One Trick Pony
Average Customer Review:
Audio CD (25 October, 1990)
list price: $11.98
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Features

• Soundtrack

Reviews (23)

Paul Simon's Warner Bros. debut
Paul Simon didn't last long as a movie star but he continues to flourish as a musician. He had the starring role in the 1980 film of the same title and performed and wrote at least most of the tracks on this soundtrack album. The film was distributed by Warner Bros. Also,it is possible that this led to Simon personally revoking his final contract with Columbia Records. The only Top 20 hits from this album include the title track and LATE IN THE EVENING. Hollywood dropped Simon after this film since it was a box office disappointment. However,many of Simon's fans loved the film. LITE would later be recorded live for THE CONCERT IN CENTRAL PARK with Art Garfunkel,the follow-up to this album. The other songs are good.

A Great Paul Simon Album!
Jazz and fusion,as you might notice are ammong my favorite music styles.But I've always enjoyed Paul Simon's
witty,reflective songwriting and lyricism.And on 'One Trick Pony'
Simon incorperates both of these quality's into his music.
"Late In The Evening" ha a bouncy latin feel to the arrangement
while "Ace In The Hole" and the spunky title song are about as
close to funky fusion as Paul Simon will likely ever come and I
must say;it's a great fit.On the more typical side "That's Why God Made Movies","Oh Marion","Nobody" and just about everything
else on this album is stripped back,light textures and very much
in the typical Simon style-featuring the crack musical backup of
Eric Gale,Richard Tee and Hugh McCracken who's backing,without
sounding crass,is the most appropriate they could possibly use
on a New York singer-songwriters album.One of Simon's finer works.

One Trick Pony
One of his best. Check out the track "Jonah". ... Read more

Asin: B000002KLN
Sales Rank: 83266
Subjects:  1. Album Rock    2. Folk-Rock    3. Pop    4. Pop/Rock    5. Rock    6. Singer/Songwriter    7. Soft Rock   

Sandinista!
Average Customer Review:
Audio CD (25 January, 2000)
list price: $24.98 -- our price: $22.99
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Editorial Review

What the hell is this? Though the two-record sprawl of London Calling--with its exploratory mutations of reggae, rockabilly, and even disco--proved that the Clash weren't content to lie fallow in a punk-rock ghetto, nothing prepares you for Sandinista's messy melange. For 36 tracks (the Clash originally released this as a three-record set for not much more than the price of one), the band tackles everything in sight, including waltz, gospel, disco, children's ditties, funk, reggae, dub, delicate instrumentals, psychedelic explorations--hell, they even play a Clash rocker or two. Though many have said there is a single great album hidden among the three here, it's the pure chutzpah of Sandinista that makes it such a particular pleasure and a brain drain at the same time. It's the document of a band that can do anything and tries to do everything. It's the glorious sound of failure. And if that ain't the Clash, what is? --Tod Nelson ... Read more

Features

• Original recording remastered

Reviews (137)

What a Mess.....
To put this in perspective that might be understood by the younger generation who missed out on "Sandanista!" the first time around ( I bought the triple album - yes, a TRIPLE ALBUM, something that I thought only bands like Yes or ELP did back then -in junior high, and promptly disregarded it ), this is the punk equivalent of the Cure's Kiss Me, Kiss Me, Kiss Me album. A terribly self-indulgent, mess of an album that could have been pared down to a single terrific disc, had someone at their record label had the balls to insist upon it. Of the several dozen or so songs here, maybe 6 or 8 hold up to repeated listening. The remainder don't even really hold any shock value fascination for me ( "hey, the Clash do a Waltz!" isn't something I would share with even my closest friends .) I was under the impression that Punk Rock set out to destroy this sort of bloated, self-important, self-indulgence. I suppose I was wrong.

Anything and everything...
After their massively successful London Calling double-album proved they were clearly more technically and artistically proficient than other punk bands, the Clash set out to make another statement.

Sandinista! remains the fruition of everything that went right and everything that went wrong with this album. Surely not the best Clash album - that honor should always go to their debut, regardless of what version it is - but it does have moments that recall past glories. "Somebody Got Murdered" and "Hitsville U.K." remain two of my favorite Clash tracks, the latter featuring Ellen Foley on vocals. The real problem is that the band tried to do anything and everything, all the while failing to make any sort of cohesive musical statement. Melding rap, gospel, dub, and even children's choruses to their already eclectic blend of rock, jazz, and reggae should've made for an interesting album, but for every great song to be found amidst the chaos, there are two or three failed experiments best left forgotten. These failed experiments disrupt the flow of the album, and it would probably be beneficial to listen to the entire album, pick out one's favorites, and burn a different version in order to avoid ridiculous tracks such as the incredibly superfluous new take on "Career Opportunities," which just sounds stupid. I also hate their attempts at rap - not only do I dislike rap in its entirety, but tracks like "Lightning Strikes (Not Once But Twice)" are weak, even for that genre.

In the end, Sandinista!'s frustrating sprawl came as quite a shock after the triumph of London Calling. Whereas its predecessor was an artistic triumph as well as a superbly listenable album, Sandinista! fails to do either, and can be overlooked by anyone but the most devoted.

The Clash Ultimate Recording
It was 1980 and the Ultra Righteaous Right had won with Reagan at the Captain's Seat and here come The Clash singing what I consider one of the last protest recordings of our generation ( born in the 50`s ) . Because of it and the anxiety of the times , I left the Usa and moved into the Caribbean where I have been very happy indeed ... Look Here : Up in Heaven ... After Sandinista there was nothing until Big Audio Dynomite came along and very ahead of their time ... Enjoy ... ... Read more

Asin: B00004BZ16
Subjects:  1. British Punk    2. Hard Rock    3. New Wave    4. Pop    5. Punk    6. Rock    7. Rock & Roll   

One for the Road
Average Customer Review:
Audio CD (27 April, 1999)
list price: $17.98
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Editorial Review

The Kinks, more perhaps than any band of their magnitude, appreciated the niceties of daily life. Think of how Ray Davies bestowed his blessings on china cups and such in The Village Green Preservation Society. The Kinks of 1980's One for the Road, however, cast aside their attention to detail in favor of broad gestures. Here the Davies boys and company (including original drummer Mick Avory) attack their classic repertoire and some newer songs with hard-rock force. Lest one think they were straining to fit into tight trousers that no longer fit their nearly middle-aged bums, recall that the Kinks basically invented hard rock with "You Really Got Me" and "All Day and All of the Night" (both of which turn up on Road). This isn't Kinks of the highest order, but as a live greatest-hits document of a significant period of a great band, it's certainly worthwhile. --Steven Stolder ... Read more

Features

• Original recording remastered
• Live

Reviews (10)

Amazing songs reduced to arena rock cliché...
I was certainly glad that the Kinks had a comeback largely due to the success of this record, but overall, this recording is unlistenable.Sure, it probably was fun to be there at the concert, but listening to the Kinks butcher these songs with all the vocals sounding like Ray is yelling his head off is painful.This is the recording that made me not care if I ever heard Lola again.Enough said.

Yeah, they overdubbed the hell out of it!!
Having seen these guys a half dozen times, they're an awesome live band.Ray Davies is one of THE great song writers of the 20th century.From the Low Budget tour, this is great rock and roll.

Fantasic Performances
This is one of my favorite live albums. What the listener gets
here is a collection of wonderful kinks tunes, done with a tremendous amount of energy, passion and yes...soul. This album captures the Kinks at the height of their popularity in the States and each song is performed with vigor. When I first got the CD I wanted to just hear a tune or two and I ended up tracking the whole CD. Rays vocals are right on the money and Dave Davies searing guitar makes some of these tunes levitate.
If you like the Kinks this is a must have, if you are a causual fan or if you are looking for a good lesson as to what a live group should sound like, get this. ... Read more

Asin: B00000IM7M
Subjects:  1. Album Rock    2. British Invasion    3. Hard Rock    4. Pop    5. Pop/Rock    6. Rock    7. Rock & Roll   

Wild Planet
Average Customer Review:
Audio CD (25 October, 1990)
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Editorial Review

After the likes of "Rock Lobster" and "606-0842," a lot of new wavers were curious about what Athens, Georgia's fun-loving B-52s were going to do for an encore. The answer came with this rollicking second album in 1980, which found flat-toned Fred Schneider and twin bouffant-topped, gogoing chanteuses Cindy Wilson and Kate Pierson nearly equaling the giddy highs of their debut. From the riotous "Party Out of Bounds" and "Devil in My Car" to the ahead-of-the curve couch potato classic, "Private Idaho" to the ever-kitschy "Strobe Light" and the other-worldly "53 Miles West of Venus," this collection proved the B-52s were no flash in the lava lamp. --Billy Altman ... Read more

Reviews (24)

More consistent than debut
Although only "Private Idaho" (and possibly "Strobe Light") is as perfect a track as "Planet Claire" "Dance This Mess Around" or "Rock Lobster" from the first album, the B-52's second release, as a start-to-finish listen, is actually a more solid effort.While the first album's stregth is all but exhausted on the first four tracks (back in the vinyl days, I bet a lot of folks wore out side 1 without playing side 2 more than once or twice), this one keeps the party moving till the end.

The only throwaway in my opinion is Quiche Lorraine.Other than that, you get a lot of strong beats, excellent playing, and the classic B-52 sound."Dirty Back Road" is a great late-night driving song.

All in all a perfect blend of goofiness and new-wave spunk, played and sung (except of course for Fred, but Fred is ... well, Fred) with verve and skill.Listen to the drums closely and hear the subtle accents - interesting but never overbearing!

No Sophomore Jinx Here!
This second effort from the quintet from Athens, GA, is just as solid and just as fun as their first outing. The same raw energy and off-the-wall sci-fi wailing in a 1965 Plymouth Satellite lyrics are here that are on their debut album. How did they get away with Ricky Wilson's out-of-tune generic guitar missing a string a second time?!? I don't know, but thank God they did!

That's rare, because a second helping like this usually isn't the case: Usually, after a band totally surprises everyone with their unique, new, sound, the AOR studio heads take over, "polish" their next recording with jazzy instrumentation and a "streamlined" sound. Blissfully, that overproduction is TOTALLY ABSENT on this square-to-be-hip record. (Unfortunately, the B-52's next album, the EP "Mesopotamia," would fall victim to overproduction at the hands of producer David Byrne, Talking Heads' front man).

Every band (yes, "band" we called them when music was stamped on platters, not "tracks") is great. There's absolutely no filler, not even "53 Miles West of Venus," which tune consists of the bouffant girls Cindy and Kate singing the name of the song over and over while Ricky Wilson's guitar licks get you moving and dancing, they are so infectious! Isn't that cool? An obvious spoof on filler is one of the album's essential songs!

The rest of this record is excellent, too: "Quiche Lorraine" had me busting out laughing the first time I heard it because of Fred Schneider's over-the-top stiff and serious broadcaster's voice narrating the story of how his pet toy poodle got lost, running off with a Great Dane.

Best party tunes are (obviously) "Party Out of Bounds" (who hasn't had the nightmare of friends showing up for an impromptu shindig at YOUR house?), "Devil in My Car" ("I don't need no battery, -he -he, I've got the devil in my car!") and "Strobe Light" ("let me kiss your.....Pineapple!!!")

"Give Me Back My Man" is a beautiful new wave ballad, showcasing Cindy Wilson's gorgeous pipes. She's as heartbreakingly convincing as Joey Ramone was warbling "Needles and Pins."

I have had this album since 1982, and not a month goes by without a hearing and a toes a tappin'.

Says quite a lot about its longevity.

You're invited to a party out of bounds. RSVP, now!
There's no way I could forget how captivated I was when I first heard WILD PLANET, and how impressed I was again by the B52s sound: it was part pop, part surf, part 60s, part "Monster Mash". Like the first album, this one had me hooked from the first listen. Words cannot express how in awe I was of Fred's Jersey-tinged, slightly effeminate bark, and Cindy and Kate's esoteric harmonies. And the songs, a little more varied this time, were each incredible. The two songs which featured Kate and Cindy, "Dirty Back Roads" and "Give Me Back My Man" are incredible experiments in harmonies. Ricky Wilson's under-appreciated guitar work scorches through "Runnin' Around", "Devil In My Car" and, of course, "Private Idaho". "Strobe Light" has Fred at his most manic. The album ends with the hypnotic "53 Miles West of Venus", which, to me, echoes back to the first album's "Planet Claire".

WILD PLANET is wild fun. Accept their invitation to a "Party Out of Bounds", even if the place smells of "House-A-Tosis". ... Read more

Asin: B000002KLM
Subjects:  1. New Wave    2. Pop    3. Post-Punk    4. Rock   

Hotter Than July
Average Customer Review:
Audio CD (02 May, 2000)
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Features

• Original recording remastered

Reviews (24)

"Didn't know you would be jammin' until the break of dawn??"
I'll be the first to admit that it took me a solid 4 or 5 times of listening too it before I really liked it.This album is very much "80's" and is quite different from Wonder's previous masterpieces.It took me a while to get used to this new style Stevie was using, but after that it stands in my mind as a truly great album.

One thing about any of his albums is that they do not lack any depth lyrically, Hotter than July is no exception.He's on point as ever with "Rocket Love" & "Cash In Your Face".Musically this album is more fast paced and jams more so than his previous efforts."Did I Hear You Say You Love Me", is a great groove and "I Ain't Gonna Stand For It" is a quite impressive track with the inclusion of country elements."Do Like You" is a solid track, and perhaps the only one I skip is "As if You Read My Mind" (You might not though). What makes this album work more than any other factor is musical gems found on here."All I Do" & "Master Blaster" are both classics in his catalogue & of course "Lately" is one of his finest (both musically and lyrically)."Happy Birthday" is also essential if only because of its historical value.Despite the strength of some individual tracks it does lack the overall as an album that we've previously come to expect with Wonder.But, what you have is a 45 min run time album that is just full of solid tracks.It's truly a testament to Stevie Wonder that, while many great artists of the 70's collapsed when they tried to adapt to the 80's style (look no further than Led Zeppelin), he was able to still convey his musical genius.

This album is definitely not a masterpiece, nor close to touching the genius of his previous albums.Perhaps it's not his best, but does that take away from it?Are we just too spoiled by his previous efforts?Bottom line:It's still simply a great album and only further adds on to Wonder's legacy.One of the best albums released from the 80's era.

I am gonna stand for this,baby!
Here is Stevie Wonder's initial project for the 1980's. This album was released in or around September 1980. According to Norm N. Nite's Rock On Almanac,MASTER BLASTER debuted on the radio that month. Wonder did not have hits at all earlier that year. I like I AIN'T GONNA STAND FOR IT which was later covered by Eric Clapton. I heard several songs on Music Choice's Classic R&B channel. One of them was ALL I DO. Anyway,it's a very good album. This is one of five albums that Wonder released in the 80's.

Remarkable!!!!
I love this album. Stevie is a wonderful talented artist. I love this whole album it contains some wonderful songs. My favorite songs on here is the remarkable song tribute to M.L.K. "Happy Birthday" I love this song. I love lately,All I do, Rocket Love, and Master Blaster Jammn'. This is a great album Stevie always does great work. ... Read more

Asin: B00004SZWB
Sales Rank: 19141
Subjects:  1. Pop    2. R&B   

Boys Don't Cry
Average Customer Review:
Audio CD (25 October, 1990)
list price: $18.98 -- our price: $14.99
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Editorial Review

When Robert Smith's long-running group made this debut (actually the resequenced American version of the British Three Imaginary Boys), they weren't the Goth-and-reverb, new wave heroes they later became; they were just a trio of disaffected kids who didn't like what was on the radio, because it wasn't smart enough or dark enough. Smith's lyrics are bleakly sarcastic (as when he spells out the title of "Fire in Cairo") and literate (the single "Killing an Arab," a nihilistic sketch based on a scene from Albert Camus's The Stranger). The band matches them with swift, tingling arrangements that dodge skillfully around rock's machismo and self-indulgence, even when Smith launches into the occasional gnarled little solo. --Douglas Wolk ... Read more

Reviews (39)

A strong debut
Right from the start, The Cure was obviously a band to be reckoned with.While there has always been an attempt to categorize the band (e.g. "post-punk," "new wave," "gloom-and-doom") all one can really definitively say is that The Cure was, and still is, a terrific band with a unique sound.

Obviously The Cure is the brain-child of Robert Smith, who wrote all of the lyrics on all of their albums, probably most of the music as well, sings, and plays the guitars."Boys Don't Cry" still holds its own as one of their better albums.It contains two of their best all-time songs: the infectious "Jumping Someone Else's Train," and the exotic "Killing an Arab."The latter, controversial because of its title, references the writings of Camus, and is about the inhumanity of war, and how those engaging in battle must become drone-like and de-humanize their enemy ("I'm a stranger, killing an Arab").

There are other gems in this album.The title track, though lighthearted, is irresistible."Plastic Passion" is Robert Smith's ode to a female sex toy, and "10:15 Saturday Night" perfectly describes a young man's angst at that time, waiting by the telephone for a certain girl to call, while listening to the dripping of a faucet.I really like "Three Imaginary Boys" as well.Of course, Smith would soon start writing longer, more complex work, but "Boys Don't Cry" was an excellent starting point.

Footnote: I mention above two of what, in my opinion, are the all-time best Cure songs.The others, in chronological order, (again, in my opinion) are as follows: A Forest, Primary, Hanging Garden, Night Like This, Just Like Heaven, Lovesong, Pictures of You, Fascination Street, and From the Edge of the Deep Green Sea.These great songs, and, of course, dozens of other near-great ones, are the reasons that The Cure has been my favorite band since the early 1990's.

yes they do
I felt like I should give this a good review since I slammed Pornography. This is the best album the Cure ever recorded. It has the somber tone of the next three albums, but it is also upbeat and wistful, too. I wish they would have tried to reproduce what they did here again. I am sure they could have done it. The next best thing is the singles comp "Japanese Whispers."

good sounds.
i don't like the cure's output post-disintegration (and liking disintegration is sometimes very difficult) but GUESS WHAT this came very early on in their career and is pretty dag good!it sounds like really good pop and then it gets dark but that doesn't mean pop can't be dark just that it sounds less poppy sometimes. ... Read more

Asin: B000002H5V
Subjects:  1. Alternative Pop/Rock    2. College Rock    3. Goth Rock    4. New Wave    5. Pop    6. Post-Punk    7. Rock   

Get Happy
Average Customer Review:
Audio CD (29 April, 1994)
list price: $11.98
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Editorial Review

Costello continued his most-prolific-man-alive act with the 20-track Get Happy!!, his fourth album in 30 months. He says what he has to say and shuts up--only a small handful of cuts approach or go over the three-minute mark--often in a pile-driving style inspired by Stax/Volt. (Sometimes loosely inspired; his version of the Sam & Dave ballad "I Can't Stand Up for Falling Down" is played in a rush.) Costello's wordplay is at a height here, but it doesn't divert the eye from the emotional wreckage behind the scenes: as he sings on "Human Touch," "What the makeup hides can't be made up with a kiss." The Rykodisc CD adds 11 bonus tracks, including a suitably fragmented (and unlisted) demo of "Love for Tender." --Rickey Wright ... Read more

Reviews (30)

EC Was God
Hands down the best EC/Attractions album ever.I first heard it in 1983, and continue to be inspired and surprised by both lyrics and music.If you are a songwriter or aspiring recording artist, you should study this masterpiece.And extra credit to those who can fathom the meter changes in "B Movie".

COULD IT GET ANY BETTER?
This is the one that could brighten any dull party, turn a frown into a smile & keep you young!!! I've loved Elvis C. ever since I saw the video in the late seventies of this nerdy looking dude walking crooked while singing Watching the Detectives. He's a genius who never fails to please.Even when he does something different (eg. Juliet Letters), it may take awhile but you'll get there somehow.
Get Happy is one body of work that seems thrown together, but is a great example his mastery of his craft.If one wishes to learn songwriting - esp. how to turn a phrase, buy this immediately.If you simply are tired of recordings with random filler, then buy Get Happy. There is no filler here. I love every song here.I also love the Mowtown/Stax influence on some of the songs.If I were to point out a few gems - love for Tender, Opportunity..Hell, the first 6 songs, right off! Then Clowntime, I Can't Stand Up..., High Fidelity, Blk & Wht World, 5 Gears..., I stand Accused & Riot Act.Get it!! Warning: It is highly addictive!!

The rhythm, the lyrical flow, and the attitude
Probably the most clever album I own; only to be followed by Elvis's "Armed Forces" and "Imperial Bedroom".Elvis and the attractions are more of a force on these 30 tracks than on any of his others.I bought this album before I really could appreciate the art of word crafting.It took reading many acclaimed novels, and sampling other hailed lyricists (Bono, Eminem, Springsteen, Dylan, etc..) to make my decision on whothe lyrical King was; most properly the title goes to Elvis. In my opinion Elvis wrote the book on word play, and combined with the perfectly crafted accompaniment (provided by the attractions) we have 30 "stick it to 'em" bold and brazen classic songs. ... Read more

Asin: B0000009UU
Subjects:  1. Pop    2. Rock   

Malice in Wonderland [German Bonus Tracks]
Average Customer Review:
Audio CD (07 May, 2002)
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Features

• Import
• Original recording remastered

Reviews (1)

Another ROCK SOLID effort by Dan and the Boys
Another GREAT album that was rather ignored by devotees and critics!Many 'fans' had deserted them when 'Fool Circle', two albums previous, hit the streets.The change in musical direction 'had put them off' since they saw the band as merely a hard-rockin' 'eavy 'me'al oufit!!!As mentioned in the ballads review, Nazareth has always had eclectic leanings as far back as their first album on Warner Brothers in 1972!Any one REALLY surprised, Im not!Thats why Ive always appreciated pretty much what they have done - because of the diverse writing styles.(Dan McCafferty's 1975 solo disc is a good representation of what Im talking about)Well here it is 1980's 'Malice In Wonderland' - another solid package of good singing and good playing from the boys!The added live tracks of the studio versions are a welcome addition, as they get a 'rather different' treatment when performed live.Once again guitarist MANNY CHARLTON comes up with a musically poignant and sensitive piece, 'Ship of Dreams.' (Any one remember 'A Rose In the Heather' from 'Hair of the Dog' - same inspiration)Of couse, the great axe wielder, ZAL CLEMINSON formerly of the SENSATIONAL ALEX HARVEY BAND who joined the lineup on 1979's 'No Mean City, provides two SOLID compositions, a mid tempo rocker, 'Big Boy'(originally done on the 1976 SAHB w/o Alex record, 'Fourplay') and the rather moving ballad, 'Hearts Grown Cold' (which Rick Medlocke and Blackfoot did a few years later when ex-Uriah Heeper KEN HENSLEY was in the band)For those who dont know, ex-DOOBIE BROTHER, Jeff Baxter produced this record (just as he did with 'Fool Circle) and I might add, DID a commendable job as the '3rd ear man!'
Some of ya'll heard Nazareth 'sold out' with the chick singers on 'Big Boy' along with its mid-section sax solo and least I forget, were AGHASTLY MORTIFIED when VIBES made their first appearance on the mid-tempo groove of 'Fast Cars!' Oh no - what have these SCOTTISH rockers done to themselves?Once again, to prepare and deliver another eclectic, NO NOT ECCENTRIC,platter of good taste that was hardly a waste!A nice companion to some of their earlier discs and some later ones too - '2xs' 'Bugaloo' and 'No Jive'If your looking for total BLITZKRIEG, better go with Fates Warning Queensryche Megadeth Tool Pavement or Soulfly - if the tastes buds are little mo' into a diverse and discriminating frame of mind, well, you've come to the right place! 'MIW' is the package of song for you.(BTW, the band with new guy Jimmy Murrison on guitar and bassist Pete Agnew's son on drums are on a 6 month world tour that should commence around the time of the original singer's and bassist 59th birthday!Cheers to all! ... Read more

Asin: B00005UEPM
Sales Rank: 68759
Subjects:  1. Album Rock    2. Hard Rock    3. Heavy Metal    4. Pop    5. Rock   

Scream Dream
Average Customer Review:
Audio CD (25 October, 1990)
list price: $9.98 -- our price: $9.98
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Reviews (12)

Another overall disappointment from the Nuge
This was the third disappointing studio album in a row by Ted, after the lackluster Weekend Warriors and State of Shock.This album is a little bit better, though, because of three songs:"Wango Tango", "Scream Dream", and "Terminus Eldorado".Cover your kids' ears if you're playing "Wango Tango" in their midst, because the lyrics are, even today, not for the young.

As with his previous two studio albums, this band was never the same without Derek St. Holmes.The songwriting is pretty weak overall, and once again the production is VERY weak.

Ted Nugent - 'Scream Dream' (Sony)
A semi-memorable catalog release,but certainly no classic.Originally released in 1980.It's okay as I've heard Ted do better.One factor about 'Scream Dream' is that Ted is now full time vocalist,taking over Derek St.Holme's job.I didn't mind it so much,but I've heard several fans state otherwise.Just basically decent Detroit-style hard rock with the better tracks being "Wango Tango","Hard As Nails","Violent Love","Spit It Out" and the somewhat funky "Terminus Eldorado".I saw Nugent out on this very tour with the Scorpions and Def Leppard as support acts.A show that I remember people talked about for many years to come.

jeremy holloway
a fun album. i knewwango tango as the only song off this cd when i decided to order this cd i was not disapionted. i wish he would have done more like this. this cd includes arange of songs wangotango scream dream and dont crythis is a very hard rock album buy this cd you will not be dissaponted
i give it five stars ... Read more

Asin: B0000025I9
Sales Rank: 52227
Subjects:  1. Album Rock    2. Arena Rock    3. Detroit Rock    4. Hard Rock    5. Heavy Metal    6. Pop    7. Rock    8. United States of America   

...But the Little Girls Understand [Bonus Tracks]
Average Customer Review:
Audio CD (07 May, 2002)
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Reviews (1)

Must have for Knack fans
While not as good as "Get the Knack", still a great album if you are a fan (everyone should be). Love "Mr. Handleman" and their cover of The Kinks, "Hard Way". This album should have been big! They got hosed Tommy, they got hosed! ... Read more

Asin: B000065CXF
Sales Rank: 49430
Subjects:  1. New Wave    2. Pop    3. Power Pop    4. Rock