later in the song "Mull Historical Society" MacIntyre sings "We need a new hall/To fill our membership of 2." Therefore this recording is a special relationship between him and you, the listener. At least we're not alone. This record is precious and it's like looking at one of those boxes by Joseph Cornell. Loss is an impressive debut.
But, I digress, 'Loss' is profoundly moving 'Barcode Bypass', anyone? , and is at times, believe it or not, a witty album. I'm not quite sure if rolling-in-the-aisles humor is what Colin McIntyre was trying to reach for. But who cares? Let's just appreciate this work for what it is - quirky, moving, witty and wholly original. Imagine a depressed, lonely Brian Wilson (not that hard, I know), on a windswept Scottish Island, and you'll get the idea. One of the best albums of 2001. ... Read more Asin: B000066703 |
$16.98 |
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Singles Average Customer Review: Audio CD (02 November, 2004) list price: $18.98 -- our price: $14.99 (price subject to change: see help) US | Canada | United Kingdom | Germany | France Features Reviews (11)
Asin: B00066VUPM |
$14.99 |
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Elastica Average Customer Review: Audio CD (14 March, 1995) list price: $11.98 US | Canada | United Kingdom | Germany | France Editorial Review It all began with the perfect pop moment of "Stutter," and then everyone wondered if Elastica had it in them to produce more sublime songs. Elastica showed that they did. Never quite as much Britpop as Birdpop, Justine Frischmann parlayed a Bryan Ferry hairstyle into an individual take on the world with material like "Car Song" and "2:1," while the rest of the band showed that they were along for more than just the ride. And if they owed a debt to Wire, well, it was all paid in the end (out of the royalties). The question was, could they ever follow it up? Chris Nickson ... Read more Reviews (36)
The tracks don't deviate from their guitar-bass-drums sound.They're all short and fast-paced.It's slightly punkish sounding, with a harder edge to it than most of the rest of the Brit-pop that was out around this time.There are some really nice melodies running through here.It's hard, but not too hard -- tuneful, but not too tuneful.A few of the songs are great, and none of them are bad.There's nothing on here that's any worse than solid. The album has a very consistent sound (perhaps a polite way of saying all the songs sound the same, which is a fair criticism, but since I like them, it's not something I'm going to complain about).If you liked "Connection" (which was all over the airways when this first came out) you'll probably like this; if you hated that song, then the rest of the album probably isn't your cup of tea either. Oh, and Suede fans will note that Brett Anderson gets a song writing credit in "See That Animal" (did every song he was writing in the mid-90s have some reference to animals?!).
Justine et all put together perhaps one of the best albums to come down the pike in the nearly barren wasteland of the 1990's (heck that extends to the 2000's). Stutter and Connection are the obvious songs on the CD and are the glue that holds it together.Intermixed beside these two incredible songs are a load of very good songs (2:1, Vaseline, Car Song, etc.), which is a tough trick no matter what band you are. If you do not own this CD, get out from under your rock and buy it.It is not too late. ... Read more Asin: B000003TBB |
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Ugly Beautiful Average Customer Review: Audio CD (01 October, 2002) list price: $24.49 -- our price: $24.49 (price subject to change: see help) US | Canada | United Kingdom | Germany | France Editorial Review Think of Morrissey fronting Prefab Sprout by way of the Go-Betweens, and you're in the game with New Zealander Stephen Jones. His six-year bedsit gestation period, neatly documented in recent months via three Handsome Boy reissues, suggested a pop maestro in the raw. Here he takes wing with a trio of supple, lyrically ripe U.K. hits ("You're Gorgeous," "Goodnight," "Candy Girl"), plus some sharp remakes of older material ("Dead Bird Sings," the uncanny Blue Nile imitation, "Bad Shave"). Tunefully addictive stuff from a pop original. --Jeff Bateman ... Read more Features Reviews (9)
Every song was great. The highly addictive riff of Candy Girl underlined the U2 - Edge influence which was a positive thing. I fell in love with the oboe on Deadbird Sings, laughed my head off at Jesus Is My Girlfriend and drowned happily in 45 And Fat. Of course, You're Gorgeous stayed infectious and still is to this day despite all the TV advertising overkill - they are seriously using it for baby's nappies now!!! Oh ek! Somethings Going On was in the same league without the splash of catchy. Back Together is truely amazing. I havent heard any of the low-fi stuff (except Shop Girl - hilarious) but am wondering whether its worth splashing out on the box set. I'd love to see him play live and eagerly await some new material. cheers
Asin: B000024NPF |
$24.49 |
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Temperamental Average Customer Review: Audio CD (28 September, 1999) list price: $11.98 -- our price: $11.98 (price subject to change: see help) US | Canada | United Kingdom | Germany | France Editorial Review Cool but not chilly at all, Everything but the Girl's Temperamental is the sound of the sweetest melancholy. Tracey Thorn's lyrics and vocals here are among her most affecting, tracing patterns of loss, loneliness, and a slightly unsettled happiness. This electronic pop makes for the perfect winter sound, as warm and bracing as a sip of cognac. --Rickey Wright ... Read more Reviews (164)
However, I do like her other side of music, which without doubt is dance music. 1994's ''Missing'' (When Remixed By Todd Terry) was a classic, ''Wrong'' (When remixed By Deep Dish) also became dance floor hit. Here Tracy Thorn occupies the more sophisticated side of house, this is by no means a dance album, if you're looking for something in vein of ''Walking Wounded'' and ''Protection'', then you might want to think twice about purchasing this record, foremost (it does not) include any substantial quality of trip-hop...(Unfortunately). But I can (Honestly) assure you, that this is definitely not a waste of money, ''Temperamental'' along with Cher's ''Believe'', Madonna's ''Ray Of Light'' and Sting's ''Desert Rose (when remixed)'' were the best dance songs/albums during the late 90's. Its already 5 years since this album was released, I wonder how much longer must I wait? until they release another album. In 1998 Madonna pointed out that it was hard to make dance/electronic music sound emotional (which is true)...and amazingly that's what EBTG also achieved, that's why I will say this album is a must-have for anyone who really liked Madonna's ''Ray Of Light''- people who preferred to hear dance music through a emotional point of view. Concerning the tracks; My favorite is the title track ''Temperamental''...it's haunting (even though) it's made for the dance floor, her voice sounds sooooo amazing especially when she cries out ''I Don't Want You To Love Me''. While ''Five Fathoms'' brings us a thickly based house track, ''Lullababy Of Clubland'' is also a heavily based dance track, well ''Compression'' is a strange track, it's a bit too much...someone went a bit overboard with the production here... ''Blame'' is the nearest you can get to ''Walking Wounded'', as-well as ''Single'' brings in the drum-n-bass. This is however a nice dance album. Which is worth your money if this is your preferable genre, as I expect you already know that there have been a few collaborations with Deep Dish on this CD. ... Read more Asin: B00001QENY |
$11.98 |
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The Optimist LP Average Customer Review: Audio CD (01 May, 2001) list price: $16.98 -- our price: $14.99 (price subject to change: see help) US | Canada | United Kingdom | Germany | France Editorial Review Although this British duo draws effectively on early-'70s rock--mainly warm SoCal folk pop, à la America, and shimmery-cool British space glam, à la T. Rex--what makes them distinctive are their modern easy grooves and their uneasy emotional nakedness. "I panic at the quiet times, decisions at the door," sighs vocalist-guitarist Ollie Knights in "The Door," but throughout The Optimist, he and coconspirator and slide guitarist Gale Paridjanian resist the alt-rock urge to bury anxiety in walls of noise. Their debut full-length (comprising five tracks from earlier EPs and seven new originals) is rife with subtle, contemplative moments that often turn lyrically dark ("I'm sick and I'm twisted/ Like a Sunday massacre") or get carried away by cresting rhythms, like the post-breakup lament "State of Things" ("You and me used to be on fire/ There ain't no straight lines in this state of things"). Although Turin Brakes can rock when they care to (here most effectively on "Mind over Money"), their strength comes from exploring the tension in life's deceptively calm shadows.--Lisa Gidley ... Read more Features Reviews (42)
Asin: B0000594XF |
$14.99 |
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The Ego Has Landed Average Customer Review: Audio CD (04 May, 1999) list price: $16.98 US | Canada | United Kingdom | Germany | France Editorial Review Robbie Williams, a self-proclaimed casualty of the British boy-blitz Take That, scuffed his squeaky-clean image by rabble-rousing with Britpop troublemakers Oasis and reemerged as a part-James Bond, part-Frank Sinatra renaissance pop star. A little fast-living combined with his vocal charm, Williams's U.S. debut, The Ego Has Landed, offers a collection of cheeky, inescapably loveable songs served up with a nudge, a wink, and a pinch on the bum. --Beth Massa ... Read more Reviews (302)
Asin: B00000IP2X |
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A Secret History Average Customer Review: Audio CD (05 October, 1999) list price: $16.98 US | Canada | United Kingdom | Germany | France Reviews (20)
If you've never heard anything from The Divine Comedy (difficult as they are to find on the US side of the Atlantic), then you really should, as they're one of the most unique bands you're likely to hear. Big over the top orchestrations, booming brass sections, and soaring melodies with a big touch of rock and dance-pop.It's amusing to take a look at the liner notes to see how the number of musicians credited increases the later the copyright is (culminating in the credits for FIN DE SIECLE, which take up three-quarters of a page).But the thing I like the best about the group is Neil Hannon's wickedly dark sense of humor. I believe it's the dosage of humor that has the greatest effect on whether I like a given Divine Comedy song or not.When tongue is in cheek, I'm happy.But when that tongue starts wandering and the songs get more serious, my interest wanes.That's not a hard and fast rule, but a decent measure of my enjoyment.Songs like "National Express" (a campy ode to British Rail), "Becoming More Like Alfie" (which samples Michael Caine), or "The Pop Singer's Fear Of The Pollen Count" (the only recorded song I can think of that feature lots of sneezing) I can sing along with all afternoon.But some of the others on here...I mean, I've listened to this album countless times, and looking at the track listing, there are titles here that I would have to play in order to remember.I listen to them, and then seconds later they've gone right back out of my head.Some of them are trying to be heartfelt love songs, but I can't quite believe in them.I just don't seem to connect. I'm not a huge fan of The Divine Comedy.Apart from this, I only own one other full album from them.But I have a much higher regard for that regular release than this "best of".I suspect that many of the tracks chosen here don't quite work without the context of the rest of the album around them.Still, the songs on here that I do like, I really really like.You just don't get more fun than those.But the CD as a whole does suffer because of the tracks I have to skip over.Which is a pity, because the songs I settle on are solid gold. ... Read more Asin: B00001O31X |
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Laid Average Customer Review: Audio CD (05 October, 1993) list price: $11.98 -- our price: $10.99 (price subject to change: see help) US | Canada | United Kingdom | Germany | France Editorial Review Along with the more overtly quirky Pavement, James sought to bring the eccentric folk-rock of the Incredible String Band into the alt-rock era, and did an especially fine job of it on this 1993 release. Still reeling from the U.K. chart success of their "Sit Down" single and Seven album, the Manchester veterans (who started out a decade earlier on their hometown Factory label) crafted this thoroughly accessible yet thoughtful collection. Especially infectious are "Sometimes," with its headlong strumming and chanted chorus, and the title track, with Tim Booth's vocals at their mannered best. Meanwhile, "Skindiving" finds the band venturing into the kind of experimental terrain that would later gain Radiohead enormous acclaim. Laid is a fine album from a chronically underrated band. --Bill Forman ... Read more Reviews (45)
Asin: B000001DZ8 |
$10.99 |
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Hopes and Fears Average Customer Review: Audio CD (25 May, 2004) list price: $13.98 -- our price: $11.99 (price subject to change: see help) US | Canada | United Kingdom | Germany | France Editorial Review It's perhaps inevitable that Keane's debut album, Hopes and Fears, will draw numerous comparisons to Coldplay. Like them, Keane were discovered by indie label Fierce Panda, who released a single ("Everybody's Changing"). And, like Coldplay, Keane also do a fine trade in catchy and heartfelt indie-pop, all bruised verses and soaring choruses. But though their sound is sure to please fans of Coldplay and Travis, the reality is that Keane manage to sound that little bit more delicate. This could be due to the band's relatively unusual makeup: rather than guitars, the trio uses a piano. At its best, Hopes and Fears is reminiscent of Bends-era Radiohead, and singer Tom Chaplin's voice is closer to Thom Yorke's falsetto than Chris Martin's cracked whine. On tracks such as the hit single, "Somewhere Only We Know" they manage to squeeze an epic-sounding poignancy from their stripped-down sound (a lot of this is due to the album's superb production). Across 10 tracks, all this slow-burning melancholy skates a bit close to self-indulgence, and you can't help but wish they'd rock out a bit. But Hopes and Fears is still a remarkable and surprisingly mature debut album from a young band with a bright future. --Robert Burrow ... Read more Reviews (309)
Asin: B000268QB2 |
$11.99 |
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Private Revolution Average Customer Review: Audio CD (26 February, 1997) list price: $11.97 US | Canada | United Kingdom | Germany | France Reviews (3)
Asin: B000005JFJ |
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