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    Now, Vol. 1
    Average Customer Review: 4.0 out of 5 stars
    Audio CD (27 October, 1998)
    list price: $18.98 -- our price: $14.99
    (price subject to change: see help)
    US | Canada | United Kingdom | Germany | France
    Reviews (77)

    4-0 out of 5 stars The only listenable NOW Compilation
    All the NOW's since this one have sucked. Music has just gradually gone downhill since this was released. Now we're lucky if there are 3 good songs on the recent NOW's. I'm sure glad I've branched out on my music interests beyond what is just played on the radio.

    5-0 out of 5 stars The first NOW album in the US--still a favorite!
    As I listen to the just released Now 18 album, I still think about that very first Now album from 1998. I bought it back then, because I recognized a lot of my favorite songs. Many of those songs on there still hold up, especially Janet Jackson's Together Again, songs by the Backstreet Boys, the Spice Girls, K-CI and JoJo, Lenny Kravitz (who's even on Now 18--still a hot staple), and Imajin's song. I still love the adventurous Tonic's If You Could Only See. Makes me feel like I'm in Florida in the Everglades area hearing it. There was more of an emphasis on pop back then. These days, the Now albums focus more on rap and rock, which are also exciting to hear. When it reached Volume 10 in 2002, I couldn't believe it. The only songs that still don't grab me are the silly Harvey Danger song and Marcy Playground's sounds-as-if-the-lead singer-was-drunk-in-the-studio-recording-it song, Sex and Candy. It has had a strong shelf life, as many of the Now albums have gone platinum or multi platinum. Some of them weren't well put together, but most of the 18 albums are top notch. They have inspired other similar music compilations like Totally Hits with the 18-, 19- or 20-song format, but they're really no contest. So the Now series that actually started overseas has been a success here. They have a unique way of balancing the songs on the albums and acknowledge many genres on it. This first album was the benchmark to a successful series of Now volumes that still continue 6 yrs. later! Getting the new Now 18 just makes things come full circle as I'm writing this review of the very first one!

    5-0 out of 5 stars The first isn't the worst at all!
    Even with seventeen more recent NOW albums, no compilation defeats the likes of the original NOW.Featuring some of the best songs to ever make it on a NOW album, NOW 1 is a fantastic masterpiece that remains my favorite overall NOW album in existance.

    Much unlike the rest of the NOW albums, NOW 1 has a 90's pop feel to it instead of a rocky poppy rappy feel with explicit lyrics.NOW 1 is loaded with absolute classic artists, including Radiohead, Backstreet Boys (they used to be a phenomenon), Lenny Kravitz, Brian McKnight, and more.Hip hop (or at least pop hop) is still on this NOW album with the undeserving Shorty (You Keep Playin With My Mind) to try to maintain an enoumous audience.Catchy songs are everywhere, with Fastball's The Way, Aqua's Barbie Girl, and more.Other songs are absolutely beautiful, with the phenomenal All My Life, Anytime, As Long As You Love Me, and If You Could Only See.With its huge variety, NOW 1 stands out and attracts an enormous audience.

    Yes, there are some pretty bad songs on here, including the extremely plain and annoying hit, Mmmbop, and the cheesy yet boring hit, Never Ever, but they hardly affect the overall brilliance of this work of art.

    Finally, I'll just grade the songs on NOW 1 to let you know that this really is the best NOW album:

    1.Janet - Together Again - A-
    2.Backstreet Boys - As Long As You Love Me - A+
    3.Fastball - The Way - A+
    4.Harvey Danger - Flagpole Sitta - A
    5.Spice Girls - Say You'll Be There - B+
    6.K-Ci & JoJo - All My Life - A+
    7.All Saints - Never Ever - D+
    8.Tonic - If You Could Only See - A+
    9.Hanson - Mmmbop - D-
    10. Cherry Poppin Daddies - Zoot Suit Riot - C+
    11. Imajin - Shorty (You Keep Playin With My Mind) - D
    12. Brian McKnight - Anytime - A
    13. Aqua - Barbie Girl - A
    14. Radiohead - Karma Police - A+
    15. Everclear - I Will Buy You A New Life - A
    16. Lenny Kravitz - Fly Away - A-
    17. Marcy Playground - Sex & Candy - A

    NOW 1:A
    Whoa!That's pretty darn impressive for my standards!I usually find most songs on a pop compliation mediocre and not worth listening to, but NOW 1 is not one of those albums.With its well-picked songs that will aim at anyone, few Cds can top the likes of this beautiful album.

    NOW 1 is not just a Cd - it's one of the world's smallest wonders ever. ... Read more

    Asin: B00000DGOX
    Sales Rank: 26199
    Subjects:  1. Adult Alternative Pop/Rock    2. Adult Contemporary    3. Alternative Pop/Rock    4. Contemporary R&B    5. Dance-Pop    6. Hip-Hop    7. Pop    8. Pop/Rock    9. Post-Grunge    10. Rock    11. Teen Pop    12. Urban   


    $14.99

    Now That's What I Call Music! 2
    Average Customer Review: 4.0 out of 5 stars
    Audio CD (27 July, 1999)
    list price: $18.98 -- our price: $14.99
    (price subject to change: see help)
    US | Canada | United Kingdom | Germany | France
    Reviews (77)

    4-0 out of 5 stars "NOW" : Version 2.0
    If "NOW 1" was an experiment that happened to succeed; "NOW 2" displays the results. The album gives brings back all the qualities that made the 1st one work, and refines them. There are a couple of tracks that don't work, but they can be ignored when compared to the number of good songs we get. Wheras the the 1st album was all safe pop/rock with some R&B; this one has some harder rock (Garbage, Sublime), alternative sounds (Fatboy Slim, Cake), even some rap (Jay-Z) and spoken word (Baz Luhrmann). The diversitry is essentail, as that is what truly makes it sound like Top 40 radio. All the sounds mend well for a solid cimpilaton:
    (1) Britney Spears "...Baby One More Time" C-. The song is very catchy with a sexual tone in it's slick production, yet there's really nothing left beneath the sugar. Sounds great at first; then we realize how little the song really. Still, it was a VERY big hit, so I guess it deserves a place on the album.
    (2) New Radicals "You Get What You Give" A. In response to the fast, flash of Britney; here is a relaxed, low key tune that's really about something. Lead singer, Gregg Alexander has a cool tone to his voice that is perfect for delivering his intelligent lyrics. Though the song clocks in at near 5 minutes; it is always able to keep attention throughout.
    (3) Robbie Williams "Millennium" A-. Of couse it was shamelessly released to take advantage of the Y2K craze, but it's still a really good single. Robbie is definetly a great male vocalist and his material is equal to his voice. The lyrics really do sum up the insane feelings and fears of the time. It's a shame Americans have never caught on to Robbie.
    (4) Semisonic "Closing Time" B. Semisonic was praised to be a great post-grunge band, but they never lived up to it. The 1st single of their sophmore LP isn't bad at all; it's just on the safe side. There's nothing wrong with the craft of delivery, but think about what it could have been if it was more daring.
    (5) U2 "The Sweetest Thing" (The Single Mix) B+. Originally a B-side from "The Joshua Tree" (1987), this is a pretty good mix of a U2 classic. Although it's not one of their VERY BEST works; it still does a nice job of conveying the talent U2 brought to the 1980s. A minor, if highly satisfing offer from one of the greatest groups ever.
    (6) Sheryl Crow "My Favorite Mistake" A. Simply put; this is Sheryl Crow at her best. Striking, heartfelt lyrics combined with her near flawless guitar chords make for an excellent pop/rock track with real heart. One of 1998's best and possible a personal best from her 11 year career.
    (7) Fatboy Slim "Praise You" A. Another brilliant offering from Fatboy Slim: an artist who always does things HIS way. Light on substance and lyrics, yet there is so much to praise for the skill and energy which he infuses into the song. This is the perfect example of why he was the front runner of the "Big Beat Movement".
    (8) Garbage "I Think I'm Paranoid" A. Perfect, cutting edge rock from a great female group. The song has some meaning, but the most notable parts are the group's electrified beats which are flowing with energy. It's a catchy, distinct sound that we've never heard before, and that is a relief when you consider today's rock music.
    (9) Cake "Never There" B-. Very toned down and subdued compared to the last two tracks. Cake seems like an old fashioned group, yet there is something unmistakenly modern about them. This song has many charms, including the content and horn arrangments, but something seems to be holding it back. You wait for everything to just "pop" into something really grand, yet it never does.
    (10) 98° "Because Of You" A-. While "Invisible Man" was good; this was the single that elevated 98° among the rest in their genre. It is presented as a pop song, yet the slick R&B current runs beneath it all. As male groups go, few can harmnonize like these guys can; and the essential to gracefully deliver these beautiful lyrics. It'a a small treasure.
    (11) Spice Girls "Goodbye" A. Yes, that is an "A" next to a song by the Spice Girls. After all the worthless, mindless dance-pop they bombarded us with; they pull together to create a powerful, touching friendship ballad that really gets under the skin. How ironic is it, that their last song released released in the U.S. would turn out to be a masterpiece?
    (12) Blackstreet and Mya feat. Ma$e and Blinky Blink "Take Me There" D. What were all these talented artists thinking? Signing up to do a theme song for "Rugrats" is not a smart career move. Everything about this song diminishes the crdibiliity of the artists involved. As a vehicle for the talents of Blackstreet, Mya and Ma$e; this is a deadly miscalculation. A real disaster from otherwise sane producer Teddy Riley.
    (13) R. Kelly "When A Womnan's Fed Up" A. Now this is what music SHOULD be. Powerful and deep; this is a perfect single to display R. Kelly's vast talents. Everything falls perfectly into place, and carries alot of atmosphere and dimension. The writing and beats are so crisp and touching that we can't help but get caught up in this heartbreaking tale.
    (14) Everclear "Father Of Mine" B+. The usual quality that expect from that wondeful, underrated group known as Everclear. As always, Art Alexakis' powerful lyrics and voice create a rich, vivid single that is flowing with the group's style. Serves as a good companion to Simple Plan's "Perfect" (2004).
    (15) Sublime "What I Got" C. There's some skill in this rock tune, but it's just not very satisfying in the end. It's too short and breif to really go anywhere and we crave more. The group, although higly overrated, does have some talent; yet the don't let it shine to it's full potential here.
    (16) Backstreet Boys "I'll Never Break Your Heart" B+. An early showcase for the boys' mastery of the pop ballad. The wrioting seems outdated, yet their smooth voices and charisma elevate it to heartfelt and beautiful. They get panned as "teen pop", but this exceeds that classification in almost every way.
    (17) Jay-Z "Hard Knock Life (Ghetto Anthem)" B+. One of the few rap songs on the earlier "NOW"s; this is a strange mix from Jay-Z. His lyrics a rhyming is as tight as ever, but the chorus borrowed from "Annie" is a little jolting at times. Thankfully it isn't used too much, a mixes fairly well at times. In the enmd this is a solid rap track from a great rapper.
    (18) Baz Luhrmann "Everybody's Free (To Wear Sunscreen)" A-. This is definetly the most unique song ever put on ANY "NOW". The entire song is spoken word over 5 minutes long. Yet the words have deep sense of poetry to them, and are highly effective because of their relevance. If nothing else this is original to every word.
    Bottom Line: ***. A solid collection of Top 40 hits from Late 1998 and early 1999. A good amount of variety and quality helps the album flow very well throughout it's entire running time. It also serves as proof that "NOW" figured out the secret to making a good compilation from the begining. Something that many imitators can't seem to accomplish


    3-0 out of 5 stars A definite improvement over the first Now
    The first NOW compilation was a scary situation: Some executives with the rights to all the contemporary popular artists they can gather, trying to decide what's going to be a hit with the youth and make them a quick buck. My guess is they never had any idea how big this series would get to be. The most shameful part is when this actually spawned Kidz Bop, which is absolutely the most disgusting, frightening, and messed up thing to happen to compilations... in the entire history of music.

    This time around, the compilation is improved mainly because there's nothing you could really think of that's been left out of the equasion. If you remember back that far, grew up at the time, you knew all these songs. I was in High School at this time, and I'd heard of all these artists and most of these songs.

    Granted, there are some new problems with this compilation over the original Now. This time, there are repeat artists. Both Now 1 & 2 use selections from Backstreet Boys, Everclear, and the Spice Girls. Then, with this compilation, there are songs that have obviously been edited to cut swears out. So you're not really getting what you pay for. Jay-Z's "Hard Knock Life", R Kelly's "When a Woman's Fed Up", and Sublime's "What I Got". Another little problem here, is that Sublime's track is really dated.

    The honest advantage this time around is that you get more real hits of the actual time. With the exception of the Spice Girls track, these are all radio darlings. Though I'm surprised that these people didn't opt for Backstreet Boys' "God Must Have Spent a Little More Time on You" rather than "...Never Break Your Heart", it was a much bigger hit, especially on TRL, which must have been a huge influence for this compilation.

    Now, for my recommendation. Would I buy this CD if I were you? Yes. And that's because it's worth the money to own songs such as "Never There" by Cake, the beautiful and poetic "Millenium" by Robbie Williams, and the graduation anthem of the year "Everybody's Free to Wear Sunscreen" by famous director Bazz Luhrmann. It's cheaper than going out and buying all three of those CD's. But heed my earlier warning about censored versions of edgier songs.

    3-0 out of 5 stars A review from a hole in the wall
    Hmm...It's been almost six years since this release. I still haven't reviewed it! I know, I can't believe I forgot.

    Ok.

    1. Britney Spears, Baby One More Time: B- I used to hate this song, now I like it because Britney Spears sucks really bad now.

    2. New Radicals, You Get What You Give: B Good song. Nothing special, but a good listen.

    3. Robbie Williams, Millenium: D- Sorry, I thought it sounded like Justin Timberlake smoking p0t.

    4. Semisonic, Closing Time: A One of my favs. Too bad Semisonic was a one-hit wonder.

    5. U2, The Sweetest Thing: C- Worst U2 song to date. Slow, stupid, and boring.

    6. Sheryl Crow, My Favorite Mistake: B- Not the best from Sheryl Crow, but, I guess it's decent.

    7. Fatboy Slim, Praise You: B+ Not the best from Fatoby Slim either. It's still pretty good.

    8. Garbage, I Think I'm Paranoid: C+ Pop-Metal? Don't think so.

    9. Cake, Never There: B+ Pretty good, but why is it so short?

    10. 98, Because Of You: D+ Worst 98 song yet.

    11. Spice Girls, Goodbye: F The worst song on the CD. The Spice Girls can do much better!

    12. Mya & Blackstreet, Take Me There: F Rugrats? Right...next track

    13. R. Kelly, When A Woman's Fed Up: C- This song has absolutely no point! Who cares?

    14. Everclear, Father Of Mine: A Woo...a breath of fresh air from the crap on the last 4 tracks. This is a great AC song!

    15. Sublime, What I Got: A Once again, this is a great song, that is really short.

    16. Backstreet Boys, I'll Never Break Your Heart: C- Meaningful lyrics with horrible singers.

    17. Jay-Z, Hard Knock Life: B+ This was a great rap song, but Now could have done a bit better with editing.

    18. Baz Luhrman, Everybody's Free To Wear Sunscreen: F I've changed my mind, this is the worst song on this CD. Wait, it can't be because it's not a song!

    CD. Various Artists, Now 2 Overall Grade: C+

    Truly not the best now, but I've seen much worse with Now 12 and 17. ... Read more

    Asin: B00000JMYP
    Sales Rank: 22431
    Subjects:  1. Adult Alternative Pop/Rock    2. Adult Contemporary    3. Alternative Pop/Rock    4. Club/Dance    5. Dance-Pop    6. Hip-Hop    7. Pop    8. Pop-Rap    9. Pop/Rock    10. Rock    11. Teen Pop    12. Urban   


    $14.99

    Now That's What I Call Music! 3
    Average Customer Review: 4.0 out of 5 stars
    Audio CD (07 December, 1999)
    list price: $18.98 -- our price: $14.99
    (price subject to change: see help)
    US | Canada | United Kingdom | Germany | France

    Editorial Review

    This long-running British series has shown chart strength since the introduction of a U.S. version in late 1998. As with the hit-focused radio formats to which it nods, not every track is likely to connect with every listener; those who applaud the eclecticism of, say, Total Request Live, however, will no doubt be happy to see Blink 182, Garbage, and K-Ci & Jojo sharing space with the Backstreet Boys and Britney Spears. Packed with 18 tracks and running more than 70 minutes, Now 3 is also a fine place for the curious to catch up with the tunes that ruled the airwaves in the late summer of '99. --Rickey Wright ... Read more

    Reviews (85)

    5-0 out of 5 stars 3rd Time's A Charm
    "NOW 3" shows the U.S. version of the popular "NOW" series perfecting everything that makes the albums work. ALL of the songs on here WERE hits during 1999, and many of them are great singles of '99; or any year for that matter. Due to consistency in the material, the album almost plays as a soundtrack to Summer '99; with a few dipping back into the Spring ("All I Have To Give", "Special"). The hip-hop/rap genre is completly ignored (Limp Bizkit's "Nookie" is more rock, despite shades of rap), but that's alright because the other genres are represented SO well. As always, the divertsity among the artists is very refreshing. The breakdown:
    (1) Smash Mouth "All Star" A-. In only a short amount of time, this song has work it's way into a piece of "pop culture". It's always on radio, in dozens of movies and eveyone knows it. That's because the group made a catchy, lively and highly enjoyable song. It may not be about anything, but the song is a total joy to hear.
    (2) Lenny Kravitz "American Woman" B. A good, if by-the-numbers remake (from the "Austin Powers: The Spy Who Shagged Me" soundtrack) of the '60s classic. Lenny vocal range is nicely displayed here, and it's suited for vthe film; even if the guitars fall a tad short of Lenny's usual work. Not a great remake, but not one without it's charms.
    (3) blink-182 "What's My Age Again?" A-. Another example of how blink-182 dominated "punk-pop" music before their 2005 break-up. The song is short and goes by fast, yet it accomplishes everything it sets out to do. Not too deep, yet has a real connection to most young adults.
    (4) Enrique Iglesias "Bailamos" A. Miles better than Ricky Martin's terrible "Livin' La Vida Loco". The secret is that Enrique has real conviction as he sings the lyrics, and the latin roots are kept intact with the beat. There is true fire and flair to be found in this wonderful dance song.
    (5) Britney Spears "Sometimes" B+. Unlike "...Baby One More Time" and "(You Drive Me) Crazy", this single is actually about something. The lyrics are heartfelt and touching, althought Britney's voice isn't as strong as it should be to deliver them. A refreshing change of pace from her usual junk.
    (6) Backstreet Boys "All I Have To Give" B. Good, but not the best ballad the Backstreet Boys have done. It preformed and written well, yet doesn't have the impact of songs like "Shape Of My Heart" and "As Long As You Love Me". Also a differnt kind of song for rap group Full Force to write.
    (7) K-Ci & JoJo "Tell Me It's Real" A. The best single for K-Ci & JoJo as a duo (and as a part of Jodeci). The writing seems standard, but the boys deliver it with powerful conviction in their heartfelt voices. So positive and flowing with impact, this is what R&B should sound like.
    (8) Fatboy Slim "The Rockafeller Skank" A. Many dance artists bring nothing new to the game, but Fatboy Slim has established himself by always doing his own thing. This song is absolutley about nothing, yet you're left with alot of praise for the originality he has laced his beats and production with. The end result is a bizzare masterpiece and one of 1999's best songs.
    (9) Limp Bizkit "Nookie" A+. The song is hardcore and rough, but underneath the surface lies true depth and emotion. Connection's to the listener are found because the content is something that can be seen in daily life. Wheras most singles use material like this to create tragic songs, Limp Bizkit shows the side of rage; which seems to be in the realms of reality. Surprisingly, this is THE best song of 1999.
    (10) Garbage "Special" A. There is much depth and dimension to be found in this single. The beat is toned down compared to their, also brilliant, "I Think I'm Paranoid"; but that is suitable for the song's tone. Shirley Mason sings with total conviction and creates true impact with ease.
    (11) R. Kelly "If I Could Turn Back The Hands Of Time" C. Lacks all the power and edge that has put R. Kelly on top in the R&B world. Everything here seems standard and flat; there's no life or impact that his pevious single, "When A Woman's Fed Up", flowed with. We've heard this all before; ussually not this dragged out though. This is not one of his strongest works.
    (12) Ideal "Get Gone" A. Odd that a one-hit-wonder group could outstage R. Kelly, but they do. This is a powerful, deep and heartfelt R&B track. The production, by Brian Michael Cox, creates a stark, cold feel that blends perfectly with the striking lyrics. An R&B treasure of emotion and impact.
    (13) Chante Moore "Chante's Got A Man" B+. Despite it's awful, laughable title; this is a surprisingly effective R&B/pop song. Chante's voice has true conviction in it and lyric carry some impact. The big flaw is that the tone changes towards the end; kinda conflicting with the rest of the song.
    (14) Blessid Union Of Souls "Hey Leonardo (She Likes Me For Me)". B. Pales compared to work by the Goo Goo Dolls and Matchbox Twenty, but still manages to be fairly entertaining. There is definetly real substance here; I just don't think it quite has the impact that it deserves. Maybe the insturmental over-shadow the lyrics a bit.
    (15) Oleander "Why I'm Here" B-. Here is a song that really needs to polish everything a bit more. The beat is striking, the lyrics have some impact, the production is well done. But the impact isn't fully there. If they had taken everything and added a bit more, it would have worked even better.
    (16) Case "Happily Ever After" B. A solid, if safe and standard, R&B tune. Case knows how to make a good R&B song, he just needs to take those skills and push them further. He works with good producers (Jimmy Jam & Terry Lewis) and has a smooth voice; but better material would help him shine more. This is listensble, but could have been much more.
    (17) 98° "The Hardest Thing" A. I love the way 98° blurred that line between pop and R&B with songs like this. It's made with "pop skills", yet the beautiful, heartfelt lyrics and somber tone play as R&B. This horn arrangments are especially utilized in bringing out the impact. Pop or R&B, it doesn't really matter which; this is a great song regardless.
    (18) Fastball "Out Of My Head" A-. Doesn't have the exact impact of their huge hit "The Way", but it doesn't try to. This is something different thought; a small, heartfelt pop/rock tune. It keeps things short at about 2.5 minutes, yet delivers a rather large amount of emotion in that short time. Not groundbreaking, but very good.
    Bottom Line: ***1/2. A very solid collection of music during the last year of the 1990s (and the 20th Century). Many of the best sinlges are included, and everything flows from one track to another with perfect ease. From K-Ci & JoJo and Smash Mouth to 98° and Limp Bizkit; there is something here for everyone.




    1-0 out of 5 stars Starts out strong... then FLOPS hard, and quickly
    Let me first start out by saying, I really don't like the Backstreet Boys much. They were part of a very annoying trend. But now, those times are pretty much behind us and rap as well as American Idol finalists are the thing. So looking back, I can say the Backstreet Boys had a few really good songs. By the release of this compilation, it's stupid to say you don't know their biggest hit is undoubtedly "I Want it That Way". Yet, it's not here. Instead, "All I Have to Give" is, and it looks like filler.

    Speaking of, this CD has it's tracks arranged in a very interesting way. The first half, and especially the first 5 songs, are strong contenders for biggest song of that year. But most of the other songs on this CD are pure filler. The K-Ci and Jojo, Case, Fastball, Ideal, and Garbage tracks presented here were not big hits at all. If anything, K-Ci and Jojo were burnt out after their one hit, Fastball too, Ideal and Case are complete nobodies, and Garbage's real hit from that year was "When I Grow Up".

    The only real hit in the second half of the CD is 98 Degree's "The Hardest Thing", and it's hott video with hunk Nick Lachey in boxing gear, was part of the reason we actually still remember who he is (sweetheart wife Jessica Simpson being the other), because 98 Degrees disappeared pretty darn quickly from the big MTV and radio station radars. Then predictably, boy bands went out of fashion entirely.

    In a way, this compilation is a bigger bomb than the original. Because it fails to put the right tracks by most of these artists on this compilation. But in another way, it's a slight improvement. Because at least the artists fit fine together. I wouldn't buy this if I were you, unless it came with a bonus DVD of the videos (I think one of the newer NOWs has done this). This is a must-pass.

    4-0 out of 5 stars Review for Now 3
    Ok, I know this was released, like, 5 years ago, but I have never reviewed this. So, I will now.

    1.Smashmouth - All Star: A- It's a pretty good song. It was overplayed, but now, you don't even remember it.

    2.Lenny Kravitz - American Woman: C+ I thought this song was good, now it's just average and annoying.

    3.Blink 182 - What's My Age Again?: A Great song...wish it was longer.

    4.Enrique Iglesias - Bailamos: D It use to be fun, then I listened to it more, and it as annoying as hell.

    5.Britney Spears - Sometimes: B+ Pretty good for Britney!

    6.BSB - All I have to give: F Backstreet Boys is a no no.

    7.K-Ci & Jo-Jo - Tell Me It's Real: C I didn't like this song at first, but it grew on me, but I would still like to listen to something else.

    8.Fatboy Slim - The Rockafeller Skank: A+ I loved this song, but I didn't get the part that sounded like a lawnmower???

    9.Limp Bizkit - Nookie: A- It was a little poppy for Limp Bizkit. Whatever, it's their best song made to date.

    10.Garbage - Special: B I like the song. Nonetheless. Somewhat average.

    11.R.Kelly - If I Could Turn Back The Hands Of Time: A I would have give this an F if it didn't grow on me.

    12.Ideal - Get Gone: F Ideal should get gone out of the music industry.

    13.Chante Moore - Chante's Got A Man: C I really tryed to like this song but I guess it's just your average boring R&B song.

    14.Blessid Union of Souls - Hey Leonardo: A+ Sounds like Bowling For Soup w/o gross lyrics. Awesome!

    15.Oleander - Why I'm Here: D I don't know? Why are you here?

    16.Case - Happily Ever After: B- It's ok, but not the best.

    17.98 Degrees - Hardest Thing: A I know, 98 Degrees is a boy band, but I thought it was pretty good.

    18.Fastball - Out of my Head: A+ One of the best!

    CD. Various Artists - Now 3 Overall Grade For CD: B-

    So, it's not the best of the Now series, but it's worth picking up. ... Read more

    Asin: B000038IE0
    Subjects:  1. Adult Contemporary    2. Alternative Pop/Rock    3. Club/Dance    4. Dance-Pop    5. Hip-Hop    6. Pop    7. Post-Grunge    8. Rock    9. Teen Pop    10. Urban   


    $14.99

    Now That's What I Call Music! 4
    Average Customer Review: 4.0 out of 5 stars
    Audio CD (18 July, 2000)
    list price: $18.98 -- our price: $14.99
    (price subject to change: see help)
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    Editorial Review

    The fourth in the series of Top 40-tracking compilations strikes a good balance between pop radio played-to-death singles, R&B standouts, and straight-up rock chart stormers. The beginning of the disc is packed with requisite teen pop; however, the Britney Spears offering "(You Drive Me) Crazy" will probably disappoint those who were hoping for the more recent "Oops!... I Did It Again"). This disc, where the Italian group Eiffel 65's dance-pop smash "Blue (Da Ba Dee)" lives in the same space as Blink 182's "All the Small Things," Ben Harper's "Steal My Kisses," and Macy Gray's "I Try," is like channel surfing during drive-time radio hours and scoring with every hit of the "seek" button. --Beth Massa ... Read more

    Reviews (115)

    3-0 out of 5 stars "NOW 4"; Not 4 Everyone
    I feel that the "Now That's What I Call Music!" series is one of the best things to happen to the music industry in quite some time. Especially in our age of illegal downloading; it provides a legal method to obtain great single without bankrupting your wallet. Ussually, the albums are well worth the purchase because they are solid collections of quality singles. That is not the case with "NOW 4"; one that is too much of a mixed bag. For every really good song, there is one that ranges from bad to average. Unfortunetly, the two types are scattered throughout (so we can't skip an entire section). The mixed bag of tracks:
    (1) Backstreet Boys "Larger Than Life" A+. Commonly known for their ballads, the boys deliver a perfect dance number here. Everything is pumped up to create an energized, stormin' pop/rock track flowing with solid beats. You can't help getting caught up in the energy and excitment this gererates. One of 1999's best singles.
    (2) Britney Spears "(You Drive Me) Crazy" C+. Fun beat and production, yet very shallow in the end. Sticks to memory afterwards, but after examination we realizie that the song is about nothing. Though it isn't terrible; there are many more songs out there which are more worthy of our time.
    (3) Marc Anthony "I Need To Know" A. Simple content that is filled with so much energy, zest and excitment to make it work on all levels. Anthony shows himself to be a very versatile vocalist, and a person who can flow perfectly with his beats. The song is wisely on the short side, any longer could have ruined it. This is a true treasure of 1999.
    (4) Mandy Moore "Candy" B+. The material doesn't have much in terms of depth, but Mandy brings enough flair and style to make it work. Her voice is effective as it gives a certain conviction and urgency to the lyrics. Not a brilliant "teen pop" song; just a very entertaining one.
    (5) Eiffel 65 "Blue (Da Ba Dee)" B-. This song is very dificult to review. As intriuging as I find the lyrics and get mesmerized by the beat; I still wish the song would pull together and complete what it ventures into. Although it isn't a complete success; it is never boring.
    (6) Sonique "It Feels So Good" D+. He sounds like a girl, and the voice is so odd and strange, that the song is irreversably crippled by it. If there is any substance to the song; it becomes lost a muddled through out. This is an example of a dance song failing.
    (7) Lenny Kravitz "I Belong To You" B+. It is rather refreshing to hear Lenny shed the massive beats, because that gives him the opprotunity to showcase his vocals. He sings this track with utter conviction and heart throughout. That gives the song a certain depth and emotion.
    (8) Savage Garden "I Knew I Loved You" C. A well made song that just plays it safe, and never does anything new or exciting. The vocals are decent (beats are almost none-existent), but there is no real depth in them. In the end, the song lacks the impact that could have had from a better group (i.e. 98°, Backstreet Boys)
    (9) Joe "I Wanna Know" B+. In contrast to many songs; this is a retro R&B track which works. The material is as old as time, yet Joe's classy, polished voice make it sound convincing and touching at all times. As they say: a very good singer can make an old song sound new; and that's what he does here.
    (10) Aaliyah "Try Again" A-. There's a really nice undercut of hip-hop here, which gives the song alot of it's edge. Aaliyah's voice adds conviction to make the lyrics sound passionate, and add some depth to them. Proof that not all R&B has to be sad; you get completely wrapped up in Timbaland's production.
    (11) Jennifer Lopez "Waiting For Tonight" B. Well made, but it doesn't fully display J. Lo's talents. It's catchy, fun and light, yet we know that the song could have been more than that. "On The 6" was her debut LP, and it seems average compared to her later albums, particularly "J. Lo".
    (12) Montell Jordan "Get It On Tonite" C. His 1995 single, "This Is How We Do It" is a memorable R&B classic. Shame that the qualities that made that work (the slick vocals and beat) are all-together lacking here. What's left is a standard R&B tune with no life to it. A real step back for Montell Jordan.
    (13) Ben Harper and The Innocent Criminals "Steal My Kisses" D. Their ungainly mix of R&B, funk and folk is a total failure. The beat has no impact, the lyrics have no substance and there is no impact or meaning at all. Strange that "NOW" would use such an odd mess.
    (14) Smash Mouth "Then The Morning Comes" B-. The begining is so brilliant, original and different; I wish the song kept up that pace. It's not in the same league as "All Star", but still remains a solid pop/rock single. You can't help listening to the opening over and over.
    (15) Train "Meet Virginia" C-. I really liked "Drops Of Jupiter" and "Calling All Angels"; those were rock tracks filled with emotion and power. I don't see any purpose to this song; the emotion isn't there and it's very uninvolving. I guess Train just had to find their skills.
    (16) Macy Gray "I Try" B-. This is a beautifully written song with heartfelt lyrics, made unsuccessful by one factor: Macy's voice. Her voice is very weak and not very appealing, thus she detracts from the impact of her work. This song would be much better if someone else sung it.
    (17) Hanson "This Time Around" D. It's not as irrating as "MMMBop" (few songs are), but there is nothing good about it either. All that the song does is cement the fact that Hanson was a talentless group. A very disposable song.
    (18) blink-182 "All The Small Things" A-. A very good song that delivers everything we expect from blink-182. In fact, it even has more dimension and relevance than most of their music. It's short, but that helps create a nice, little breeze of a rock single. A good ending to a so-so album.
    Bottom Line: **1/2. A real step backwards after the great heights that "NOW 3" was able to reach. I liked some of the songs, but I really could have done without a handful of them. Limp Bizkit's "Break Stuff", 98°' "I Do (Cherish You), Q-Tip's "Vivrant Thing", Brian McKnight's "Stay Or Let It Go", Destiny's Child's "Say My Name" and Big Pun's "It's So Hard" all would have been better selection. I can not tell you to rush out and buy this, but put it on your wish list or hope for it as a gift.

    4-0 out of 5 stars Now thats music 4
    This is one of the best ones in my mind. Of course this is when I was interested in this music but any way here are the reviews.

    1.Backstreetboys-Larger then Lifethis one was big10/10
    2.You Drive me Crazy-Brittany Spears when she was young 8/10
    3.Marc Anthony-I need to knowhe was a good singer 9/10
    4.Mandy Moore-Candyat the time I did not like her much8/10
    5.Blue Da Be Dee-Eifel 65 a huge Dance smash from 99 10/10
    6.Sonique-Feels goodI liked this dance number to9/10
    7.Lenny Kravitz-I Belong to youI think I liked it 9/10
    8.Savage Garden-I Knew I loved youthis one was big hit10/10
    9.Joe-I wanna knowwas one of 2000 Biggest singles10/10
    10.Aaliyah-I Trywas one of my Favorites at the time10/10
    11.Jennifer Lopez-Waiting for Tonight off her 1st album10/10
    12.Montell Jordan-Get it on TonightI liked it then8/10
    13.Ben Harper-Steal my Kisses don't know about this one 5/10
    14.Smash Mouth-Then the mourning comesjust plain fun 10/10
    15.Train-Meet Virginiaobviously there best song 9/10
    16.Macy Gray-I TryI can handle one song of her I guess 7/10
    17.Hanson-This time Around this one was okay no Mmm Bop 8/10
    18.Blink 182-All the Small ThingsI liked this one alot 9/10
    That is like a 158 out of 180 are about a 89%

    5-0 out of 5 stars :o
    I bought this cd when it came out and I thought it was so awesome. It's better than a whole lot of the other now cds. It doesn't have any rap and crap like that, and it has a lot of rock. In other words, you should buy the cd! ... Read more

    Asin: B00004UAL5
    Subjects:  1. Adult Alternative Pop/Rock    2. Adult Contemporary    3. Alternative Pop/Rock    4. Club/Dance    5. Contemporary R&B    6. Dance-Pop    7. Pop    8. Teen Pop    9. Urban    10. V/a Compilations   


    $14.99

    Now That's What I Call Music! 5
    Average Customer Review: 4.0 out of 5 stars
    Audio CD (14 November, 2000)
    list price: $18.98 -- our price: $14.99
    (price subject to change: see help)
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    Editorial Review

    The U.S. version of the Now That's What I Call Music series is often pegged as strictly kid stuff. There's no denying that many or most of the singles collected on volume 5 are beloved teen and preteen faves; even with a title cleanup, though, Mystikal's James Brown tribute "Shake It Fast" provides plenty of grownup kicks. As do Destiny's Child, Mya, and Kandi, whose delicious pop-R&B tracks trump the over-30 rock of Everclear's "Wonderful" and Bon Jovi's "It's My Life" for sheer radio wisdom. At the same time, the CD's reliance on cuts stamped from a small handful of templates suggests that a new mainstream revolution is just about due. Till then, the likes of "Don't Think I'm Not" and "Jumpin' Jumpin'" will do just fine. --Rickey Wright ... Read more

    Reviews (129)

    5-0 out of 5 stars "NOW" Is Stickin' Around
    It was with "NOW 5" that the American version of the "NOW" series cemented itself as a driving force in the music industry. On the sales side, it went quadruple (4x) within four months, and was Billboard's #4 Album of 2001 (although it was released in November 2000). The series had slowly been growing and, despite the less than brilliant "NOW 4", this was the breakout edition. That aside, the album is a victory as both a complilation of quality musuc, and a time capsule of the big hits from Summer 2000. Everything flows with perfect ease; as almost every song satisfies (Aaron Carter being the large exception). This also serves as an example of how great as compliation can be, and demonstrates how compilation albums are a solution to the downloading epidemic. The 19 Top Chart Hits:
    (1) *N Sync "It's Gonna Be Me" A. Just like "Bye Bye Bye", this is another track that works because of it's massive, slick production. The song doesn't really have much meaning, but the hook is very catchy and the energy is vibrant throughout. "Teen pop" is just like any type of music: there is a right and wrong way to do, and this is a flawless piece.
    (2) 98° "Give Me Just One Night (Una Noche)" A. They may have lacked the push that *N Sync and the Backstreet Boys had, yet they were just as good. Wheras "Because Of You" and "The Hardest Thing" had an R&B edge, this has a stylish latin flavor for it's flow. Two very different styles to work with. The end result hear is light and simple, yet it's a lively, stormin' and highly enjoyable track.
    (3) Destiny's Child "Jumpin' Jumpin'" B+. As it is, this is a very catchy, energy filled club dance song which is impossible not to enjoy. The problem is that it's a small step down from the relevance of "Bills, Bills, Bills", "Say My Name", and even "Bug-A-Boo". Still, you can't complain too much when the production is this stormin'.
    (4) Kandi "Don't Think I'm Not" B. Xscape was always a good R&B group, without achiving the greatness of TLC or En Vouge. Kandi's solo project is the same way; entertaining, but not very groundbreaking. The material on "Don't Think I'm Not" is nothing to rave about, yet Kandi brings her skill and zest to give it some life.
    (5) Jessica Simpson "I Think I'm In Love With You" B. Jessics Simpson arrived in late 1999 as a "adult teen pop singer". She jeered away from the flashiness of Britney and Christina, and instead ventured into love ballads. The material here is a pleasant, sartisfing listen, that just doesn't offer much new material. It's a well done song, but she held her true talent in til later (2003's "In This Skin" LP).
    (6) SoulDescision "Faded" A-. 2000 was a strange year for dance; the styles examplified extremes, yet only some of them fully succeeded. "Faded" is a very good dance song that got lost amongst giants like Eiffel 65's "Blue (Da Ba Dee)" and Moby's "Natrual Blues". It's a quite breezy infusuon of dance and hip-hop that is flowing with energy and production. No depth, yet you can't get it out of your head.
    (7) Mystikal "Shake It Fast" B-. For every good quality about this song, there is a bad quality. As an angrier version of James Brown's style; it's sorta entertaining, but that is only the surface. In the end Mystikal's voice is not very appealing to the ear, and the material, while fun, is really about nothing. There was much better rap than this in 2000.
    (8) Mya "Case Of The Ex" A. For some reason, Mya doesn't release to much music, but whenever she does it's always terrific. This is no exception; "Case Of The Ex" is a fiery, passionate, sorta striking modern R&B tune. It's glitzy on the suface; although there is real substance underneath it all. A very underated gem.
    (9) Aaron Carter "Aaron's Party (Come Get It)" F. Here is a song that fails in EVERY musical level. The beats, the production, the lyrics; NOTHING works on this disaster. The song the same effect on nails on a chalk board. It goes nowhere, has no appeal to the listener and has no purpose for it's existance at all. Other than to take money away from simple people.
    (10) Britney Spears "Lucky" C+. No that good, but anything sounds good after track #9. That aside, this isn't good Britney, but it's not awful either. There is some meaning in the lyrics, and a message about celebrity life attempting to be expressed. The song just never pulls together, and lacks the the impact that could have been achived.
    (11) Backstreet Boys "Show Me The Meaning Of Being Lonely" A-. Another example of the BSBs' mastery of the pop ballad. The song is touching. heartfelt and filled with beautiful images. More of an adult contemporary song than teen pop one. Delivery is a very crucial part of any song; and this song has a graceful one.
    (12) Sisqó "Incomplete" A. After the terrific "Thong Song", it's nice to see Sisqó flexing his R&B side. He succeeds with ease here in creating a beautifulo, heartfelt contemporary R&B ballad. The lyrics slowly develop and let the emoition pour out at a regular pace. At the end, we are left feelimg rather sad and thoughtful.
    (13) Mandy Moore "I Wanna Be With You" B-. A standard pop ballad that lacks the juice needed to liven it. It's well crafted, and competently made, but Mandy's voice doesn't have much of an impact, and we've heard all of this before. She has had much better songs, including the touching "Crush".
    (14) Janet "Doesn't Really Matter" A. One of the best songs Janet has ever recorded, and that's saying something. The beat is catchy and energenic, yet the single's real strength is the heartfelt, meaningful lyrics. Everythingb about it is sweet an lovable; it really is a relief to hear a song this positive and entertaining.
    (15) BBMAK "Back Here" B. A well made teen pop track, that lacks the skill and zest that *N Sync and the Backsteet Boys bring to their music. It is a decent listen, just instantly forgettable afterwards. The group doesn't push any limits, thus the song doesn't really have much impact.
    (16) Nine Days "Absolutely (Story Of A Girl)" B+. Not a great rock song by any means, yet one that is very enjoyable and made with alot of skill. Although the material is nothing new; the group brings some style and energy to the song. It's good enough to make you wonder why they disappeared right after.
    (17) 3 Doors Down "Kryptonite" A. Such a promising debut single, that you wonder why they couldn't "keep up the pace". The production is very memorable, and the lyrics are original and differnt. The content is standard, but they give new life through their writing and style. It wasn't until 2005's "Let Me Go" that came close to equaling it.
    (18) Everclear "Wonderful" A-. "AM Radio" is good fun, yet this has so much more substance to it. They never try to hard, and just relax to let their powerful lyrics and "images" seep into your mind and soul. This really is a beautiful, meaningful rock song. One of the group's best.
    (19) Bon Jovi "It's My Life" A. This is what rock music SHOULD be. Yes, it has great insturmentals, and is made with joy and professionalism. But the content is the most remakable thing about it; a message that any listener can relate to, as it is very universal. It's too bad there aren't more rock track like this out there.
    Bottom Line: ***1/2. A very good, highly entertaining compilation that would be great if it wasn't for that terrible Aaron Carter song. It's a shame that it's even on this on album; we could use some more rap/hip-hop in place of it (LL Cool J's "Imagine That" or Nelly's "Country Grammar (Hot...)" would have been much better). That aside, this is an excellent collection of music in 2000. Definetly worth a buy.



    5-0 out of 5 stars The Best Tracks
    The Best Tracks Are
    Case Of The Ex
    I Wanna Love You For Ever
    Kyroptine
    Lucky
    Its My Life

    1-0 out of 5 stars Now 5=Negative Ominous Waves 5
    Now 5 and allthe nows stink.Only a few songs are good thru out the Now series,but only a few.if you like pop music which I don't.Ilike the Kriptonyte song[I know I spelled it wrong]I am a metal\rapcore personlike P.o.d ... Read more

    Asin: B000051XVR
    Subjects:  1. Pop    2. Rock   


    $14.99

    Now That's What I Call Music! 6
    Average Customer Review: 4.0 out of 5 stars
    Audio CD (03 April, 2001)
    list price: $18.98 -- our price: $14.99
    (price subject to change: see help)
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    Reviews (103)

    4-0 out of 5 stars The Sixth Time Around
    "NOW 5" set the bar quite high for the compilation series; thus giving "NOW 6" a diffucult feat to top. The album is not equal to the previous installment; that is because the tracklisting isn't AS solid as the one on "5". The great singles are mixed with a number that are good, but not phenomenal. Yet, the album hangs together pretty well because of a nice amount of diversity and a breezy listenability. There isn't much in terms of hip-hop here (although Shaggy and R. Kelly definetly have shades of it), but that's OK because the other songs are very well done; even the large "rock chunk" towards the end. The breakdown:
    (1) Britney Spears "Stronger" B-. It's a somewhat fun song; catchy beat, great production. I like the way that it kinda serves as a counter-part to her "...Baby One More Time". When you look deeper though, there really isn't that much beneath the flashy surface; harmless, fun junk.
    (2) Samantha Mumba "Gotta Tell You" A-. She rises among most of her peers because her voice is richer and more distinguished. The lyrics aren't too new, but her voice and tone add a certain weight and dimension to everything. It slowly spins it's impact and delivers it with other conviction. A really mesmerizing track from a talented artist.
    (3) *N Sync "Bye Bye Bye" A. It's easy to dismiss this as a meaningless pop song; but hey, those songs are often very fun. By keeping a short time length, this manages to be a catchy, refreshing and highly entertaining piece of work. It may not be too much; yet it is total success at what it wants to be.
    (4) ATC "Around The World (La La La La La)" C-. I have nothing against pure dance music; Kylie Minogue and Fatboy Slim have produced great work. But this comes off as meaningless and ordinary; there's nothing new here. The lyrics and beat attempt to create a "dream-like feel", but that grows tiresome and annoying after a while. What is this song even about?
    (5) Jennifer Lopez "Love Don't Cost A Thing" B. She has done much better; just like "Jenny From The Block", you can't take this too seriously. That aside, this is a fun dance/pop tune with a great production and flow to it. The pace is essential to the song, as it never feels dragged out and is always moving. A minor J. Lo offering, yet fun none-the-less.
    (6) Destiny's Child "Independent Women Part I" A-. "Charlie's Angel's" may have been one of 2000's worst movies, yet this is one of 2000's best movie theme songs. Destiny's Child turns their usual firey beats, tight lyrics and polished production into a solid, catchy, breezy "female-empowerment" track. Everything falls into place so well that any can enjoy tis; regardless of gender.
    (7) Shaggy "It Wasn't Me" A+. Shaggy is a terrific artist, but even he outdoes himself here. The content, which is on the explicit side, becomes breezy and light due to the relaxed tone if the song. The lyrics have as striking impact; then the beat makes that impact flow with perfect ease. This is a gem of an R&B single, and one of the best songs of 2000.
    (8) 3LW "No More (Baby I'ma Do Right)" B. A nice pop/hip-hop tune with an effective neat and some meaningful lyrics. tHe problem is that the group's voices don't deliver the full effect that the song should. It's a good song that could have used a bit more zest to make it really take off.
    (9) K-Ci & JoJo "Crazy" B+. The highest compliment that I can give K-Ci & JoJo is that they are classy. They don't use TOO much modern edge, and prefer to deliver old fashioned tunes. This is not as good as 1999's "Tell Me It's Real", but it's still a very good song. Well crafted and heartfelt; this is a nice little R&B tune.
    (10) R. Kelly "I Wish" A. We all know that R. Kelly can make very good sex themed songs, but we often forget how beautiful his music can be as well. At first we think that "I Wish" is just about an ex-girlfriend; then we listen closer and realize what the story really is. It's not easy to make an R&B song with this type of content, but he pulls it off fantastically. The modern edge mends very well with the song.
    (11) Backstreet Boys "Shape Of My Heart" A. A very effective ballad with brilliant word choice. The lyrics are heartfelt, personal and carry much depth to them. This is truly touching song; made with true conviction. The boys are known to make excellent ballads, but even this is exceptional for them.
    (12) Evan and Jaron "Crazy For This Girl" B+. These two young guys deliver a beautiful, good natured pop tune; something kinda rare these days. The boys have terrific harmonies, and very relaxing voices. In a time when pop songs often have overkill in their productions; here is a quiet, toned down piece of work.
    (13) Coldplay "Yellow" C+. The group clearly has some talent, but there first single makes the mistakes that became domninant in most of there music. They let the insturmentals take over too much; distracting from the impact of the lyrics. Not helping is the song's long, dragged out length which begins to send us to "Dreamland".
    (14) Lenny Kravitz "Again" A-. A bounce-back after the prevoius track. This is Lenny at his finest: tight guitar rifts, meaningful vocals and true conviction. All the elements combine to create a beautiful, heartfelt male rock vocal performance. This is a terrific rock song and a highlight for Kravitz' long career.
    (15) Fuel "Hemorrage (In My Hands)" B-. Carl Bell's voice is a quite powerful insturment, but he doesn't have material to equal it. The insturmentals could be better, and it would be nice if the lyrics had some meaning to them. The song is well made and crafted; it could use a re-write to improve it though.
    (16) Creed "With Arms Wide Open" A. A beautiful rock song with deeply touching lyrics. Lead singer Scott Stapp has taken the joy of his child's birth and transformed it into a wonderful, meaningful rock track with alot of depth. It's no surprise this won the Grammy for Best Rock Song (2000); everything about the writing is original. A masterpiece of a rock song.
    (17) Incubus "Drive" A-. A real breezy gem of a rock song. The beat is kept at such a relaxing tone that it truly has it's own impact. Refreshingly enough, the lyrics are actually about sonething; as it carries a very firm, positive message. Seriously, we need more singles like this in the rock genre.
    (18) U2 "Beautiful Day" A. This marked U2's comeback after the less than brilliant "Pop" LP. A Light, relaxed, touching, almost philosophical song that ranks up there with U2's best (and that's saying something). There's been alot of failed rock music in recent years; U2 come back and shows how it SHOULD be done.
    (19) Everclear "AM Radio" B. A solid rock song that isn't really about anything, but delivers alot of fun. While it lacks the relevance that "Wonderful" had; it makes up for with clever lyrics which really paint a picture of life in the "AM radio days". A nice companion to Bowling For Soup's "1985". Not much deoth here, but it's impossible to dislike something this fun.
    Bottom Line: ***. It's not a great compilation album, yet it's still worth our money. The end get's a little rock heavy, but most of those songs are good, so we don't mind. I still would have liked to have some hip-hop/rap though. It's a shame that ATC and Coldplay are even on here, Sisqó's "Thong Song" and Radiohead's "Optimistic" would have been much better. Minor quibbles; this is a good "time capsule" for late 2000/early 2001.

    4-0 out of 5 stars Really one of the best of the series
    Britney Spears - Stronger: A+ My favorite song from Britney Spears! The music video was the best!

    Samantha Mumba - Gotta Tell You: A- Good song, yet it's a bit generic.

    *NSYNC - Bye Bye Bye: F I hate boy bands and this was my least favorite song by any crappy boy band. Hate it!

    ATC - Around The World (La La La La La): A+ Hot dance song! A dance classic.

    Jennifer Lopez - Love Don't Cost A Thing: B+ Not as good as Jennifer's earlier stuff or newer stuff, still, it's okay, just a bit boring.

    Destiny's Child - Independent Women Part I: B+ Good, but seems a bit empty.

    Shaggy - It Wasn't Me: F This song is just gross. Shaggy's mom caught him having *** and ****ing her ****, and maybe it's also about ******* (maybe) which I think is crude in a song and just nasty.

    3LW - No More (Baby I'm A Do Right): A Great song by 3LW.

    K-Ci & Jojo - Crazy: D I can not stand this group!

    R. Kelly - I wish: F Similar to the annoyance in the earlier song, this one is by R.Kelly.

    Backstreet Boys - Shape Of My Heart: A Heart touching song, tohugh boy bands are awful.

    Evan And Jaron - Crazy For This Girl: A Very overplayed, but it's a great song!

    Coldplay - Yellow: D- Annoying, and overplayed song and band.

    Lenny Kravitz - Again: B+ Extremly overplayed, but a still very good song.

    Fuel - Hemmorrhage (In My Hands): A Great rock song, but also a bit overplayed.

    Creed - With Arms Wide Open: D+ I like Creed and everything, but this song was so overly played that I have no point or interest to ever listen to this song again.

    Incubus - Drive: A Perfect song from Incubus.

    U2 - Beautiful Day: A Great song! Though, a bit overplayed.

    Everclear - AM Radio: C- Average...really no comment

    Overall Grade - B+ Ok, I raised the grade a bit, so what. I loved the artwork of the album, as I always am, but this one has to be the most mesmerizing. Well, if the songs weren't so overplayed and annoying, it would be an A.

    5-0 out of 5 stars Here is my Review of Now 6
    These were some of 2000 best songs here are my reviews

    1.Stronger-Britney Spears this one is good 9/10
    2.Gotta tell you-Samantha Mumba this one is good10/10
    3.Bye Bye Bye-N'Sync I liked this one alot10/10
    4.Around the World-ATC This one was a dance tune 9/10
    5.Love don't cost a thing-J.Lo very hot 10/10
    6.Idependent Women-Destiny's Child this is OK7/10
    7.It wasn't me-Shaggy what a song 10/10
    8.No more-3LW I liked this one to9/10
    9.Crazy-K CI & JoJo 10/10
    10.I Wish-R.Kelly he should still sound like this 10/10
    11.Shape of my heart-Backstreetboys Liked it10/10
    12.Crazy for this girl-Evan & Jaron nice tune9/10
    13.Yellow-Coldplay there original song10/10
    14.Again-Lenny Kravitz yet another good song10/10
    15.With arms wide open-Creed a number #1 single 10/10
    16.Hemorrhage-Fuel I liked this one to10/10
    17.Drive-Incubus there First Big Hit10/10
    18.Beautiful Day-U2 won a grammy for top song 10/10
    19.AM Radio-Everclear a OK song7/10
    _____________________________________________________________
    180/190=94.73 A
    ... Read more

    Asin: B00005A7JC
    Sales Rank: 11473
    Subjects:  1. Adult Contemporary    2. Contemporary R&B    3. Dance-Pop    4. Hip-Hop    5. Pop    6. Pop/Rock    7. Rock    8. Teen Pop    9. Urban   


    $14.99

    Now That's What I Call Music! 7
    Average Customer Review: 4.0 out of 5 stars
    Audio CD (31 July, 2001)
    list price: $18.98 -- our price: $14.99
    (price subject to change: see help)
    US | Canada | United Kingdom | Germany | France

    Editorial Review

    Smartly programmed and laden with hits from the first half of2001, the seventh entry in the Now compilation series is amore-than-agreeable, summer-party soundtrack. Moving from up-tempo pop/R&Bto various stripes of hip-hop (including a snapping Neptunes remix ofBackstreetBoys'"The Call") to three draggy ballads you can easily program outto reminders from Aerosmith, Lifehouse, Evan and Jaron,and American Hi-Fithat guitars still exist, this disc is one of the strongest Nowsyet. With the high-quality likes of "Jaded," Janet Jackson's"All for You," Nelly's "Ride witMe!" (heavily edited for language), and Mystikal's "Danger(Been So Long)" on tap, even Jennifer Lopezsounds pretty good as the beats power by. Does the style-by-stylesequencing effectively segregate genres, particularly by placing therock stuff at disc's end? It's more likely that the appearance of allthese tunes in one place demonstrates that the notion of pop as a bigtent isn't dead yet. --Rickey Wright ... Read more

    Reviews (114)

    5-0 out of 5 stars #1 Way To Keep Cool
    The Summer of 2001 was hot, hazy and dry; it was near impossible to cool down. Thankfully, Sony/Universal/EMI/Zomba released "NOW 7", the #1 way to keep cool during the heat. 2001 was a great year for music from the start on January 1st, and this album does a perfect job of gathering up the best tracks from the first half of the year. The wonderful balance of pop, rock, R&B and rap creates a cool vibe which flows through out the album. The nineteen amazing tracks:
    (1) Destiny's Child "Survivor" A-. It may have been overplayed, but it still remains a great modern R&B track. Most distinguishing is that the song is about joyfully moving on. Listener's respond to the song because it offers a positive attitude. It also helps that the beat is terribly addictive.
    (2) Janet Jackson "All For You" A-. Shows what a dance song is supposed to be, and showcases some of Janet's best work. There isn't too much substance, yet the beat a production are so infectious that you get caught up in it. Janet's vioce sounds as smooth as ever, and adds a nice sexy undertone.
    (3) Samantha Mumba "Baby, Come Over (This Is Our Night)" B. Her standard material is compenstated by the urgency in her voice. However she achives it, the song sounds very convincing and even carries some depth. Not a great pop song by any means, but a pretty fun one.
    (4) Mandy Moore "In My Pocket" A. From the start we think that this will be your standard pop song, yet it blooms with so much dimension and hidden feelings. The mesmerizing beat engulfs the listener and the lyrics create some mysterious images. This is Mandy Moore at her best.
    (5) Jennifer Lopez "Play" B+. Sheds the emotion of "I'm Real" and "Ain't It Funny"; leaving a playful dance single left. J. Lo doesn't settle for average material though, as this is a catchy, clever and original track about her wanting to hear her favorite dance song. Fiery beats make this impossible to resist.
    (6) Backsteet Boys "The Call" (Neptunes Remix w/ Rap) A. While it may feel like a strange remix at first; the song does grow on you. Cheating has always been a common theme in music, but this enters a new area with it's modern edge. The lyrics create a true dilemma, while the Neptunes lace them with their quircky beats and rhymes.
    (7) 3LW "Playas Gon' Play" B. 3LW doesn't break much new ground; as they don't seem to stand out from the pop crowd. Still, this contains a nice idea with some intelligent writing that rings true. Pop and hip-hop are easily mixed, but the mixture here doesn't pick up flair like it should.
    (8) Nelly feat. City Spud "Ride Wit Me" A. A perfect showcase for whyNelly is the best new rapper pf the 2000s. Jason "Jay-E" Eppereson production catchy, bouncy and highy enjoyable. Strange how the song is both "gangsta" and "old school" at the same time. This is hands down a great rap song.
    (9) Mystikal feat. Nivea "Danger (Been So Long)" A. Mystikal's usually unappealing voice somehow works here. Maybe it's not really his voice; it could be Nivea's mesmerizing voice, or the striking beat that drive it. I don't even know what this is about, yet I can't help but get dragged into the fun.
    (10) R. Kelly feat. Jay-Z and Boo & Gotti "Fiesta Remix" B. Not bad a bad song, just not a satisfiing one. For R. Kelly, it's nowhere near as deep as "I Wish", or as cool as "Thoia Thoing". Jay-Z isn't given much to do and Boo & Gotti are disposible. Fun while it last, then utterly forgetable.
    (11) Eve feat. Gwen Stefani "Let Me Blow Ya Mind" A-. One of Eve's best songs ever. Functions in as both a pop and rap song; mainly because Eve and Gwen blend so well together. In general, Dr. Dre and Scott Storch's production make this a stylish little charm of a single.
    (12) City High "What Would You Do" A. Less than three minutes long, yet it tell's a striking story with alot of deoth and enotion. Yes, it's cold and startles the listener, but that's the whole intention. Definetly a nice change of pace from most rap songs.
    (13) Britney Spears "Don't Let Me Be The Last To Know" B+. The changes that can occur when she drops the "naughty image". True emotion can be found in this pop ballad; the lyrics display true urgency and feelings. Tragedy this didnt find as much success as the disasterous "Oops!...I Did It Again".
    (14) *N Sync "This I Promise You" A-. A traditional pop that is done to pefection. The boys never have to try too hard, and just let everything develop natrually. By the end, we see exactly how this beautiful song slowly formed. Also serves as a flip-side to "Bye Bye Bye" and "It's Gonna Be Me".
    (15) S Club 7 "Never Had A Dream Come True" A. This usually disposable group (from the awful TV show) somehow hits a home run here. Words that describe this song: deep, emotional, powerful, heartfelt, honest and beautiful. The content is so touching that anyone can relate to it. This is a small pop treasue.
    (16) Lifehouse "Hanging By A Moment" A-. They never quite equaled it afterwards, but this is a terrific rock song. It's intelligent, catchy and heartfelt. Falls into the same league as the best work by the Goo Goo Dolls and Matchbox Twenty. In fact, it did go on to become Billboard's #1 song of 2001.
    (17) Aerosmith "Jaded" A. One of the best songs the group has ever recorded; and that's no small accomplishment. Steve Tyler's voice delivers the lyrics with true emotion; all set to the piercing guitar beats. This is great rock track which packs quite a punch during its running time.
    (18) Evan and Jaron "From My Head To My Heart" B+. It's just as good as "Crazy For This Girl", and that was well done. The two boys have a nice relaxed feel and carry true feeling in their lyrics. Quite refreshing to hear a good natured pop tune these days.
    (19) American Hi-Fi "Flavor Of The Weak" A. This workls as well as it does because of it's bluntness. There is a story to be told in it's lyrics, and the song tell's that story straight; holding nothing back. Great summer track that demonstates hard rock at its finest.
    Bottom Line: ****. As compilations albums are a dime-a-dozen these days; "NOW" always shows how it should be done. They even top themselves in putting together this masterpiece. It may have been the perfect album for Summer 2001, but it happens to be a great album for any season, of any year. THIS is an album!

    5-0 out of 5 stars One of the best Nows, but nobody beats Now 13
    1. Destiny's Child - Survivor : I really don't like this song much.
    Original Grade: C-
    Should it be on: B+
    Released: May 8, 2001
    Earliest Now it could've been on: 7
    2. Janet Jackson - All For You: I kind of like this song, but Janet's other songs are a bit better.
    Original Grade: B+
    Should It Be On: B
    Released: March 27, 2001
    Earliest Now it could've been on: 6
    3. Samantha Mumba - Baby Come On Over: I liked the Now 6 song much better.
    Original Grade: B+
    Should it be on: A++
    Released: September 3, 2001 (released before Now 7 in stores, which is awesome)
    Earliest Now it could've been on: 8
    4. Mandy Moore - In My Pocket: I like her other songs like "Candy" much better.
    Original Grade: B-
    Should it be on: A
    Released: June 4, 2001
    Earliest Now it could've been on: 7
    5. Jennifer Lopez - Play: A great song, but a bit old.
    Original Grade: A
    Should it be on: B+
    Released: April 23, 2001
    Earliest Now it could've been on: 7...but maybe could've been on Now 6
    6. BSB - The Call (Remix): I really hate this group and this song. The remix isn't any better anyway. Plus, it's outdated.
    Original Grade: D-
    Should it be on: C+
    Released: February 19, 2001
    Earliest Now it could've been on: 6
    7. 3LW - Playas Gon Play: I really do miss 3LW, and I think they should have been around a bit longer.
    Original Grade: A
    Should it be on: A++
    Released: October 18, 2004
    Earliest Now it could've been on: 8
    8. Nelly - Ride Wit Me: Great song, but the edited version took out the fun of it.
    Original Grade: A-
    Should it be on: A++
    Released: August 27, 2001
    Earliest Now it could've been on: 8...or I guess 7 if they made the CD
    9. Mystikal - Danger: I have never liked this song. Plus, it's outdated too.
    Original Grade: F
    Should it be on: C
    Released: February 13, 2001
    Earliest Now it could've been on: 6
    10. Jay-Z/R.Kelly/Boo(?) - Fiesta (Remix): Hate this song!!!
    Original Grade: F
    Should it be on: A-
    Released: May 7, 2001
    Earliest Now it could've been on: 7
    11. Eve - Let Me Blow Ya Mind: It's an ok track.
    Original Grade: B-
    Should it be on: A-
    Released: May 15, 2001
    Earliest Now it could've been on: 7
    12. City High - What Would You Do: Another ok track. Also, a bit outdated.
    Original Grade: B
    Should it be on: B-
    Released: February 13, 2001
    Earliest Now it could've been on: 6
    13.Britney Spears - ...Last To Know: Beautiful bllad, but not as good as "Everytime" or "I'm Not A Girl..."
    Original Grade: A-
    Should it be on: B-
    Released: March 15, 2001
    Earliest Now it could've been on: 6
    14. Nsync - This I Promise You: Hate boy bands! Very outdated! Ugh!
    Original Grade: F
    Should it be on: D
    Released: October 9, 2000
    Earliest Now it could've been on: 5
    15. S Club 7 - Never Had A Dream Come True: A bit on the boring side, but I guess it's ok. Heard much better though.
    Original Grade: B-
    Should it be on: A+++
    Released: November 27, 2000
    Earliest Now it could've been on: 9
    16. Lifehouse - Hanging By A Moment: Great rock song!!!
    Original Grade: A+
    Should it be on: A
    Released: June 5, 2001
    Earliest Now it could've been on: 7
    17. Aerosmith - Jaded: Ok track. Very outdated.
    Original Grade: B
    Should it be on: B
    Released: February 20, 2001
    Earliest Now it could've been on: 6
    18. Evan and Jaron: It's a great song....but was never a hit
    Original Grade: A
    Should it be on: F (see below)
    Released: Never was released as a single.
    Earliest Now it could've been on: --
    19. American Hifi - Flavor Of The Weak: Another awesome rock track!!!
    Original Grade: A+
    Should it be on: A++
    Released: August 27 2004
    Earliest Now it could've been on: 8
    _________________________________________________________

    Top 3 Highest Grade:

    1. American Hifi - Flavor Of The Weak (A+)
    2. Lifehouse - Hanging By A Moment (A+)
    3. 3LW - Playas Gon Play (A)

    Top 3 Lowest Grade:

    1. NSYNC - This I Promise You
    2. Mystikal - Danger
    3. Jay-Z/R.Kelly/Boo? - Fiesta (Remix)

    Top 3 Most Deserving Songs:

    1. S Club 7 - Never Had A Dream Come True
    2. 3LW - Playas Gon Play
    3. Samantha Mumba - Baby Come On Over

    Top 3 Least Derserving Songs

    1. Evan And Jaron - From My Head To My Heart
    2. NSYNC - This I Promise You
    3. Mystikal - Danger
    ____________________________________________________________

    Overall Original Grade: A
    Overall Should It Be On Grade: A-
    Overall Month For Released Songs: Late-May
    Overall Earliest Now: 7

    Now 7 did a good job at keeping the latest songs on it. The CD overall grade is very good. This may be the best now CD, but I'm not sure, considering Now 13 is the best. This may be the second best.

    ____________________________________________________________

    4-0 out of 5 stars Big Fuzzy Hats Rock!
    1. Survivor, Destiny's Child--Personally, i dont like this song much. It gets annoying. (3/5)

    2.All For You, Janet Jackson--Catchy song. Makes ya wanna get up and dance.However, it can also get annoying when played over and over(which you probably wont do). (4/5)

    3. Baby Come On Over, Samantha Mumba-- Don't like it much. Boring. (2/5)

    4. In My Pocket, Mandy Moore-- Got an indian techno-y feeling, kinda cool. (4/5)

    5. Play, Jennifer Lopez-- This might be my favorite song by J lo. It's a funky song and makes me wanna dance :). I'm not really a big J.lo fan but this makes me wanna move!(4/5)

    6.The Call, Backstreet Boys-- Kinda funky/weird. Wasnt great. (2/5)

    7. Playas Gon' Play, 3lw-- Don't like it much. Boring. (2/5)

    8. Ride Wit Me, Nelly--Not great message...Ok song i guess.(3/5)

    9.Danger, Mystikal--This guy cannot rap. Funny song though, not the lyrics...it just makes me laugh. (3/5)

    10. Fiesta, Jay-Z and R. Kelly--not great. (3/5)

    11. Let Me Blow Ya Mind, Gwen Stefani and Eve-- Ok song. Boring at times(3/5)

    12. What Would You Do, City High-- Kind of Addictive. However it is repetitive and short. (3/5)

    13. Don't Let Me Be The Last To Know, Britney Spears-- One Word:Ew.(1/5)

    14. This I promise you, NSNYC--Ok love song. Don't like NSNYC though. (3/5)

    15. Never Had A Dream, S Club 7-- Kind of sappy but good overall.(4/5)

    16. Hanging By A Moment, Lifehouse-- They sound like Creed a lot. I kind of like the song though. (4/5)

    17. Jaded, Aerosmith-- Ok song, more for and older generation though..Whatever floats your boat(3/5)

    18.From My Head To My Heart, Evan and Jaron-- Uh no. (1/5)

    19. Flavor of the Weak--fave song on this cd...it rox!(5/5) ... Read more

    Asin: B00005LOAH
    Subjects:  1. Adult Contemporary    2. Contemporary R&B    3. Dance-Pop    4. Hip-Hop    5. Pop    6. Pop-Rap    7. Pop/Rock    8. Post-Grunge    9. Rock    10. Southern Rap    11. Teen Pop    12. Urban   


    $14.99

    Now That's What I Call Music! 8
    Average Customer Review: 3.5 out of 5 stars
    Audio CD (20 November, 2001)
    list price: $19.98 -- our price: $16.99
    (price subject to change: see help)
    US | Canada | United Kingdom | Germany | France

    Editorial Review

    This volume of the chart-survey series is its best yet, offering stellar examples of nearly every subgenre it approaches. Interestingly, the platinum machine's eighth outing is also its most subtle (the take-your-time sultriness of Aaliyah's "Rock the Boat," Usher's "U Got It Bad") and teasingly offbeat (Gorillaz's dub-wise sleeper "Clint Eastwood," theWiseguys' noise-hop "Start the Commotion") moments. Whether this indicates a trend toward the return of a higher-quality singles chart has yet to be determined, but save for a small handful of crummily derivative nontunes from Jessica Simpson, Fuel, and 3 Doors Down, the music here makes a good case for itself. Could a broadening definition of what's mainstream be fomenting? Caveats: 'N Sync's "Pop" is included in a remix that bleeds the record of some of its novelty, while Jennifer Lopez's"I'm Real" appears without the Ja Rule rap that helped lift it to bestseller status. --Rickey Wright ... Read more

    Reviews (128)

    4-0 out of 5 stars Now 8; get it Now
    This is the only Now C.D. I've found so far that has had enough songs I like on it for me to buy it. The song I recommend most on this C.D. is track #12 (Clint Eastwood), which has an incredibly good lyrical flow and a simple yet perfect piano accompaniment in the background. There is also the energetic "Fat Lip" from Sum 41, which has many different types of music jammed in one (there is an almost rap-like jam in some sections, a jog-paced section, a soft part near the end, and of course the fast-paced main chorus). Aside from these songs, I would also recommend "Start the Commotion": a song that samples horn blares, bass guitars, 60's singers, an organ, and much more into an entertaining blend. "Me Myself & I" is also pretty good for its interesting noise accompaniments and bouncing melody, and Smash Mouth's rendition of "I'm a Believer" turns an enjoyable Oldie into a still enjoyable modern version with a catchy surf music beat.

    4-0 out of 5 stars It's Hard To H8 "NOW 8"
    "NOW 8" is a good album that isn't the most memorable in the popular series, yet for some reason the album bears a special meaning to me. Maybe it was becuase my life had gone through some changes and it was the 1st edition after the changes. That aside, the album contains many great singles including 2 of the 10 Best Songs of 2001 ('N Sync's "Pop" and Usher's "U Got It Bad"). And the album is very skimpy on hip-hop/rap, especially when compared to "NOW 7".
    (1) Destiny's Child "Bootylicious" A-. This is a fiery, zesty, stormin' R&B dance track that anounces itself with fury. Has all the qualities that made "Survivor" so good, then takes it to the next level. Hard to belive that this song entered a word into Webster's Dictionary.
    (2) *N Sync "Pop" A. Just a flashy as the group's previous dance tracks, yet it contains purpose and meaning. Justin's passionetly declarative lyrics set to BT's clubbed up beat make this song flow with terrific zip. Even the all insturmental part helps to make this one of the best pop songs ever recorded.
    (3) Jennifer Lopez "I'm Real" A. Yes, this is the original version WITHOUT Ja Rule, but it's just as good as the remix. As a passionate pop song (verses the hip-hop remix) this heartfelt, creative and rather addictive. J. Lo doesn't try too hard a finds a wonderful more relaxed tone that works.
    (4) Joe feat. Mystikal "Stutter" (Double Take Remix) B. A little old for "NOW 8" (Spring 2001), but that's OK. Content wise the song has a clever premise and intelligent lyrics that are not given full impact in their delivery. Joe's voice doesn't seem as strong in during some sections and Mystikal, with his irritating voice, is not a very good rapper.
    (5) Janet Jackson "Someone To Call My Lover" A-. If nothing else this is a good old fashioned "American road song". It also happens to be catchy and easing with a slick production. This is the exact type of work that has made Janet a highly independent and invalueable female recording star.
    (6) Christina Milian "AM to PM" A. Fact: Christina was NOT a new artist in 2004, but was new in 2001. That said, this is a highly entertaining dance track with alot of fire and zest. I have no idea why this track didn't find a large audince, it's almost in the same league as the massive "Lady Marmalade" remake.
    (7) Jessica Simpson "A Little Bit" B-. A listenable pop tune, but then what? Seems a little too safe and standard (even for her) in the cutting edge world of pop music. I also can't listen to it without thinking about those damn Bally Total Fitness ads!
    (8) Mandy Moore "Crush" A-. Mandy has had to struggle for suc cess against Spears and Aguilera, despite the fact that she often outstages them. Here she takes worn out material and re-vamps it through her heartfelt voice that seems honest. A small treasure that's miles different from "In My Pocket".
    (9) Aaliyah "Rock The Boat" B+. Her tragic death made the inclusion of this inevitable, but that's OK because it is a very good song. Boasting a polished contemporary R&B vibe, the song gets under the skin with her lighthearted voice. It just gets a tad too long by the end, but it's not that noticable.
    (10) Usher "U Got It Bad" A+. "Confessions" is his masterpiece album, but this is his greatest single. A classic piece of R&B with a modern untertone that gets to the heart. As the songb says; "if you're touched by the words in the song, then maybe u got it bad." Well, it's impossible not to be touched by this heartbreaking song.
    (11) Backstreet Boys "More Than That" B+. A standard Backstreet Boys ballad that has it's undeniable charms. As always it sounds heartfelt in a classic way and wisely keeps a reasonable length as well. The 3rd verse especially gets under the skin.
    (12) Gorillaz "Clint Eastwood" A-. Finally, a clever balance between hip-hop and techno. At the bare minimum, the song is original and creative, and it also contains some catchy lyrics with an inventive tune (listen closely, and you'll see how the title fits in). Rap laced with techno? Maybe Jay-Z and P. Diddy are taking notes.
    (13) Wiseguys feat. Greg Nice "Start The Commotion" B-. Not a hit on any charts, but a hit from a Honda commerecial (it still counts as a hit). The song doesn't wear out it's welcome do to it's very short length, and is filled with manic energy. But it doesn't really amount to anything too memorable.
    (14) JIVEjones "Me, Myself & I" B-. A promotional hit for an artist who never really took off. It isn't a remake of the 1989 De La Soul classic, but a somewhat catchy and quirky old school rap. The song's bizzareness is not beneficial, as it detracts from the listenability.
    (15) Smash Mouth "I'm A Believer" C. Smash Mouth a a pretty good pop/rock group, but even they don't deliver the goods with this remake. I'm sure exactly why, but it seems to be lacking the certain charm that made the original version such a huge hit.
    (16) Sum 41 "Fat Lip" A. A catchy, coolhard rock track filled with rapid energy. It doesn't break any new ground material wise, but is blooming with style and excitment. A refreshing, higly entertaining rock song.
    (17) blink-182 "The Rock Show" A-. Yet again, the boys from blink-182 deliver a catchy, party built hard rock song with a teenage undertone to it. It should be boing that they do the same style over and over, but they're so damn good at what they do.
    (18) Fuel "Bad Day" B. The lyrics have real meaning conveyed through some powerful images, yet I think the song lacks the energy we come to expect from Fuel. It could have been a bit longer to expand upon it's subject matter.
    (19) 3 Doors Down "Be Like That" C. Meaningful lyrics are given no life by the group's lifeless vocal style. It just grows redundant by the end and becomes boring. Wonder what the song would be like with more excitement.
    (20) U2 "Walk On" C+. "All That You Can't Leave Behind" is a great album with three great singles. This is not one of them. The song has meaning and a good purpose, but it gets SO dragged out that it looses everything it achived. There is something here, but it gets lost along the way.
    Bottom Line: ***. A flawed album, yet the good singles outweigh the bad ones; thus I can recomend it. I would still like to see some more rap songs here; like Nelly's "#1", OutKast' "Ms. Jackson", Ludacris' "Southern Hospitality" and Crazy Town's "Butterfly". Not great, but a worthy entry in a great series.
    NOTE: The album is respectfully dedicated to the late Aaliyah, who tragically died in a plane crash on August 25th, 2001.

    4-0 out of 5 stars Hot Summer of 2001 Packed Into One CD!
    The Now series has been around since the Spice Girls and is still going strong. On Now 8, many highlights from the summer of '01 are jammed onto one disc for your listening pleasure! Thank God for Now 8!

    Bootylicious (10/10) - The hottest track on the CD. Destiny's Child is the best and will always be the best!

    Pop (10/10) - One of NSYNC's hottest songs. This futuristic sounding track is one of the best cuts ever.

    I'm Real (7/10) - The remix is way better but this one will do. J. Lo needs to stop lying to herself because she is not real. But this song is really good.

    Stutter [Remix] f/ Mystikal (8/10) - The beat is sick but Mystikal's rap is totally whack and messed the flow of the song up.

    Someone To Call My Lover (10/10) - Nice, slower Janet song. Just knowing that it's Janet makes the song a hit. Janet is one of the greatest performers and this song is one of her many hits.

    AM to PM (10/10) - Christina Milian's hyped up club song. This song makes me want to dance all night long. I could put this on repeat all day.

    A Little Bit (4/10) - Jessica Simpson has many good songs, but this isn't one of them. This song is terribly written and the beat isn't good enough to dance to. She gets a four because the chorus is so catchy and makes the song better than what it is.

    Crush (0/10) - This song is really whack. Mandy Moore has better hits such as "In My Pocket" and "Candy". This song should have never been made. I always skip over this song.

    Rock The Boat (10/10) - One of the best songs by the legendary Aaliyah. This song is so special to me because it has a nice beat, sexy lyrics, and it was also the last video Aaliyah ever shot before she was killed. This song will forever be close to me in my heart.

    U Got It Bad (10/10) - The summer jam that everybody loved. Usher was barely trying to be noticed although now he is an international name. This song is really nice and sexy.

    More Than That (2/10) - I don't like this song. That's all I have to say.

    Clint Eastwood (8/10) - Although I'm not a big fan of rock/pop, this song is really good. This song was super famous.

    Start The Commotion (3/10) - Boring and doesn't make any sense. I don't even remember hearing this song on the radio or even on TV.

    Me, Myself & I (1/10) - Not to be confused with the Beyoncé hit song, this pop/rock song sucks and should have never been made.

    I'm A Believer (3/10) - This song may have been good in Shrek, but without the movie it's boring and stupid.

    Fat Lip (0/10) - Hate Sum 41. Hate This Song.

    The Rock Show (0/10) - Urgh, will the torture ever stop?

    Bad Day - Never really listen to it.

    Be Like That - Never really listen to it.

    Walk On - Never really listen to it.

    2/3 of the album are worth listening to. The end are just boring rock songs so I would suggest you buy this album if the beginning 2/3 suit your musical taste. ... Read more

    Asin: B00005R8D9
    Subjects:  1. Adult Alternative Pop/Rock    2. Adult Contemporary    3. Club/Dance    4. Dance-Pop    5. Hip-Hop    6. Pop    7. Punk-Pop    8. Rock    9. Teen Pop    10. Urban   


    $16.99

    Now That's What I Call Music! 9
    Average Customer Review: 3.5 out of 5 stars
    Audio CD (19 March, 2002)
    list price: $19.98 -- our price: $16.99
    (price subject to change: see help)
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    Editorial Review

    By now it's safe to surmise that as long as there are hits, there'll be Now That's What I Call Music! compilations. The ninth collection in the ultra-successful series serves up pure pop, mainstream R&B, and radio-ready rock in a vibrant, smartly sequenced mix. Here those who're likely just passing through the charts on their way to obscurity rub shoulders with transcendent talents on the level of Mary J. Blige and U2. But that's part of the charm of these sets. Who knows where Petey Pablo will be in five years, but it's safe to say his rambunctious "Raise Up" will still be transporting fans back to 2001 years from now. And it's a fair guess that plenty of those fans will be listening to it as it appears between tracks by Mr. Cheeks and City High on their copy of this 20-track time capsule. --W.C. Sweeney ... Read more

    Reviews (101)

    2-0 out of 5 stars It's alright
    GET THE PARTY STARTED/SWEET DREAMS REMIX- ......What were they SMOKING?! They totally destroyed an originally fantastic hit. What a bunch of morons. Why does Now always use a remix when they shouldn't and don't use a remix when they should? (0/5)
    I'M A SLAVE 4 U- This is an alright club song, but it's a tad slow and raw. It gets old after a while. "Overprotected" is better. (3/5)
    FAMILY AFFAIR- This is an excellent song. Mary should do more upbeat songs, her ballads are SOOOOOOOOO boring. (5/5)
    WHENEVER, WHEREVER- This provides some empty, airy fun. (5/5)
    AIN'T IT FUNNY- This is likely the only Latin-influenced track I've ever heard that I truly enjoy. A nice dance song, but it gets annoying after a while. And no, the remix is NOT better, it is so weird, it doesn't even sound like the same song. (4/5)
    LIVIN' IT UP- This is okay, but Ja Rule has better duets. Has he ever done a song by himself...? (3/5)
    ROLLOUT- "Stand Up" is so much better. This one gets annoying quick. (3/5)
    LIGHTS, CAMERA, ACTION- Boring piece of crap rap. (0/5)
    RAISE UP REMIX- Meh. (2/5)
    CARAMEL REMIX- It's okay. (2/5)
    TURN OFF THE LIGHT- I've heard a dance remix of this song, and it is SOOOO much better than the original I just can't listen to this version now. (1/5)
    GONE- This is such a piece of s&^% song. Why is it here? It's extremely boring, and extremely annoying. Why couldn't "Tell Me, Tell Me, Baby" or "Just The Two Of Us" have become hits? (0/5)
    EMOTION- UUUGGGH I hate this song. One of the worst tracks off their third album. It has so much better to offer than this....how the hell did this become a hit? (0/5)
    The rest of them are just so-so.

    5-0 out of 5 stars A Great Party On One CD
    Call it coinsidence, but the Top 3 Albums in the U.S. when "NOW 9" was released in late March 2002 were all compilations. (1)"NOW 9", (2) "O Brother, Where Art Thou?" soundtrack and (3) "WWF Forceable Entry". What does this mean? That America enjoys compilation albums, and "NOW 9" gives them a great reason to. The album is a catchy, vibrant collection of late 2001 hits that always keeps everything moving:
    (1) Pink feat. Redman "Get The Party Started/Sweet Dreams" B-. Considering how praised the original was, I'm sure most people were not wanting this remix. It's not that bad, it just lacks the stormin' energy and style of the original. But as compensation we get catchy Redman raps and an interesting use of The Eurythmics "Sweet Dreams (Are Made Of This)".
    (2) Britney Spears "I'm A Slave 4 U" A-. Proof that the Neptunes are the greatest producers out there: they make Britney sound good! Their production mixed with a very tight beat, create a catchy, sexy dance song flowing with style. The entire song just brings you into it.
    (3) Mary J. Blige "Family Affair" A+. This is what R&B, and music in general, should be. The material is standard but is given a new vibrant life with top notch rhythm, highly enjoyable lyrics and Mary's firey personality. This is THE best song for both her and 2001! I dare you not to enjoy it!
    (4) Shakira "Whenever, Wherever" A. Shakira makes the transition from latin to pop with perfect ease. The song noit only keeps its Latin roots, but contains a quirky and catchy beat with some very original writing. It's small little treasure.
    (5) Jennifer Lopez "Ain't It Funny" A. Another pop song that keeps it's latin influences. The remix was the #1 hit, but this trumps it in every way with more depth and emotion. J. Lo has true conviction in her lyrics and the track really hits hard under the surface with a perfect flow.
    (6) Ja Rule feat. Case "Livin' It Up" B+. Back when Ja Rule didn't make standard music. The song contains alot of style, energy and rapid lyrics that always keep it moving. Even the R&B side with Case mends in well. A well done rap track, just not as good as "Always On Time".
    (7) Ludacris "Rollout (My Business) A. The material seems standard, yet Luda finds a perfect vehicle with his southern style and some humorous lyrics. It's clearly one of his best and one of 2001/2's as well.
    (8) Mr. Cheeks "Light, Camera, Action!" A. The song seems so standard, yet is so entertaining that it becomes a quite impressive debut single. Tight lyrics, killer beats and a top notch production make this a highly enjoyable and infectious dance/rap single.
    (9) Petey Pablo "Raise Up" (All Cities Remix) C+. For some reason, this was hailed as an inventive rap, but it has too many problems. The lyrics are pretty standard, his voice is not very entertaining and the beat is not very good. If nothing else the song has some true energy to it.
    (10) City High "Caramel" (Trackmasters Remix) A-. After "What Would You Do" and "City High Anthem", it's nice to see the groups lighter side. The track doesn't break new ground but is very catchy and has a great production and style to it. I just don't understand why Eve isn't given top billing, she's one the best parts of the song.
    (11) Nelly Furtado "Turn Off The Light" A-. At the bare minimum, Nelly Furtado id different. This track has one of a kind writing and a unique beat. Nelly brings her own style to the song, making it sound like nothing else out there and packing uncanny depth and emotion.
    (12) *N Sync "Gone" A-. Pop group or not, they create a quite and powerful R&B tune here. It's such a change to hear them without the flashy beats and upbeat lyrics. "Gone" succeeds to the degree that it does becuase it inspires the true emotions it aims to cause.
    (13) Destiny's Child "Emotion" C. Always know for bold, firey songs like "Bootylicious", the girls fail to deliver the goods here. The song is a cover to bgin with, but they don't make it their own and in the end turns out to be standard, old fashioned R&B.
    (14) Ginuwine "Differnces" B. This track works primarily because of Ginuwine's charisma and the style in his his voice. It's on the safe side, yet has true conviction and is sort of catchy. Good, but could have been better.
    (15) Backstreet Boys "Drowning" A-. I'ts a huge relief to know that the Backstreet Boys can still deliver a terrific love ballad. This is one of their best ones, mainly due to lyrics that carry more weight and dimension than expected. A very good listen.
    (16) U2 "Stuck In A Moment You Can't Get Out Of" A. A perfect pop/rock song flowing with weight, depth and dimension. U2 is able to accomplish so much with only a few lyrics. This is one heartbreaking song that should bring tears to everyone's eyes.
    (17) Aerosmith "Just Push Play" B-. A dissapointment to hear after the U2 song, and not as good as "Jaded" either. It just seems plain and average for a rock song, but atleast the group still adds in their trademarked style and energy.
    (18) Lenny Kravitz "Dig In" B. The exact work we expect Lenny to deliver, bt not much more. The guitars rock and Lenny is as talented as ever, but it never amounts to anything more than that. Lenny decided to take some time off.
    (19) Incubus "Wish You Were Here" A-. Incubus tactic of kicking back and letting the music flow is such a refereshing breeze. This has both light insturmentals and lyrics that carry some emotion and turn out to be rather easing. This is a nice change of pace in the rock world.
    (20) Adema "Giving In" B. A good hard rock track that is entertaining, just not that memorable. It starts out intriging, then falls into the safe zone for the genre. Not bad. yet still leaves you unsatisfied.
    Bottom Line: ***1/2. The album may drag a little bit towards the end, but everything else hsas been so terrific that we don't mind. As usual, "NOW" has alot of diversity with something for everyone to enjoy. This one is definetly a keeper.


    1-0 out of 5 stars Worst NOW album
    Most of this album is BORING!Listening-wise, it is.I don't think they sequenced and placed the songs right.There are some good songs here, but the CD drags during the middle, the rock numbers come off very flat on here and it nearly put me to sleep.For the record, Volumes 10 to 15 have really improved in terms of the quality.But Volume 9 is the worst and Ja Rule's lame song on here can't even save it. ... Read more

    Asin: B00005YWFF
    Subjects:  1. Adult Contemporary    2. Club/Dance    3. Contemporary R&B    4. Dance-Pop    5. Hip-Hop    6. Pop    7. Pop/Rock    8. Teen Pop    9. Urban    10. V/a Compilations   


    $16.99

    Now That's What I Call Music! 10
    Average Customer Review: 3.5 out of 5 stars
    Audio CD (23 July, 2002)
    list price: $19.98 -- our price: $14.99
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    Reviews (85)

    5-0 out of 5 stars Now! Vol. 10
    It must be difficult for the guys working behind "Now That's What I Call Music!". Since its debut (here in the States anyway- over in the UK they're already up into "Now 40" or something like that) in 1998, "Now!" has become the most successful compilation series in history for its timely up-to-date collection of the biggest hits. Four years into the groove, it's become more of a seasonal collection rather than a year or half-yearly collection. As a result, there aren't enough genuine hits to pad the constant flow, and the quality of "Now!" albums has certainly fallen recently. "Now! Vol. 10" is no exception to this rule- most of the songs were only minor hits or made no impact whatsoever. But it's t