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    Chocolate Starfish and the Hot Dog Flavored Water
    Average Customer Review: 3.0 out of 5 stars
    Audio CD (17 October, 2000)
    list price: $13.98 -- our price: $13.98
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    Editorial Review

    The splicing together of nu metal, rap, funk, and sterile electronica laced with dark melodies as infectious as anything Britney has to offer inspired 6 million people to purchase copies of Limp Bizkit's Significant Other. With Chocolate Starfish, they perfect their formula. From the electro-infused "Intro" through the contagiously chugging "My Generation" to the straight-up rap of "Getcha Groove On," Chocolate Starfish is a slick, clinical, and flawless platform for Fred Durst's effortlessly savage--and occasionally unintentionally comic--sociological rants geared toward disaffected youth. Ultimately, though, it's that undeniably intelligent musical backdrop--the brooding guitar sound that gave the Mission Impossible 2 theme haunting new life and menace, and that defines "Hot Dog," "Full Nelson," "My Way," "Rollin'," "Boiler," and "It'll Be Okay"--that makes this a seething work of genius. The fact is, with rap and rock saying pretty much the same thing, Limp Bizkit have plenty of competition. They just do what they do better than everyone else. --Dan Gennoe ... Read more


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    Reviews (1036)

    1-0 out of 5 stars hilariously bad juvenile delinquent stuff
    this was the first cd I got back in 6th grade, and boy did I think it was funny.I mean, the guy sings the "f-word" about 50+ times in one song, so whats not to like, right? well, other than the fact that I "grew up" and listened to better music later on, this isn't that bad.well, unless you are older than a 6th grader.then it sucks.and boy, this album sucks.basically everything wrong with music today can be traced to this album.its that bad.its funny as heck, but this is terrible music.it is worth a novelty listen if you want to be cracked up a bit, but other then that its garbage.and Fred Durst trying to do slower emotional songs at the end is just a complete joke.avoid this cd and their others like the plague.

    1-0 out of 5 stars Awful!
    Please don't listen to this terrible album! It is much worse than you guess! This is their best known probably but it doen't mean it is good...it is awful!

    1-0 out of 5 stars To All Of Those @ssholes Mocking My First Review...
    I just want you to know that I listen to whatever I want, especially to you, Wykydtron, telling me to save myself from listening from Korn, Slipknot, Shadows Fall, Lamb Of God, Slipknot and Ill Nino and listen to "real metal". I like Children Of Bodom, old Metallica and Iced Earth as well, but I honestly don't care for Iron Maiden and Judas Priest (I think they are great bands as a matter of fact, but they just don't appeal to me), and 3 Inches Of Blood just suck. This is just MY opinion, so leave me the hell alone and let me listen to whatever I want while you listen to whatever you like to listen to. Got that? Don't make me repeat myself again.

    Now, for the review. This album totally blows. Fred Durst totally f*cked music up again. This idiot can't rap and the band members suck as well. This band should have never gotten a record deal, especially with Interscope records. It's just so sad that all of the hack talent, sellout artists get all of the attention and money while the artists that make good music are looked over. Music is dying these days, and I owe it all to Fred Durst.

    Yes, "My Way" ripped off a Pink Floyd song (I don't care for Pink Floyd), and Fred then thinks he's so hardcore saying "f*ck" 50 times in the song "Hot Dog". I can take swearing, but not when Fred swears all of those times. "Take A Look Around" is an extremely generic knockoff to the Mission Impossible theme song, and "My Generation" is just ruined with horrendous lyrics. "Rollin'" is a terrible song as well...do I have to keep typing?

    Buy ANYTHING except for this record. And why can't Amazon rate it lower than one star? This deserves negative infinitive stars, because the record companies are doing anything to get money these days, and hopefully this P.O.S. will go out of print and end up in used record stores where it belongs.

    Thank you for scarring the true meaning of music, Fred Durst. BURN IN MOTHERFURead more

    Asin: B00004XOWM
    Subjects:  1. Alternative Metal    2. Heavy Metal    3. Pop    4. Rap-Metal    5. Rap-Rock    6. Rock   


    Average Customer Review: 4.5 out of 5 stars
    Audio CD (11 June, 2002)
    list price: $13.98 -- our price: $13.98
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    Editorial Review

    The band that unwittingly begat the current, if waning, rap-metal frenzy, Korn has been semidormant since 1999's multiplatinum Issues, while bands they inspired, such as Linkin Park, have ruled the charts and minds of disenfranchised teens. The wait for Untouchables' 14 cutting cuts is more than worth it, however. The quintet's heavy sound and lyrical angst have not been dulled by success. Singer Jonathan Davis's often agonized, cathartic lyrics and slightly lispy, emotive delivery are as heavy and varied as on previous outings. On the first single, "Here to Stay," which boasts a spooky, Nine Inch Nails feel and Fieldy's aggro, down-tuned bass, Davis growls in pain, "This state is elevating / As the hurt turns into hating / Anticipating all the f---ed up feelings again."

    Among and within songs, Korn move seamlessly and dynamically from gentle, spooky, and lushly melodic to a bass-heavy propulsive, explosive musicality. "Embrace" is almost grandiose and Cult-like in its rock drama, in contrast to the punky, straight-up "Wake Up Hate," on which Davis's vocals are especially creepy and Marilyn Manson-like as he rants: "I'm, I'm filthy/ Wasted piece of s--t/ I am disgusting/ Take me away." Untouchables, with its brutal introspection and hints of misogyny, is sure to earn its parental advisory sticker. But the album is still a must-have: 62 minutes of deeply felt, ultra-intense spewings, a tour de force that will strike a chord with fans and critics alike. --Katherine Turman ... Read more


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    Reviews (955)

    5-0 out of 5 stars One of the best Korn records
    This record consists of songs, not surprisingly, about abuse and depression.For this reason, especially when one considers that the same could be said of any other Korn album, the lyrics are a bit of a disappointment.

    Despite this, Untouchables is the best in a long string of great records.It scraps rapping and screaming, settling on a much more effective use of melody.Combined with a perhaps simplified but still effective and primal guitar attack, these melodies make Untouchables one of the most dynamic and dramatic rock releases in recent memory.

    3-0 out of 5 stars Typical Korn, but good.
    As a casual fan, I find "Untouchables" to be mostly for fanatics. Overall I call it good, but there's only three tracks I really find to be great. Coincidentally those are the singles, "Here To Stay", "Thoughtless", and "Alone I Break". All three are excellent. The rest, decent. Other casual fans may want to pass on this album, since two of those three songs are on "Greatest Hits Vol. 1". So, unless you're just dieing to have "Thoughtless", which is awesome, I probably wouldn't touch "Untouchables".

    5-0 out of 5 stars They're ready for the future
    "Untouchables" was an album gobbled up by hardcore fans such as myself because the 2 year gap between "Issues" and this was maddening (for me at least). Needless to say, the wait was worth it. No filler, no collaborations with rap artists, no B.S.. Although lacking the explosiveness of "Blind", when Jonathan Davis mutters, "We're here to stay" in the opening track, he means it. Each and every song, some subtle, some profane and some fun, serve as a non-stop barrage of what we should be hearing in rock and metal today. This is a band that has clearly shown that despite the flak it may get for its creative choices, it will thunder on til not one of them is left standing. "Hollow Life" and "Alone I Break" showcase Korn's growth, while the rest serve as a reminder as to why we shell out cash for their efforts in the first place. They are a constantly evolving force to be reckoned with. 5 stars. ... Read more

    Asin: B000066HQC
    Subjects:  1. Pop    2. Rock   


    Average Customer Review: 4.0 out of 5 stars
    Audio CD (18 June, 2002)
    list price: $18.98 -- our price: $14.99
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    Editorial Review

    For their second major-label release, Northern California's Papa Roach follow the same recipe of other rap-metal crossovers: aggressive, thick-chugging riffs, angst-driven lyrics, and touches of good ol' classic rock. Tracks "Time and Time Again," "Born with Nothing, Die with Everything," and "She Loves Me Not" have big, fat, clever choruses, which would fit with ease on harder mainstream radio. Elsewhere, they are far more engaging: "M-80 (Explosive Energy Movement)" bashes away with punk stylings, and the sweeping "lovehatetragedy" includes interesting chord and tempo changes. Jacoby Shaddix (the vocalist formerly known as Coby Dick) gives an impressive performance, and while he might not have the power of most of his contemporaries, he makes up for it with his more melodic approach, even within his raps. The only thing that's lacking is a distinction factor that sets them apart from everyone else, but at least they didn't steal any Iron Maiden riffs this time. --Gail Flug ... Read more


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    Reviews (51)

    3-0 out of 5 stars Might Work For Some But Don't Expect A Classic
    I give Papa Roach credit for the first album, Infest, but Lovehatetragedy, not only has a very long title (and odd titles on some songs aswell), but it seemed very rushed, even its singles were rushed. Decompression Period was good, Jacoby had great vocals on that song. But some songs sound too much alike, vocals sound rushed, the tunes sound rushed, and even the seconds in between songs seemed rushed. Overall it is a good album, but don't expect too much with it, just expect good music that is good to listen to every now and then.

    5-0 out of 5 stars its kinda like rock/alternative and punk/pop in a blender
    first of all, there is nothing "metal" about papa roach. their riffs may have been stolen from old metal bands on the awful "infest", but this is a new album with a very new/different sound. if you're looking for metal or nu-metal, check out disturbed, metallica, shadows fall or other similar metal bands instead, cuz their ain't none on here.

    now, on to the album....

    Being a punk fan myself, i'd never thought i'd be into a band like p.roach, that is, until I heard "scars" (from their newest album). after loving that song and downloading a couple more, i decided to go to the music store and pick up their album. while i was there i came across "infest" (which i'd heard years earlier and hated...rap/metal is so, SO stupid) and another one called lovehatetragedy. I'd had never heard of it before, but the guys next to me said that if i liked "getting away w/ murder", i'd like lovehatetragedy too. so, i bought it, got home and had the mind numbing task of deciding which to listen to first. i decided on lovehatetragedy, and from the opening chords on M-80 to the catchiness of time and time again to the raw aggression of never said it, i knew i'd picked a winner. this is a great album, and if you like getting away w/ murder, you'll love lovehatetragedy. I'm glad these guys ditched rap/metal in favor of melodic rock, and i can't wait for some new material...

    1-0 out of 5 stars As far as nu-metal standards go, lame
    Nu-metal isn't my favorite type of metal, but there are some bands that are actually good. Papa Roach isn't one of them. The lyrics are unoriginal, the vocals suck, the guitar is one basic riff played over and over and over again, the bass...WHAT??!?!!!?!? YOU MEAN PAPA ROACH HAS A BASSIST??!!!!? And lastly the drumming is simple. You should avoid any Papa Roach album except Getting Away With Murder. It has a few good songs. For good music listen to the following bands:

    NU-METAL: Scum Of The Earth, Rob Zombie, KoRn, Slipknot, Coal Chamber, Soil, American Head Charge, Powerman 5000, MotoGrateR
    METAL: Anthrax, Sepultura, Malevolent Creation, Cannibal Corpse, Testament, Monstrosity, Venom, Six Feet Under, In Flames, Immortal
    Just boycott this album and buy GAWM used. ... Read more

    Asin: B000066S03
    Subjects:  1. Alternative Metal    2. Heavy Metal    3. Pop    4. Rock   


    Sticks and Stones
    Average Customer Review: 4.0 out of 5 stars
    Audio CD (11 June, 2002)
    list price: $13.98 -- our price: $13.98
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    Editorial Review

    Sticks and Stones, the third record from Florida emo-punkers New Found Glory, might wear its broken heart on its sleeve, but that doesn't mean it has to pretend to be mature. No, Blink-182's first choice of opening band have a firm grasp of the puerile: Sticks and Stones churns out dumb punk thrills at such a breakneck pace, you'd swear they were going out of fashion. The chugging "It's Been a Summer" does Blink as well as Travis, Mark, and Tom do themselves, while "Head-On Collision" displays the group's tender emo side, frontman Jordan Pundik smarting at a vicious relationship spat. "It feels like I'm bruised and broken / From our head-on collision," he sobs, as guitars crunch and blunder madly in the background. Thing is, although some of the tunes are spot on--particularly, the lovestruck "My Friend's Over You" and the moshpit-friendly "Something I Call Personality"--there's little to radically distinguish New Found Glory from their peers. If you're a diehard pop-punk fan, you've probably got records like this--and better--in your collection already. --Louis Pattison ... Read more

    Reviews (303)

    5-0 out of 5 stars One of the best pop/punk cds by far
    This is one of my favorite cds for a number of reasons. But probably the biggest reason is because it is so catchy and good.
    Here is a song-by-song review that everyone hates but I don't care...

    1. Understatement - It's really catchy and a good opening song, but I don't really know what it's about. 4/5

    2. My Friend's Over You - First single and really catchy. I love this song. I think it's about a girl that he likes that his friend broke up with so now he wants her. One of my favorites. 5/5

    3. Sonny - Good, slow song. It's not the best song on the cd, but it's still really good. I like it better than anything on Catalyst. It's about some friend that he lost or something. Rating : 4.5/5

    4. Something I Call Personality - Fast paced mosh song, too short though and not my favorite. As far as I can tell, Jordan just says: "You oughta sort this out on your own time" Over and over again. 3.5/5

    5. Head On Collision - It was pretty good at first but it's just too slow for me and it's been overkilled on the radio. I don't know what it's about. 3/5

    6. It's Been A Summer - Starts out with really catchy guitars and it just keeps going full force. All I could get is something about summer... But I really like it. 5/5

    7. Forget My Name - Starts out with the awesome lyrics "Tell all my friends I'm dead." It is one of my favorites and one of the most catchy on the whole cd. It rocks solid and the chorus is awesome. 5/5

    8. Never Give Up - It's an okay song, but a little slow and repetetive for my tastes. It's got an okay chorus but nothing to brag about. I still like it though. 4/5

    9. The Great Houdini - Now here's a strange song. The lyrics really have nothing to do with Houdini, except Jordan says something about changing or something. It's okay and catchy. 4/5

    10. Singled Out - Starts out with a funky piano rythym and the whole song is just great. I like the chorus, but it's not the best on the cd. 3.5/5

    11. Belated - Good catchy song with a meaningful chorus and I enjoyed the whole song fully. Not my favorite on the cd, but still better than anything Fall Out Boy can produce on their best day. 4.5/5

    12. The Story So Far - REALLY good song. It starts out good and keeps getting better until the end. The chorus says "The sky will never look the same again, until you show me how it could be." I love that chorus. Then about 20 minutes after the song... wait, I've said too much. Just fall asleep listening to this song in a dark room.. You'll get a surprise.

    4-0 out of 5 stars It's good
    I'm just going to review each song...

    1. Understatement: The best opener to an album I've ever heard. 5/5
    2. My Friends Over You: Cool, but gets a little annoying after a while. 4/5
    3. Sonny: The music is good, but the lyrics are what really stand out. 4/5
    4. Something I Call Personalitty: Meh. 3/5
    5.Head on Collision: Cool, but should have been called "Bruised and Broken". 4/5
    6. It's Been A Summer: Extremely catchy. 5/5
    7. Forget My Name: One of the best NFG songs ever! 5/5
    8. Never Give Up: Yes, 3 good songs in a row. 5/5
    9. The Great Houdini: Don't see what it has to do with Houdini, but it's good. 4/5
    10. Singled Out: Stupid lyrics, "Why did you have to go and make me say these things about you?" What? Someone can't make you say things. 3/5
    11. Belated: The chorus makes up for the wierd 2nd verse.
    12. Story So far: Kind of forgettable, and the hidden track is pretty lame. 4/5

    Overall, I have mixed emotions for this album, fans of NFG will like it.

    1-0 out of 5 stars WTF Happened To Chad Gilbert?
    In 1997, when he was in high school, Chad Gilbert was in a band called Shai Hulud. They released two releases off Revelation records imprint, Crisis records around that time. Chad then left the band to join the very annoying punk-pop band A New Found Glory. The first disc was more of a punk rock effort with songs in the vain of NOFX and Rancid. In 2000, the band tended to slip with the mediocre "New Found Glory", when the "a" was taken out of their name. Then they released "Sticks and Stones", the ultimate sellout album. It's amazing that someone from a metalcore band could play in yet another pop-punk band in 5 years.

    Here's what I think of this disc: the band sold out terribly with this. "Head On Collision" made it to TRL, as well as "My Friends Over You". The biggest flaw is that Jordan sounds like a whiny preschooler saying, "I want my apple juice! Waaahhh! Change my diaper! Waahh!" Kick him out and the band would be slightly better. I hate them now, especially with that horrible "Catalyst". I wish Jordan would check a doctor to see if he actually broke out into puberty. ... Read more

    Asin: B000068FWE
    Subjects:  1. Emo    2. Pop    3. Punk Revival    4. Punk-Pop    5. Rock   


    2000 Years of Human Error
    Average Customer Review: 4.0 out of 5 stars
    Audio CD (23 January, 2001)
    list price: $11.98 -- our price: $11.98
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    Reviews (41)

    5-0 out of 5 stars Godhead Is Great Godhead Is Good
    Well just to let you know I listen to a lil of everything so don't think I am classafied as a so called Goth or Metalhead. Anyway I saw Godhead at a show in Nashville TN and they were one of three bands playing the other 2 were Static-X and ENDO well ENDO sucked ass and i was starting to get pissed that i paid for the ticket then these guys get on stage and KICK-ASS!! As soon as they came on i ran to the booth up front and bought this album for $10. Well the band i was there to see was Static-X and ofcource they rocked the house as well but to hear godhead for the first time was a major shock and beleave me you need this album!!!!!!

    5-0 out of 5 stars A Great Debut.
    If Marilyn Manson went lighter on the metal and heavier on the goth, he'd probably sound something like Godhead, which isn't surprising, considering Manson produced the album.After bouncing around record labels and releasing several low-budget productions, the band finally finds a home for its unique blend of industrial goth-rock with Manson's Posthuman label on Priority Records.Manson does for 2000 Years of Human Error what Trent Reznor did for Antichrist Superstar by taking a band that was already great and adding some extra spike to the punch.Manson's influence is undeniable (he even puts his patented sandpaper vocals to use in Break You Down), but its Godhead's flare for combining dramatic, gothy rock with catchy dance beats over atmospheric, industrial soundscapes that steals the show.From loud rockers The Reckoning, Inside You, and Break You Down to the mellow sounds of Tired Old Man and I Hate Today, Godhead demonstrates a knack for creating emotional yet vaguely creepy music that just happens to rock considerably.

    5-0 out of 5 stars Godhead Rocks
    Afther seeing the music video elenor rigby i want to get this cd. and it is a awsome cd. if your a fan or like groups like marilyn manson and nine inch nails you should check out this one. ... Read more

    Asin: B000056B7H
    Sales Rank: 83966
    Subjects:  1. Alternative Metal    2. Goth Metal    3. Heavy Metal    4. Industrial Metal    5. Pop    6. Rock   


    Holy Wood (In The Shadow Of The Valley Of Death)
    Average Customer Review: 4.5 out of 5 stars
    Audio CD (14 November, 2000)
    list price: $18.98 -- our price: $14.99
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    Editorial Review

    The impact of Marilyn Manson's subversive musical agenda has waned, and what's left is a provocative, talented artist writing affecting, powerful, and yes, controversial songs. Although Holy Wood is the third title of a trilogy that began with 1996's Antichrist Superstar, the album stands on its own. Rife with references to the Beatles and the Kennedys, and full of pop-culture barbs, Holy Wood is a musically diverse and powerful statement. The memorable sing-along "Disposable Teens" boasts the same kind of staccato, Teutonic, first-thrusting power introduced with "Beautiful People," while "Fight Song" is the Sex Pistols meets Blur by way of Nirvana. While a futuristic, nihilistic tint pervades Manson's work, passion is also prevalent, notably in the spooky acoustic number "A Place in the Dirt" and the brutal "Death Song." Like Marilyn Manson the man, Holy Wood is intelligent, dynamic, and multifaceted, with myriad charms that are evident to the tuned-in listener. --Katherine Turman ... Read more


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    Reviews (284)

    1-0 out of 5 stars Piece of sh**!
    I believe in Jesus and this is no gospel! I hate this album...it worships the S*tan! There's too many songs in this album!

    4-0 out of 5 stars Its a band not a solo performance.
    You either love them or hate them,For those that love them this is a welcome addition to your manson back catalogue.Coming across as the child of mechanical animals and antichrist superstar.Its an album full of Outcast anthems,Moody depressing ballads and a big middle finger to the U.S. Government.Everything a good manson album should consist of.

    5-0 out of 5 stars My review for .... Holy Wood
    One word could describe this album... good. I mean, it has The Fight song, The Love Song, Burning Flag, The Nobodies, etc.Its a must have for even people who AREN'T fans.It has a couple of slow songs.This is a album to get your adrenaline, but yet your sadness and thoughts of society and life, going.I picked this up after maybe 3 other MM albums I bought and now I can tell you.. I should of got this one first.Dont let the album cover fool you.. This album is a masterpiece. ... Read more

    Asin: B000050ITX
    Subjects:  1. Alternative Metal    2. Heavy Metal    3. Industrial Metal    4. Pop    5. Rock   


    Every Six Seconds
    Average Customer Review: 3.5 out of 5 stars
    Audio CD (27 March, 2001)
    list price: $13.98 -- our price: $13.98
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    Editorial Review

    Saliva's heavy rock--with a dash of rap--is at once current and timeless, unlike many of the bands spawned by Korn and Limp Bizkit. This Memphis-bred bunch's powerful, diverse debut features a dozen lyrically and musically focused tracks from a band clearly possessed of strong chops and smart heads. Rangy singer Josey Scott's passionate delivery works well when matched with the chunky riffing of "Musta Been Wrong," the soaring, layered song's intensity balanced by shredding guitar. Every Six Seconds has many such moments, with producer Bob Marlette's taut, techno-inflected touch lending "Lackluster" and "Faultline" a NIN vibe. "Hollywood" is a classic midtempo take on Tinseltown, while the CD's first single, "Your Disease," is simply a hit. "My Goodbyes," the ideal album closer, has a mystical musical quality befitting departed loved ones. Ultimately, Saliva's thoughtful, heartfelt, earthy intensity make Every Six Seconds an impressive entrée from start to finish. --Katherine Turman ... Read more

    Reviews (99)

    3-0 out of 5 stars Every Six Seconds
    I like this album even more now than I did when I first purchased it. This is Saliva's heaviest and loudest record. Every Six Seconds is a success and a must have record for any head banging individual. The album starts off good and ends even better. Overall, it's heavy, loud and a must have to your collection.

    1-0 out of 5 stars The Biggest Limp Bizkit Ripoff
    I listen to some "nu-metal", but this is just a disgrace. First of all, this sounds exactly like Limp Bizkit's "Chocolate Starfish and the Hot Dog Flavored Water" mixed with Nickelback's "Silver Side Up", and I hate both CD's. Also, this band is way too commercialized. Even Slipknot and Korn aren't that commercialized. What a waste of silicone and lumber.

    Every six seconds when I listen to each song, I want this madness to end. Now!

    5-0 out of 5 stars 4.5 stars - great album
    Saliva delivers a very stong album.Easy to listen straight through from 1 to 12.The beats are a great, Josey's voice is great, and the result is great.Has no real skippable songs (maybe 1) but the rest are good (a few great ones and a classic as well).Has a few songs that get you pumped up and a few slower deeper songs.A must have album for fans as well as nu-metal fans.

    #1 - 9 (good one to get you pumped up)
    #2 - 8
    #3 - 10 (classic - gets you pumped)
    #4 - 7
    #5 - 8.5
    #6 - 7.5
    #7 - 8
    #8 - 6.5 (deeper song)
    #9 - 7.5
    #10 - 8 (slowe song)
    #11 - 9 (gets you pumped)
    #12 - 9 (slower song)

    check all my reviews ... Read more

    Asin: B00005ABO8
    Subjects:  1. Alternative Metal    2. Heavy Metal    3. Pop    4. Rap-Metal    5. Rock   


    L.D. 50
    Average Customer Review: 4.0 out of 5 stars
    Audio CD (29 August, 2000)
    list price: $13.98 -- our price: $13.98
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    Reviews (371)

    4-0 out of 5 stars Signs of things to Come
    The debut album was snatched up by folks looking for more stuff like Slipknot.They found this in "Under my Skin" and "Dig", but found a gem in "Death blooms".

    Death Blooms was the first song to let people in on the true "Mudvayne" sound.

    "Severed" showed what promise Chad's voice possessed, and Nothing to (K)now Forever showed the complexity to the sound that was evolving.

    A great album that foreshadowed the coming of their next album "The End of All Things to Come"

    5-0 out of 5 stars Nu metal is taking strides
    Mudvayne along with several other "nu age metal" bands have been criticized since their beginnings but truly have made more progress than one may realize. This album is definately worth your money and is a prime example of where this genre of music is headed. Another band worth trying goes by the name of "Mushroomhead" who is classified as nu age only because they fit into no other catagories, whose newest album is incredible.

    1-0 out of 5 stars Mudvayne is pathetic
    Same old nü-metal garbage, same boring guitars. Mudvayne to me sounds like a bunch of guys throwing their instruments around and screaming like idiots. Which has become the definitive sound of nü-metal. Not much to say bout this band that hasn't already been said.

    To mudvayne fans, they suck, you know it, get over it p*ssies and go commit suicide.

    My rating:

    Songs 1-17:-99999999999999999999999999999999999999999999 stars. ... Read more

    Asin: B00004WK3A
    Sales Rank: 5102
    Subjects:  1. Alternative Metal    2. Heavy Metal    3. Pop    4. Rock   


    Average Customer Review: 4.0 out of 5 stars
    Audio CD (11 September, 2001)
    list price: $13.98 -- our price: $13.98
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    Editorial Review

    The multi-hyphenated (rap-metal-hip-hop-reggae) foursome P.O.D. enjoyed indie success as a popular Christian metal band before their 1999 major-label debut, The Fundamental Elements of Southtown, sold platinum, establishing P.O.D. as a secular sensation. Featuring the soaring single "Alive," the San Diego quartet's sophomore effort, Satellite, is even more a part of the nu-metal mainstream than its predecessor. Throughout, front man Sonny is more rapper than singer, especially on rhythmically forward, Rage Against the Machine-like songs such as "Boom," "Masterpiece Conspiracy," and the melodic yet mosh-worthy "The Messenjah." With positive, spiritual, and personal lyrics (several songs, including the title track, were influenced by the death of Sonny's mother), Satellite runs the gamut from lilting to intensely aggro, often within one song. In a nod to P.O.D.'s influences, special guests include Jamaican icon Eek-A-Mouse on "Ridiculous" and Bad Brains legend HR on "Without Jah, Nothin'." This cool reggae, meshed with offbeat punk power, is placed alongside mellower midtempo rockers, including "Ghetto," to round out a varied and stellar album. --Katherine Turman ... Read more

    Reviews (294)

    1-0 out of 5 stars I Only Like A Few Songs...
    I do not care for P.O.D., and I tend to have a somewhat vengeance for them for selling out with this album, but I have to admit that there are two songs I like on here. "Youth Of The Nation" tends to bring me back memories when I was in the 7th grade, as that song was a big hit back then. "Satellite" is also a fair track, but "Youth Of The Nation" is better. This song has a very descriptive message to it about how teenagers become depressed and about killing themselves (like you care). Those are the only two songs I like. The rest of this album is utter crap, especially the songs "Alive" and "Boom".

    I only recommend that you download one song and leave the rest to rot. For GOOD Christian music, check out Living Sacrifice, As I Lay Dying, Zao, Extol, Norma Jean, UnderOATH, Embodyment, Training For Utopia, Stretch Arm Strong, The Chariot and He Is Legend.

    5-0 out of 5 stars Simply Rocked
    When this album first hit the stores (on September 11, 2001 strangely enough), it didn't exactly break any sales records.Other than the hardcore, devoted-to-Christian-music community, few people noticed this album.However, for those people, including myself, who have been following P.O.D. and their previous works, this album, simply put, rocked.

    If you've heard any of P.O.D.'s songs, it would probably be "Alive."I heard the song before I purchased the CD and frankly, it made me a little less inclined to buy this album.A band is only capable of making a certain amount of "Alive"'s style of music before it runs out of creative juices.Fortunately, both for P.O.D. and the listening public, the rest of the album is extremly diverse.

    "Satellite" has an extremely diverse list of tracks, ranging from laid-back ska rock, to hardcore rap-rock, to soothing and almost meditational poems to a mother.And while the genre may vary, P.O.D.'s smoothness and emotion permeate each and every song.The lead singer, Sonny's voice packs energy and emotion into every syllable, delivering an energy to the listener that I have rarely, if ever, heard before in the genres that P.O.D. explores.

    Individually the songs on this album are enough to blow one's mind.Let me start with the title track.In my opinion, "Satellite" is one of the best alternative tracks ever.It's still on my playlist now, more than four and a half years later.The emotional high this song creates, at least for me, is a true testament to the power of Sonny's melodies.The soaring vocals and killer riffs in this song make this one of my all-time favorites.

    On the opposite end of the spectrum, P.O.D. gives their audience "Thinking About Forever," a track about the sadness felt when having to live life without a mother.In this track, P.O.D. conveys more emotion than in any of their other tracks to date, but does it in a way that fits the subject matter perfectly.The music is perfectly suited to the idea Sonny is trying to pass on.

    P.O.D. also teamed up with the lead singer, Christian, from Blindside (who released an incredible album, "Silence," the next year) to create the song "Anything Right".While some may be turned off by the somewhat harsh tone of the music, I find this song to be one of the stronger pieces on this album.

    I've only mentioned three tracks, none of which were featured singles at any point.The three I mentioned make are on the extremes of where P.O.D. travels musically.Every other track can be placed within a generic spectrum, not that this is a bad thing.

    The one regret that I had when listening to this album is that after listening through it the first few times, I started to fall into the pattern of hitting repeat after the first six songs were through.The emotional pattern of those first six songs is an incredibly moving effect.However, after the first half-dozen, P.O.D. seems to disintegrate, returning to their old formulas.While I do appreciate that style of music and understand the band's return to their roots for a few tracks, it is a bit of a let down, especially after a track like "Satellite."

    All in all, there is very little to say other than if you don't mind a CD where the back end of the tracks fizzles slightly, you should have absolutely no qualms about buying this one at all.

    4-0 out of 5 stars Great Music
    I really enjoy listening to this CD when I work out at the gym or drive in my car.I was a big fan of Limp Biscuit and Korn but just got tired of their use of the F word.This band has a similar style of music without all of the cussing.They also have a very positive message and a hard hitting metal sound.I would recommend this CD.

    ... Read more

    Asin: B00005MB1I
    Subjects:  1. Alternative Metal    2. Pop    3. Rap-Metal    4. Rock   


    Average Customer Review: 4.0 out of 5 stars
    Audio CD (21 August, 2001)
    list price: $17.98 -- our price: $14.99
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    Editorial Review

    Judging by this 12-song debut, the powerful, heavy, and distinctive nu-metal band Adema have the songs, sound, and connections to succeed. Where pull in powerful places is concerned, singer Mark Chavez is the half-brother of Korn's Jonathan Davis, but Chavez and his cohorts have the goods to go the distance on their own musical merits. Drummer Kris Kohls, a veteran of Videodrone, bashes with Tommy Lee-like power, while Chavez's wide-ranging vocals are appealing, distinct, and intense. From "Giving In," which tackles alcoholism, to the ironic bitterness of "Close Friends," to the epic closer "Trust," Adema create a soundscape that is modern, heavy, and aggro--without being juvenile. With stellar production skills, topical lyrics, and a vibe that's current without being too trendy, Adema have promise to burn. --Katherine Turman ... Read more


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    Reviews (175)

    3-0 out of 5 stars It's Not That Terrible...
    To all you people that think that this is a Korn ripoff, think again. The music sounds nothing like Korn's music, but the vocals sound alike only because [former] vocalist Marky is Jonathan Davis' half brother.

    To the CD: it's mediocre at its best. It's not as overrated as you think it is, but it's still mediocre. "Giving In" is a fair track, and "The Way You Like It" is my favorite so far. "Freaking Out" is also a great track as well. However, I would buy this album used. Even though Adema is a million more times talented than Limp Bizkit, there is much better out there. If you are a naysayer to nu-metal and despise of this, I don't recommend this to you, but if you're not, give it a second listen. You may like it, you may not.

    5-0 out of 5 stars UNBELIEVABLY AWESOME!!!
    First and foremost, this is an album for ROCK fans.If you like bands such as Godsmack, Korn, Drowning Pool, Papa Roach, Disturbed, or so on, then you will definitely love this cd .This is by far my favorite album in my entire collection.I CANT STOP LISTENING TO IT!!!Every single freaking song on here rocks.The best song in my opionon however is not Giving In, like most people seem to say, but The Way You Like It.Best song ever!!!All i can say is that i wish they would come back together and make another album.

    3-0 out of 5 stars ehh-way overhyped i think
    from what i heard surrounding this band back a few years ago, i expected a stellar release.after hearing "giving in", i was further enticed.so the cd itself, is just ok.and barely ok.nothing really standsout.i have a hardtime differentiating between songs, except tracks 3 and 4-"giving in" and "freaking out", which are the two standouts."the way you like it" is ok, i dont see what all the drama is around this song."everyone" is a decent opener, but other than those few songs, this album is drab.marky chavez can sing somewhat, but nothing like his half/step/whatever brother, jon davis, of some band called korn.if you like radio friendly rock with a rebel touch, this is an album for you. ... Read more

    Asin: B00005NH0D
    Subjects:  1. Pop    2. Post-Grunge    3. Rock   


    Average Customer Review: 4.0 out of 5 stars
    Audio CD (20 November, 2001)
    list price: $13.98 -- our price: $13.98
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    Editorial Review

    The XXX-rated quartet Hoobastank arrives on this self-titled major-label debut as a nu-metal Weezer, though without anything as cheekily subversive as "Hash Pipe." The similarities lie more in Hoobastank's tight playing and vocal harmonies than in the overblown post-teen lyrics. In track after track, singer Douglas Robb is in crisis; whether he's intoning or yelp-rapping his words, they are never as articulate as the emergency-siren guitar of the punkish "Pieces." Even the grateful love song "Let You Know" is weighed down by an expectation of times "when I'm feeling like everything and -one is hurting me for something or other." Dude, get yourself a Popsicle. The album's 12-song sequence moves inexorably toward clichéd Limp Bizkit guitar riffs and one true change of pace, the spacy, Deftones-like "To Be with You." Unfortunately, its lyric is nothing more than a sensitive-guy attempt to convince a girl to "give in." Sweet. --Rickey Wright ... Read more

    Reviews (221)

    1-0 out of 5 stars I Used To Like Them...
    Dang, this sucks as much as "The Reason". All that Hoobastank try to do is pretend they're Incubus and add some generic nu metal sounds to their music. This is what I call a "hack talent artist", and there are many of those artists in this world. Hoobastank offers nothing new here. "Crawling In The Dark" might as well be called a ripoff of Incubus' "Pardon Me", but with a faster pace. "Running Away" is the kind of song that would have gotten the band signed to Wind-up records, the home of many Creed wannabes. "Remember Me" is just another carbon copy of "Crawling In The Dark". "Pieces" isn't that great either. I don't recommend this. Hoobastank has no original material to their music. I recommend you buy Incubus' "S.C.I.E.N.C.E.", as this is the album Hoobastank steals from.

    5-0 out of 5 stars awesome music !!!!!
    First of all hoobastank is one of my favorite bands, and I had heard some of the songs on this cd before I got it, and I expected it to be great, but not this great. Every song on this cd is really good and energetic. Here is how I rate the songs: CRAWLING IN THE DARK 10/10 REMEMBER ME 9/10RUNNING AWAY 9/10PIECES 10/10LET YOU KNOW 7/10BETTER 8/10READY FOR YOU 8/10UP AND GONE 8/10TOO LITTLE TOO LATE 7/10HELLO AGAIN 8/10TO BE WITH YOU 7/10GIVE IT BACK 9/10

    4-0 out of 5 stars Better than the sequal
    This debut album was great, better infact then 'The Reason' the newest album released by this young band. I am glad I purchased this album for this is the Hoobastank which is enjoyable to listen to and not a hinderance on one's ears. I liked every song and in this album the lyrics were not recycled.
    It was a shame the band could not build on this album, they had the foundations set in stone and yet somehow they messed it up. The songs Remember Me, Pieces, Ready for You and To Be with You are the pick of the CD. Overall and definitely the debut album was 100% better than The Reason. ... Read more

    Asin: B00005RIN4
    Subjects:  1. Alternative Pop/Rock    2. Pop    3. Post-Grunge    4. Punk-Pop    5. Rock   


    The Young and Hopeless
    Average Customer Review: 4.0 out of 5 stars
    Audio CD (01 October, 2002)
    list price: $13.98 -- our price: $9.99
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    Editorial Review

    Despite the piercings and spiky hairdos of Good Charlotte frontmen Joel and Benji Madden, the filth and the fury of punk are not in evidence on The Young and the Hopeless. Rather, Good Charlotte lean toward the sunny power pop favored by the lighter Huntingdon Beach, California, outfits. Nevertheless, with the title track and "The Anthem" ("I'm just a minor threat"), the band appeals directly to high-school outsiders. Relationship problems are delved into in "Wondering" and "Say Anything," and they even find space to explore comic horror with "My Bloody Valentine." So they're not as intense or enraged as the hardcore likes of Black Flag or even Linkin Park. But the undeniably strong melodies this bunch comes up with have plenty of appeal on their own terms. --Dominic Wills ... Read more

    Reviews (1920)

    3-0 out of 5 stars An occasional cd
    This is just a fun cd to throw on.There is one song in particular that i really enjoyed which is Hold on.This is about the strongest song on this cd.There arent many songs on this cd that have such a deep message.This cd will be enjoyable for 13 year olds and it can occasionally be thrown in the stereo of anyone older and still be enjoyable.

    4-0 out of 5 stars I'm a girl but I'm not 13
    (...) I was once a thirteen year old girl and I like to think I had fairly decent taste in music. I am now 30. I like Good Charlotte. I don't understand what everyone's gripe is. They certainly are not punk. Who said they were? Someone mentioned they are trying to be hardcore by having tattoos. Really? I have numerous tattoos and 17 piercings. Guess what? I'm not attempting to be punk or hardcore. I just happen to like body art. Could it be that the members of this band just have a preference for tattoos and are not trying to make a statement.

    I think you guys take this whole music thing too seriously. The music is catchy, it is fun. Is it genius? No. But who cares. It is still entertaining. You who have written negative reviews seem to be taking this all very personally. I certainly hope your lives are more fulfilling than they appear.

    5-0 out of 5 stars RIOT!!!-by Joel
    Good Charlotte return different everytime!Their self-title first
    album was more into pop,and it was their most-easy-listening album.The ''Cronicles''was rock-alternative,and this(their second)is the most punk!
    A New Beggining 2/5
    The Anthem 5/5
    Lifestyles Of The Rich And Famous 5/5
    Wondering 4/5
    The Story Of My Old Man 5/5
    Girls And Boys 5/5
    My Bloody Valentine 5/5
    Hold On 5/5
    Riot Girl 5/5
    Say Anything 4/5
    The Day That I Die 5/5
    The Young And The Hopeless 5/5
    Emotionless 5/5
    Movin' On 4/5
    Bottom Line
    Its childish but... ... Read more

    Asin: B00006J6VG
    Subjects:  1. Pop    2. Rock   


    Average Customer Review: 4.0 out of 5 stars
    Audio CD (08 April, 2003)
    list price: $13.98 -- our price: $13.98
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    Editorial Review

    Fans of Godsmack’s dark, swirling, commanding music will be delighted by the Boston band’s powerful third effort, which mixes arena rock in the vein of an Alice in Chains (in fact, Godsmack takes its name from an AIC song) with the aggression of Pantera. With new drummer Shannon Larkin (formerly of Amen), Godsmack stick with the riff-heavy, layered tunes and sharp, confident bridge-burning lyrics (witness the convincing vitriol of "I F@?king Hate You"). Highlights include Sully Erna’s gut-spewing scream on "Changes," the memorable chorus and commanding assured "I Stand Alone," and the radio-ready "Straight out of Line." The tribal drums and chanting of the instrumental "The Awakening" sets the stage for "Serenity," the final track, which brings Faceless full circle, the acoustic guitars, congas and strings providing a sinuous conclusion to a potent album. --Katherine Turman ... Read more


    • Enhanced
    • Explicit Lyrics
    Reviews (315)

    4-0 out of 5 stars An interesting blend of hard rock & stunning lyrics
    'Faceless' was the album that introduced me to this hard rock alternative band Godsmack. And the album ain't half bad at all. Godsmack shares so much of the sounding of the beats and rhythms to Staind and Korn. Usually in these types of bands you will find one dimensional lyrics but in 'Faceless' the lyrics outdoes the actual music. My favourite songs were 'Faceless', 'I Am', 'I Stand Alone' and 'Serenity'. These songs made the album a hit.

    This album was my introduction to this great band that has evolved with wisdom in their careers and are sticking with what made them great. This is Godsmack's third release and I am now a proud fan of this great band. Also watch out for the song 'Re-Align' that is some great sound beats.

    4-0 out of 5 stars A Pretty Great Album/ Not Much Different From the Others!!!
    Godsmack is a pretty great rock band with it's own style of music!!! There isn't much of a difference between this and the first two albums but, it is still pretty good!!! Songs like: I Stand Alone, Faceless, Re-align, Dead and Broken, and I am

    Straight Out of Line: 3/5
    Faceless: 4/5
    Changes: 4/5
    Make Me Believe: 4/5
    I Stand Alone: 5/5
    Re-Align: 4/5
    I F***** Hate You: 4/5
    Releasing The Demons: 2.5/5
    Dead And Broken: 4/5
    I Am: 4.5/5
    The Awakening: 1/5
    Serenity: 2/5
    Est:3/5 My Personal Rating: 4/5

    There are other bands that are better but this band gives you an awesome experience!!! If you like this band check out Metalica, Disturbed,KoRn!!!!!!!!!!!!!!!!!,and System of a Down!!!!! I feel that Godsmack should try to use more variety in their music. I don't get some of thier songs but most of the time they say what they mean like I F***** Hate You!!! For Metal Heads like me!!!!!!
    I suggest you get the first two albums before you get this one!!!

    1-0 out of 5 stars They Rewrote The Same Album For The Third Time?!?
    Godsmack, in my opinion, is a somewhat decent band that all of the sudden fell to the power of the evil corporations. The first album was a great album, and I liked it. "Awake" was fair, although it did copy the first album, but "Faceless"? This is one of the most generic album Godsmack has ever released, and I have a copy of this album. I couldn't get into it, no matter how much I listened to it. The title track, "Straight Out Of Line", sounds too much like "Keep Away" and "Awake" mixed together. "Faceless" is another favorite track, as it stands out from the rest of the other tracks, but the CD wasn't something I could get into. It was all a bunch of recycled material, and the final track, "Serenity", is a complete knockoff of "Voodoo". This is just a rewrite of their debut, people. There's nothing new to see here. Just redundant radio-rock music.

    Also, these guys are trying way too hard to be the next Alice In Chains. There are too many bands trying to revive the dead grunge genre. Creed is ripping off Pearl Jam, Puddle Of Mudd ripped off Nirvana and Godsmack is ripping off Alice In Chains. Wow, the music industry is succumbing to a whole bunch of crap these days.

    Not recommended. ... Read more

    Asin: B00008J2DQ
    Subjects:  1. Alternative Metal    2. Industrial Metal    3. Pop    4. Post-Grunge    5. Rock   


    Average Customer Review: 4.0 out of 5 stars
    Audio CD (25 March, 2003)
    list price: $19.98 -- our price: $14.99
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    Editorial Review

    Linkin Park’s second studio effort (not counting the 2002 remix album Reanimation) overflows with glossy production values and Big Rock oomph, fully embracing the pop instincts of their Hybrid Theory debut. For many, Theory sounded inexcusably corporate, from its too-timely rap-rock sound to the long list of product endorsements included in the liner notes. Meteora will only amplify those complaints, but this album is actually truer to the band’s nature. It’s still impossible not to hear strains of Limp Bizkit, Korn, Rage Against the Machine, and the like. None of those acts, howeve, would try something as blatantly anthemic as "Easier to Run," which would sound fine to a Def Leppard fan, or as borderline danceable as "Breaking the Habit" and "Session." Linkin Park is what Trent Reznor was always afraid of becoming, but if you ever wished he would drop the pretenses and just make a hair-metal record, you'll find Meteora to your liking. --Matthew Cooke ... Read more


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    2-0 out of 5 stars Linkin Park is great. Until you listen to real music.
    This cd has plenty of catchy tracks, namely Somewhere I Belong and Numb to name two which have also got clips.
    The rest of the other tracks kind of blur together.
    Even the good tracks on this cd can't last repeated plays, after awhile one just finds them utterly predictable.
    I could care less if this band made bajillions, but at least they could make their later releases somewhat different.

    The music aside, I recommend not reading this band's lyrics, which are utterly average and gives one a feeling that the band members perhaps hired angsty high school teens to write their lyrics for them

    2-0 out of 5 stars For once can you stop the "Turntable" stuff?
    Back in 2000 when I first saw Linkin Park, I honestly thought they something that Rock really needed. I bought their first album,"Hybrid Theory", and thought it was a decent album that fused Rap with Rock in to a somewhat good field. But the new-found pouplarity(Especially Rapper Mike Shinoda)Linkin Park thought it would be alright to embrace a Will Smith style rap, minus the partying and the "uh" sounds Will smith makes and a kinda neo Turntable rock style that gets repetitive real fast. The result is "Meteora". A generally pleasing album for Audiences 8-13 and teenage girls. Although it does a few decent moments(Faint,Somewhere I Belong),its WAY too short and feels rushed. Linkin Park barely use actual Guitar Riffs, they don't take enough time to present any Musicanship(for a Nu-metal band),and Mike Shinoda is absoultey TERRIBLE Rapper.Another note is the heavy use of Musical Instrument samples and scrathing. Why can't they be like Ex-Rage Against The Machine Guitarist Tom Morello and scratch with strings and a Wah-Wah Pedal.Or use guest musicans like The Mars Volta to play piano and violin? Most likely because they think its not very MAINSTREAM. Overall you should just pick up more creative, musicanship-like acts like The Gorillaz's new Album "Demon Days" instead.

    5-0 out of 5 stars Great, Creative, and Extraordinary
    I found this CD quite enjoyable. I have to give it five stars due to the creativeness of this band. I normaly become angry when rap is mixed with nu-metal (hard rock, ect.). However, they did an extraordinary job. (Until Jay-Z ruined Numb.)

    I also have purchased Hybrid Theory, although, Meteora is almost musicaly better. I reccamend this to those who are first trying nu-metal. Although the intro and instramental remix tracks are kind of a waste, this CD rules over all.

    They just need to answer my one question, was the weed really necessary? ... Read more

    Asin: B00008H2LB
    Subjects:  1. Alternative Metal    2. Pop    3. Rock   


    Average Customer Review: 3.5 out of 5 stars
    Audio CD (28 August, 2001)
    list price: $18.98 -- our price: $14.99
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    Editorial Review

    Right from the introductory shriek and grind of "(515)," you know Slipknot are deadly serious about making a real heavy metal album. Iowa is intimidating in its unforgiving heaviness. Produced to perfection by wunderkind Ross Robinson, it takes the best of Slayer as a starting point. "People = Shit," "The Heretic Anthem," and "New Abortion" are relentless and wholly brutal, but this is no mere thrash. "Disasterpiece" features a weird, hypnotic riff, while "Left Behind" comes across like a duet between Alice in Chains' Layne Staley and Slayer's Tom Araya. The rerecorded "Gently" builds slowly from industrial atmospherics to a punishing explosion of noise. The title track (also old and formerly known as "Killers Are Quiet") is a deeply unsettling heavy-metal "Midnight Rambler." Frontman Corey Taylor claims to have performed it naked and bleeding from self-inflicted wounds, which isn't hard to believe. This masterfully constructed collection is painfully raw and utterly compelling. --Dominic Wills ... Read more


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    Reviews (600)

    4-0 out of 5 stars A mind blowing totally [sic] CD!
    Listining to this CD is like being hanged by a huge meat hook while crows peck out your eyes, demons pour rock salt on your open wounds, and maggots feeding off of your rotting flesh. Most people complain about Slipknot being such an angry band. Well in a since they have a right to be. They were all raised in the small deprived state of Iowa, some had abusive parents and Corey had a so called "Perfect" dad but he never got to meet. So basically these guys grew up thinking that people = sh*t because of all the stuff they've had to put up with. Parents dont let your kids listen to this CD and if they want to listen to Slipknot then buy them Volume 3: Subliminal Verses (which has no parental advisory sticker on it) Well heres my rating of all the songs on the CD:

    1) [515] 2/5 This isn't really a song its just an intro to the song People = Sh*t.

    2) People = Sh*t 5/5 This is a agressive song about the bands main views of the world and people in general. They consider people being equilivent to sh*t because we kill, we waste, and we pollute. Which I think is all somewhat true but people aren't that bad.

    3) Disasterpiece 4/5 This song is real gorey espically the part when the vocalist Corey Taylor says "I wanna slit your throat and f*ck the wound".

    4) My Plague 4/5 Its a decent song and was on the sound track to the first "Resindent Evil" movie.

    5) Everything Ends 2/5 I have to say that this is the worst song on the CD there's nothing real special about the lyrics and the vocalist keeps repeating "this is the end of everything"

    6) Heretic Anthem 1/5 This song is real hardcore but why I gave it a 1/5 is because I'm a Christan and this song goes against Christianity when the vocalist says "if you're 555 then I'm 666".

    7) Gently 3/5 This song orginally came off of their first CD called MFKR but they revised it. Its a good song it starts off nice and soft then gets real hardcore.

    8) Left Behind 5/5 Great song! The lyrics are cool and in this one the whole band did a great job on making it. It also has a kick ass music video which can be found on their "Disasterpieces" DVD.

    9) The Shape 5/5 This songs real cool the vocalist starts off in a calm but panicy voice then he unleshes his powerful screaming voice.

    10) I Am Hated 3/5 There's nothing real special about this song but I thought it was odd how they refer to themselfs as the "anti cancer, the only answer" and "bipolar gods".

    11) Skin Ticket 2/5 In this song the vocalist has a real morbid sounding voice and he keeps repeating "come see my cage built in my grave".

    12) New Abortion 5/5 This song is about deprived maggots like me who live in a small low populated deprived state where there's nothing to do and how the older people always blames things on my generation.

    13) Metabolic 5/5 (A.K.A Diluted part 2) This song is about how the vocalist Corey Taylor had a so called "perfect" dad he never got to meet. In the song he sings about how he tries to be like him but fails because he's not "perfect" then he refers to his life as "the ultimate irony" because he's tried so hard but has failed and "took a good life and made it all into a mockery".

    14) Iowa 4/5 This one is a MAMMOTH of a song. Its 14 mineuts long and its mostly instrumental. The sampler Craig has added some real morbid sounds to this song which makes it even more creapy.

    5-0 out of 5 stars This is My First Slipknot Album
    There are some songs on this album that have a good tune and some good lyrics like, Disasterpiece, Left Behind and I Am Hated.
    But in disasterpiece the beginning says,"I wanna slit your throat and f**k the woomb!" and thats just screwed up! but the rest of the album is diecent, defenentaly PARENTAL ADVISORY but pretty dang diecent!

    1-0 out of 5 stars Ok, you misunderstood everything magic drummer.
    Magic drummer dude, in case you didn't notice, I am not serious all the time. I was f**king around in my first iowa review. Yes I do hate them, no I probably couldn't beat joey, considering it's been 3 years since I've even touched a set. All I was really trying to do was get a response which I did when you responded, and show how dumb slipknot fans can be. (*COUGH* you *COUGH*) Even though I would most likely not beat joey on the drums, he still is a terrible drummer. You want some good drumming, you want "blazing feet" as you put it, go listen to Flo Mournier of cryptopsy. He can mop the floor with joey. I have a lack of knowledge? I can't even think of a response to that one, it's the dumbest insult I've ever seen. I never said I didn't like screaming, I said corey does nothing but scream, or he TRIES to sing. I never said anyone should listen to me either, I just STRONGLY state my opinion.

    You misunderstood all my reasons as why I hate slipknot. (idiot)

    1.Their masks are stupid because it's a gimmick to get little kids into thinking, "wow they wear creepy masks, they're so scary and different! i want their cd now!"
    2.Yes they do pretty much play the same chord all the time, they don't change to often.
    3.When you said "If you say they suck, usually that means that they are better than you", that didn't even make sense, unless you meant that I say they suck because I think I can play better, which I wasn't being serious about. (*rolls eyes*)
    4.Ya I am aware of that fact, but I meant that you never hear the other 4 or 5 guys at any point. Maybe a few bangs here, a few scratches there but that's it.
    5.PLENTY of people roar, it's not stupid, it's much harder to do then screaming. I really don't care if YOU can't understand what death metal vocalists are saying, a true metal head can understand anything.
    6.Afraid of clowns, how the hell did you get that out of "that clown pisses me off"? That just means that the clown makes me mad, he is so retarded looking <@8^P
    7.I was joking around on this 1, no they probably aren't gay, I made an accusation that they wear those masks to hide c*m stains on their faces, "it's probably sweat" lol you are so stupid dude. You COMPLETELY missed that one.
    8.We both agree here, ok.
    9.They still suck :P

    Ok, I've proven my point that slipknot fans are not intelligant. This magic drummer guy took my very goofy and kind of funny review and made it seem like I am the dumb one. When in reality, magic drummer is the fool for not knowing when someone is being silly. This again proves how dumb slipknot fans are. This also shows how defensive and close minded slipknot fans are, if you say ANYTHING bad about slipknot, they jump in your face and are all "slipknot owns you, shut the f**k up, they are the bestest band ever, YOU SUCK!" I just have to laugh at that (ha ha ha ha ha ha ha ha ha ha). Thank you all for your time.

    Peace. ... Read more

    Asin: B00005A46T
    Subjects:  1. Alternative Metal    2. Heavy Metal    3. Pop    4. Rap-Metal    5. Rock   


    Average Customer Review: 3.5 out of 5 stars
    Audio CD (20 November, 2001)
    list price: $18.98 -- our price: $9.99
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    Editorial Review

    Detroit-bred rocker/rapper Kid Rock has reason to be "cocky," as 1998's multiplatinum Devil Without a Cause established the multifaceted artist with the Southern rock influences as a generally likable braggart able to back up his boasts musically. Rock's Twisted Brown Trucker backup band also spawned a successful solo career for DJ Uncle Kracker, who wrote songs for--but whose turntables aren't on--Cocky. With a little help from fab friends, including actor David Spade, and musicians Sheryl Crow and Snoop Dogg, Cocky covers a mélange of styles, from rap to country, utilizing organ, pedal steel, and harp as well as metallic guitar solos. Ultimately, though, the 14 songs are schizophrenic and not always successful: on "Lonely Road of Faith," Kid Rock turns in a anthemic ballad nearly worthy of Lynyrd Skynrd, whose "Freebird" he samples in the laid-back R&B-flavored "You Never Met a Motherf**ker Quite Like Me," while Crow's vocals on the gentle, country tune "Picture" and the plodding "Midnight Train to Memphis" contrast with the metallic riffs of "I'm a Dog," the nasty "sex rhymes" of"WCSR," and the rapped boasts of the narcissistic title track. Cocky? Indeed. Commendable? Dubious. --Katherine Turman ... Read more


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    Reviews (183)

    5-0 out of 5 stars I love this guy's work! My favorite CD right now!!
    Yeah, I'm over forty and mostly a classic rock fan. One of the employees at the company I own knows I'm a rocker. He walked up to me, handed me this CD, and told me to listen to it. I did, and I WAS BLOWN AWAY!! I am now a huge Kid Rock Fan. I went right out and bought all his stuff.

    Rock is talented and full of variety--hip-hop, hard rock, southern rock, and country. I will always buy everything this guy puts out!

    What can I say? I cruise around in my black Escalade EXT with this CD crankin' on the stereo. I love it.

    4-0 out of 5 stars good rock/hip hop album
    yo listen to this cd is bangin no one could do it better than the kid in the genre.he raps he rocks ,he is even pimping with girls ,he is tight ,but he is missing more guest like some of the tighest rappers out there like the doctor

    5-0 out of 5 stars American BA thank you!!
    Bobbi , where were you when I was 18 dude!! yeah it's me again The ROCK HOUND and still can't wait for your next one after ROCK. Can't thank you enough for this one had to go replace the one I bought when it first came out wore it out..your range of talent and fun go beyond anything I grew up with, well Chuck Berry was fun, always ZZ Top. BUT YOU- WOW!!! put it all together for me, oh what a ride it has been!!!VOO DOO was great, but Bobbi I miss that smile..still havin' fun? Can't wait for the next tour date in CA, see ya then and I thank you.... ... Read more

    Asin: B00005R2IN
    Subjects:  1. Hard Rock    2. Pop    3. Rap-Metal    4. Rap-Rock    5. Rock   


    Come Clean
    Average Customer Review: 3.0 out of 5 stars
    Audio CD (28 August, 2001)
    list price: $13.98 -- our price: $13.98
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    Editorial Review

    Possessing a likable, arena-rock amalgamation of grunge, alternative, and nu metal, Kansas City's Puddle of Mudd are at once emotional and straight-ahead. Indeed, their no-frills lineup puts one in mind of a less uptight Creed. Singer Wesley Reid Scantlin possesses an Eddie Vedder earnestness that on hard-hitting tunes like "Nobody Told Me" takes on a Cobain-like urgency. Ranging from acoustic-based yet lush midtempo rockers such as "Drift and Die" to the gimmicky fun of "She Hates Me" to the edgy Nirvana-esque "Bring Me Down" to the dynamic and direct "Control," the 11-song-strong Come Clean is an assured, accomplished, and varied debut likely to resonate with rock fans of many tastes and temperaments. Katherine Turman ... Read more


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    Reviews (277)

    1-0 out of 5 stars I F%ck#n Hate Them! LaLaLaLa! I F*ck^n Hate This! LaLaLaLa!!
    His vocal "delivery" is willfully meant to match Kurt Cobain's, so much so that he must have listened to NOTHING but the two Nirvana cd's before recording the squalor that 'Come Clean' is! Reason being is record companies gloat that they have the formula to snare unwary teens to their imposter, cover band, corporate inventions by abusing Cobain's model from 10 years ago. I look at people who brainwash themselves that Puddle of Mudd (ever the infamous prostitute of their record company masters' additional scheme to impersonate being "cool" with all the repulsively dislikeable teen-idiots, misallocating the third word in their insincerely marketed name to be misspelled, probably strategizing to pirate even from the fabricated gimmick of another blight-on-society's endorsement of illiteracy through stupid ebonics, rap) is cutting-edge, with the same mix of disparagement and sympathy that a reasonable, unbiased person would looking at a racist.

    2-0 out of 5 stars Not terrible if you look past the pop culture backlash
    Although the followup to "Come Clean" is truly terrible in almost every sense, the more open-minded can find at least something to like about this record.

    The songwriting isn't brilliant, but the songs are catchy and poppy enough. The guitars and the vocals mesh together well and sound great on tracks like "Nobody Told Me" and "Out of My Head." "Blurry"'s interesting use of guitar harmonics as the base of a sparkling and memorable riff cannot be denied by anyone but the most staunchly-opposed and "Piss It All Away" serves up some darker Eastern-influenced instrumentation for an effective closer. For the most part, it's a listenable record straight through with the possible exceptions of the godawful nu metal ejaculation that is "Control" and the queer existence of a song such as "She Hates Me," which can only be explained by saying it was probably the result of Wes Scantlin's overpowering desire to wear Kurt Cobain's skin post-mortem in almost every way possible, co-opting Kurt's admitted fetish for kitschy "My Sharona"-ness in the process. In any case, it's less funny and more terrible for anyone in the 14 and older age group to subject their ears to.

    On the downside, there is the lyrics. Oh, the lyrics. You know, just a pointer, Wes: if you're going to gargle razorblades to affect Cobain's singing style, co-opt Cobain's grungy guitar sound with all the tact of a retarded baker pouring donut glaze on a stripped NASCAR tire, and -- like almost every popular "alt-rock" band that came after him -- steal Cobain's now-classic, dynamics-laden loud-soft-loud songwriting technique, at least first put down the crayons and take stock of your ability as a poet. Please.

    Was it really necessary to drone the same tired cliche involving excrement during the bridge of "Nobody Told Me" so many times it becomes like a mantra for MTV? Was it truly the best option to rhyme "sinner" with "dinner?" Even those who can overlook lyrical content in favor of musicality reach a breaking point; the bland "black is white, high is low, dirty is clean" clichefest that is "Out of My Head" is like a match to gasoline (hey, one good cliche deserves another). Honestly, I probably wouldn't have been surprised or voiced objection if the liner notes were manufactured like a children's pop-up book. Maybe at the very least, Flawless could have come up with some Dr. Seuss-ish illustrations to help along Puddle of Mudd's less literate fans. It would suit the lyrical content just fine.

    Then there's the whole matter of this band debatably clawing their way to fame by (metaphorically of course) sucking Fred Durst's d*ck. No comment on that; I think it speaks for itself. And if it doesn't, dozens of other people who have written "reviews" of this record can say it better and more bluntly than I ever can.

    Oh well. In the long run, you have to consider that there will always be bands like this that are long on hot air and short on time and substance. Let the kids snort it up like hits of coke and suffer the ultimate withdrawal when they discover their own personal Beatles, Nirvanas and Radioheads -- those completely mellow, government-sanctioned highs that I think we can all agree will be remembered for many generations to come, whereas this record will fade into obscurity like a bad bowel movement. As Scantlin himself ever-insightfully observes on "Bring Me Down," karma comes around two times.

    5-0 out of 5 stars Whew
    being a goth guy, i had heard several Puddle of Mudd songs on the MTV and i sort of liked them. then came a scare. i heard the band being interviewed and some of the influences they mentioned were led zeppelin and pink floyd. that scared me because those are two poser bands from teh 70's. but for some reason, i hopped into that expensive car that i am so proud of even though my parents bought it for me, drove out and got come clean. the band must have been joking about the influences because they sound nothing like those two bands. don't worry, fellow mtv watchers! they are just as talented as all of the other people on mtv (except for alter bridge and velvet revolver who are posers). i learned from mtv that some people think that zep and floyd were the best of all time. that got me scared until i watched mtv's greatest bands show and they told me that the greatest band of all time was radiohead. the man must have brainwashed those 70's people into thinking those bands were great just because they had a great drummer or guitarist. luckily me and me friends cant not be brainwashed because we am too smart. anyway if you are looking for music that is as good as linkin park, you can find it here. i must go now and paint my nails black. ... Read more

    Asin: B00005N8Z1
    Subjects:  1. Pop    2. Rock   


    Morning View
    Average Customer Review: 4.5 out of 5 stars
    Audio CD (23 October, 2001)
    list price: $13.98 -- our price: $12.99
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    Editorial Review

    Though Morning View follows hot on the heels of Incubus's breakthrough single, "Drive," it doesn't feel rushed. After all, their previous album, Make Yourself, was released nearly two years ago. Like fellow Los Angeles metal pioneers System of a Down, Incubus find themselves lumped in with the nu-metal fraternity merely because they're young(ish), angry, and very loud. That's more than a little unfair, because their sound owes more to the clever and creative funk-metal of Faith No More and the Red Hot Chili Peppers than the faux-rap posturing of Limp Bizkit. In fact, songs like "Nice to Know You," "Circles," and the excellent "Blood on the Ground" display real maturity. But that's not all that sets Incubus apart: on "I Wish You Were Here," "Just a Phase," "11 a.m.," and "Mexico," they show an uncharacteristic willingness to tread softly, using acoustic guitars and touches of strings to make less noise, but more impact. Some could call it selling out, but it sounds more like growing up. Morning View is a leap forward for a band that continues to get better with each release. --Robert Burrow ... Read more

    Reviews (619)

    5-0 out of 5 stars The only CD I never get sick of listening to...
    Simply put-Incubus amazes me.I was never a huge fan of new-rock, but listening to this CD has converted me.Every song is unique...a very rare find for a modern album.Even the "heavier" songs aren't obnoxious at all...it is the perfect CD to keep in your car.

    5-0 out of 5 stars Music That Sets a Certain Mood
    I think the best way for me to describe this album is...sexy.Incubus' style is so smooth.This album is much like their previous release "Make Yourself" and it's just as good if not better than that album.Turn off the lights and snuggle up to "Morning View".

    5-0 out of 5 stars Top Dollar
    Many of my friends think that Science is incubus's finest hour. Personally, I think Morning View tops it. Although science is very good, the funky edge was just a bit too much for me to enjoy all the songs on the album (and i love a funky sound, RATM, Jimi Hendrix, the Chilis). This album hit the nail on the head. The last half of the cd gets heavy, good and proper alternative metal. It has a softer side, which i think is still quality, but its Dirk Lance's unorthodox heavy riffs that seal it for me. ... Read more

    Asin: B00005QG9J
    Subjects:  1. Alternative Metal    2. Funk Metal    3. Heavy Metal    4. Pop    5. Rap-Metal    6. Rap-Rock    7. Rock   


    Average Customer Review: 4.5 out of 5 stars
    Audio CD (19 November, 2002)
    list price: $13.98 -- our price: $9.99
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    Editorial Review

    The debut of thundering supergroup Audioslave--featuring members of Rage Against the Machine post-Zack de la Rocha with ex-Soundgarden singer Chris Cornell--is as much curio as fascinating blend of visions. Cornell might be outnumbered, but his unmistakable holler and nihilistic imagery ensure that Audioslave, the album, recalls early Soundgarden. That's especially true since de la Rocha took Rage's signature rap and politicking with him. Still, if this is Soundgarden, it's Soundgarden set to stun. Rage guitarist Tom Morello is more of a mauler than Kim Thayil ever was--witness "Shadow on the Sun," which moves from bruising thud to psychedelic freak-out and back again--while the Rage rhythm section of Tim Commerford and Brad Wilk anchor the bottom end with pure instrumental cement. Intentionally or not, "Gasoline" bears passing resemblance to "Rusty Cage," while the sweeping "I Am the Highway" and slow-burning "The Last Remaining Light" best showcase Cornell's surprisingly New Age-y lyrical bent. Cover art by Storm Thorgerson, who gave Pink Floyd records their distinctive stamp, underscores the set's inherent celebrity. Fans of Rage and Soundgarden can raise clenched fists in unison, for Audioslave is win-win. --Kim Hughes ... Read more

    Reviews (919)

    5-0 out of 5 stars Great Debut Album
    This album is simply one of the best to come out in 2000's. The singles on this are "Cochise", "Like A Stone" and "I am the Highway." The first 8 tracks of this are great and amazing with everyone one of them having ther own unique sound. After track 8 it just seems to become so mediocre. It is so much better to have Chris Cornell singing with Tom Morello's guitar's then having RATM's lead singer. SG and RATM are a great combination and even there second album is great. With Chris they easily surpass RATM's music.

    4-0 out of 5 stars One of the better modern rock bands out there
    Audioslave (2002.) Audioslave's first album.

    Just as the twenty-first century arrived, music was going downhill severely. The pop music of the day was nothing short of terrible, for the most part, and the once awesome alternative/grunge rock genre had spawned far too many clones, resulting in the very disappointing nu-metal genre. Many of the alternative rock giants that had made the nineties such an awesome time from rock and roll were gone. And then, something completely unexpected happened. Chris Cornell, former vocalist for Soundgarden, one of the greatest bands of the nineties, joined forces with Tom Morello, Tim Commerford, and Brad Wilk - former Rage Against The Machine members. The collaboration of these artists took the name Audioslave. The group's self-titled first album was released in 2002. Interestingly enough, the cover art for the album was created by none other than Storm Thorgueson, the guy who had gained fame in the seventies for creating Pink Floyd's album covers! Read on for my review of the album.

    I went into listening to this album with somewhat mixed emotions. Though I was a big-time Soundgarden fan, I was never that big of a Rage Against The Machine fan - and this band was one quarter Soundgarden and three quarters Rage. My doubts were shattered with one listen to the album, though. Admittingly, the stylings here are more Rage-like than Soundgarden-like, but it's like the band takes all the best elements of Rage's sound. Fuse those with Chris Cornell's awesome vocal abilities, and this makes for a cool record. Most modern rock bands are pathetic clones of one another whose sound is godawful, but not Audioslave. Their ability to combine the sounds of Soundgarden and Rage Against The Machine makes for one of the more interesting rock releases of the era. Many of these songs became fairly popular radio hits, including the instant classic Cochise. That's not to say the non-hits aren't excellent, though. Through and through, the group delivers a plethora of excellent modern rock tunes. While many of the songs do sound alike, they manage to maintain just enough of a sense of individuality to keep things interesting. Admittingly, when the band recorded this album, they hadn't toured together or even played together much at all, so the album does seem a bit rushed in places, and the production could have been better. Still, this doesn't make me dislike the release. In an era when pretty much all the rock music of the day sucked, this album was the light in a world of shadows. If you're a fan of either Soundgarden, Rage Against The Machine, or just someone who wants to hear the best of what modern-style rock has to offer, Audioslave's debut is a worthwhile purchase.

    Since this was a fairly recent release, it is still readily available in stores. And more likely than not, its popularity will be rekindled by the release of the band's second album in 2005, Out Of Exile. It's not likely that this record will become scarce anytime soon, being that Audioslave is fairly popular, and unquestionably one of the better modern rock bands.

    In the end, Audioslave's debut album stands as one of the best rock releases in what I ultimately consider to be a dark time for rock music in general. While other bands were failing left and right, creating a sound that failed to please on many levels, Audioslave knew how to please listeners. If you're a fan of either of the bands that the members came from, or you just want to hear the best of what modern rock can give you musically, Audioslave's self-titled first is an album worth picking up.

    5-0 out of 5 stars Audioslave is a breath of fresh air
    In this day of music, where everyone wants to tune their guitars down low and all sound the same, Audioslave is a breath of fresh air to the music industry.They are looked at as being a supergroup, but they completely stand on their own, independent of their "original" sounds.Audioslave has managed to take my favorite part of Soundgarden, Chris Cornell, and of Rage Against the Machine, Tom Morello, Tim Commerford, and Brad Wilk, and put them together.Cornell's vocals blend well with the music put up by the rest of Audioslave.Morello gets a lot of credit for his guitar playing, but Commerford and Wilk are no slouches either.Both are tremendous musicians and excel greatly in what they do. This album rocks right from the opening chords of "Cochise" on to the end.These 4 brilliant musicians definitely excel better together than they did with their former acts.Anyone out there looking for a good rock cd with some catchy guitar riffs, this is your cd. ... Read more

    Asin: B00006RU5B
    Subjects:  1. Alternative Metal    2. Hard Rock    3. Heavy Metal    4. Pop    5. Post-Grunge    6. Rock   


    Back Into Your System
    Average Customer Review: 4.0 out of 5 stars
    Audio CD (12 November, 2002)
    list price: $13.98 -- our price: $13.98
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    Editorial Review

    Saliva frontman Josey Scott unintentionally elevated his band above countless nü metal clones by teaming up with Nickelback's Chad Kroeger to write and record the song "Hero" for the Spider-Man soundtrack. The tang of mainstream success was exactly what the Memphis, Tennessee, group needed to break away from the pack on Back into Your System. This follow-up to its major-label debut, Every Six Seconds, ups the heavy atmospherics and dyspepsia. "Always" takes on the touchy subject of domestic violence with unblinking force as Scott rips into the verses "I've seen the blood all over your hands / Does it make you feel more like a man?," while "Raise Up" mixes testosterone-heavy rapping with raging guitars in the most menacing way possible, and Mötley Crüe bassist Nikki Sixx contributes the authentically angsty ballad "Rest in Pieces." It's the sound of a band discovering its potential. --Aidin Vaziri ... Read more


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    Reviews (94)

    4-0 out of 5 stars My first taste of Saliva - refreshing nu-rock
    This is another band that I was introduced to through a friend at work and had some doubts too. All I can say is WOW. They remind me of a much younger Nickelback. Not age wise but music career wise, with some interesting and thought provoking lyrics in 'Always', 'Raise Up' and 'Back In Your System'. Great songs with even greater messages in them. The important issue of domestic voilence in our society is again touched upon in a resolute way in 'Always', which for me makes this album a winner for me.
    Good music is great but even better is music with messages that can be heard clearly within the lyrics. Scott as the lead vocalist carries the band and the beat backup is supurb. The only reason I didn't give this CD 5/5 is for the last 3 songs that sounded flat...the hits of the CD should have been spread out a little more.
    But overall great CD and can't wait to get more of Saliva's work.

    5-0 out of 5 stars SALIVA- back into your system is good...A MUST BUY!!!!!!!!!!
    Saliva- Back into your system- 5 STARS ALL THE WAY, BABY!!! YEAH!

    I just got this album not long ago and I was amazed how good the songs were. Josey Scott has an awesome voice that brings in a different kind of rock vocal, which definalty isn't a bad thing. I got into it while listening to "Survival of the sickest" on a rescent WWE pay-per-view. After that I was at their mercy. I believe back in to your system is their best album but do like some tracks from Every six seconds & SOTS. my favorite songs are "Weight of the world" "Always" "Pride" and "Superstar II."

    I am going to get the rest of the albums as soon as possible.

    I hope this review has made you want to buy this album, cause its a total collectable, no doubt.

    1-0 out of 5 stars WAL-MART METAL BULLSH*T!
    God, these guys are pathetic poseurs. Every album they've released (I don't know about the first album) rips off a different band each time. This CD is a knockoff of Nickelback, yet another pathetic "wannabe grunge but can't be Eddie Vedder" band. Out of all the Saliva albums, this is the worst. One star? Come on, ONE STAR? It doesn't deserve this. This deserves -9999999999999999999999999999999999999999999999999 stars! "Always" has a bunch of s**tty lyrics to it:

    "I love you, I hate you, I can't live without you..."

    What a bunch of pathetic bullcrap, but wait! We have the song "Rest In Pieces", a bunch of garbage stirred up and delivered to the pop radio stations. $ellout$!

    I can't believe that bands these days are copying other bands' albums and pasting the albums as their own. ... Read more

    Asin: B0000719UJ
    Subjects:  1. Alternative Metal    2. Heavy Metal    3. Pop    4. Rap-Metal    5. Rock   


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