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The Vogue Years Average Customer Review: Audio CD (03 April, 2001) list price: $27.49 -- our price: $27.49 (price subject to change: see help) US | Canada | United Kingdom | Germany | France Features Reviews (5)
You have a fascinating little biography from Bob Stanley on her who speaks of her as a fan of her music and well what more can I say really. You need to hear this album and I mean that Oh I should mention one thing is that I'm glad that these songs are all sung in French. It gives the songs a dimension of sensuality which I don't find in many English/American singers
Francoise was clearly influenced by many different styles. Folk-pop is perhaps the main style but you will also hear elements of rock'n'roll, R+B and country here and there, as well as the influences of her own French heritage. The set opens with her debut hit, Tous les garcons et les filles, which sold over two million copes in France. In those days, France did not bother much with singles or albums - records were four-track EP's. Subsequent EP's all did well without matching the success of her debut. In 1964, Francoise moved to London and was rewarded with a UK top twenty hit - All over the world - here in its French version as Danse le monde entire, which opens the second CD. The Seekers also recorded the song and I wonder how big a hit it would have been if their version had been released as a single instead of Francoise's. In the sixties, Francoise spent some time socializing with the Beatles and the Rolling Stones. While her music is not as important as theirs, it has a certain Gallic charm all of its own.
Asin: B000056Q81 |
$27.49 |
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Complete Studio Recordings Average Customer Review: Audio CD (24 September, 1993) list price: $129.98 -- our price: $116.99 (price subject to change: see help) US | Canada | United Kingdom | Germany | France Editorial Review As Basil Bunting wrote about Ezra Pound's Cantos, "There are the Alps... you will have to go a long way round/if you want to avoid them." Led Zeppelin's work is the central fact of 1970s rock & roll; in its loving homage to and shameless piracy from the blues, its glorious and wretched excess, its transformation of hippie and folk-rock graces into a foundation-shaking kaboom, and its offhanded myth-making, the band turned everything caught in its wake into a reaction to it--or against it. The three non-album tracks the box includes are grace notes rather than lost jewels, but the point of the set is to be a Rosetta stone of album rock, the stairway to a gaudy paradise that they constructed. --Douglas Wolk ... Read more Features Reviews (130)
Asin: B000002IWP |
$116.99 |
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The Last Waltz Average Customer Review: Audio CD (23 April, 2002) list price: $59.98 -- our price: $53.99 (price subject to change: see help) US | Canada | United Kingdom | Germany | France Editorial Review Even taking into account inflation, it's ironic in this era of $250 concert tickets that critics harped when the Band charged $25 for their legendary November 1976 farewell show at San Francisco's Winterland. That price not only included Thanksgiving dinner, but also numerous guest superstars who'd influenced, worked with, and/or shared the Canadian roots of Robbie Robertson and crew. What transpired was a grand celebration of North American musical forms. There are numerous definitive performances here--from Van Morrison's goose-bump-inducing "Caravan" and solo rendition of the beautiful Irish standard "Tura Lura Lural" (Celtic music inspired those Appalachians in the first place) to Bob Dylan and "the Hawks" delivering a pop-metallic "Baby, Let Me Follow You Down," first captured on the Royal Albert Hall Concert tapes. But because this new fleshed-out version--produced and compiled by Robertson--includes surprises (late blues legend Muddy Waters's endearing take on Louis Jordan's "Caledonia"; current blues legend Dylan's "Hazel"), treasures ("This Wheels on Fire," Neil Young's "Four Strong Winds"), and two jam sessions that just don't add much, the new box set simply matches and enhances--but doesn't top--the original three-LP version of this wonderful slice of rock & roll history. --Bill Holdship ... Read more Features Reviews (32)
Asin: B000063DS1 |
$53.99 |
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The Golden Road (1965 - 1973) Average Customer Review: Audio CD (16 October, 2001) list price: $149.98 -- our price: $134.99 (price subject to change: see help) US | Canada | United Kingdom | Germany | France Editorial Review Considering the amount of posthumous product released since Jerry Garcia and the Grateful Dead's demise in 1995, perhaps a better name for the band would be the Living Dead. However, there is no denying the fact that the Dead's music--at various times thrilling, adventurous, simple, futuristic, old-fashioned, ethereal, abominable, ridiculous, and sublime--bears this kind of deep exploration. Rhino's 12-disc bonanza is the definitive look at the Dead's formative years, a fantastically creative nine-year period for Warner Bros. In 1965, they were a bunch of ex-folk and bluegrass musicians who were looking to jump on the rock bandwagon driven by the Beatles. The ensuing decade found them travel a sort of circular path that began with revved-up renditions of their folk and blues favorites. Then they maneuvered through intense, far-reaching, mind-blowing psychedelic experiments, settled into timeless stripped-down Americana, and ended atop a mountain where folk, blues, country, jazz, and psychedelic rock lived in near-perfect harmony. All of the band's nine official Warner releases (five studio discs, four live) have been superbly remastered and buffed with extra tracks that include unheard studio jams and outtakes, plus contemporaneous live cuts. There's also two discs' worth (one studio, one live) of rare early material that predates their Warner Bros. debut. Each "album" comes in its own package with its own notes, while the box itself offers a 75-page booklet filled with thoughtful essays, personal reflections, and great photos. Clearly, Rhino has thrown down the gauntlet to Deadheads everywhere: they know you have most of this stuff in a variety of forms, but with the bounty of bonus tracks, the superior sound, and the wonderful packaging it's as if they're issuing a challenge not to buy this exquisite collection. --Marc Greilsamer ... Read more Features Reviews (27)
Asin: B00005OWEZ |
$134.99 |
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Hitsville Usa 1 Average Customer Review: Audio CD (03 November, 1992) list price: $51.98 -- our price: $46.99 (price subject to change: see help) US | Canada | United Kingdom | Germany | France Editorial Review Motown did so many things well in the '60s and early '70s that this overview of the label's smashes (and some lesser-known classics) practically demands four CDs. It gets them, too, filling them with single mixes of more than 100 tracks. That the running order begins with Barrett Strong's statement of purpose "Money (That's What I Want)" and ends with Marvin Gaye's statement of concern "Mercy Mercy Me (The Ecology)" says a lot about how far the company moved in its golden decade--but no more so than what the same two cuts' differences in sound get across. The company was able to blend the smooth and the harsh in ways that few other pop entities have ever mastered, thereby getting over not only to the feet and the wallet, but to the heart. --Rickey Wright ... Read more Reviews (40)
Asin: B000006NUW |
$46.99 |
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Hitsville USA: The Motown Singles Collection 1972-1992 Average Customer Review: Audio CD (27 June, 2000) list price: $51.98 -- our price: $51.98 (price subject to change: see help) US | Canada | United Kingdom | Germany | France Features Reviews (6)
Disc one covers 1972 - 1975 and includes The Four Tops' dramatic "A Simple Game" (written and produced by members of the Moody Blues).A huge hit in England, it undeservedly stiffed here, and wasn't available on disc until this set (it is now also available domestically on the Four Tops box set FOUREVER).There's also the irresistible Valerie Simpson solo gem "Silly, Wasn't I" and the nostalgic "Shoe Shoe Shine" by the flamboyant Dynamic Superiors (try finding any of the Superiors' recordings on disc elsewhere!)Another rarity is G.C. Cameron's "It's So Hard To Say Goodbye To Yesterday" - a far superior recording to the Boyz II Men hit remake. Disc two captures recordings from 1976 - 1979.High Inergy's only real hit, the classy "You Can't Turn Me Off," clearly shows that these gals were underappreciated and underutilized.Sassy Bonnie Pointer - represented here by her only top ten hit "Heaven Must Have Sent You" - and fiery Thelma Houston - with her Grammy winning "Don't Leave Me This Way" - also deserved more success.The disc belongs to Smokey Robinson, though, with his lush hits "Quiet Storm," "Crusin'," and "Being With You." Disc three tackles 1980 through 1985.Lionel Richie and Rick James' prominence at Motown at the time is apparent with their hefty appearances as artists and producers on this disc.My favorites include a latterday Motown effort by Michael Jackson ("One Day In Your Life" - perhaps the most touching recording he ever made), and the only real solo hit for former Temptations' lead singer Dennis Edwards' (the reggae tinged "Don't Look Any Further").There's lots of fun dance stuff here too: Dazz Band's "Let It Whip," DeBarge's "Rhythm Of The Night," and Miss Ross' "Upside Down." Disc Four, spanning 1985 - 1992, shows Motown in transition.Stevie Wonder, The Temptations, and Smokey Robinson (the last of the artists from the Glory days) lead off the disc with some strong efforts, but by track eight the baton has been passed to youngsters like Johnny Gill and Boyz II Men.With a completely different sound and approach (and demographic) on the latter tracks, the set should have probably ended in 1987 with the Smokey hits (also leaving off the noisy Stacy Lattishaw piece of poop "Nail It To The Wall"). Motown is now just a name.Berry Gordy sold the label long ago, which conglomerate Universal Music now oversees.Since they and the other number crunchers who run the music industry today will never allow such joyous music to be created ever again, it is important to appreciate the magic found here. ... Read more Asin: B00004U04R |
$51.98 |
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Coat of Many Cupboards Average Customer Review: Audio CD (02 April, 2002) list price: $59.98 -- our price: $59.98 (price subject to change: see help) US | Canada | United Kingdom | Germany | France Editorial Review Coat of Many Cupboards finishes the job that the 1990 collection Rag 'N' Bone Buffet started, unearthing a deluge of outtakes, demos, home recordings, acoustic versions, and rare live tracks from XTC's long, adventurous existence. Buffet and the band's other singles collections and box sets only scratched the surface of what's out there; any serious XTC collector knows about the mountains of material that have been recorded throughout the band's 26-year existence, living in third-generation tapes passed around from fan to fan. The four-disc Cupboards tracks an awful lot of it down, cleans it up, and puts it all together, showing off the overwhelming creativity and songcraft that XTC's Andy Partridge and Colin Moulding have displayed over the decades. In all, 41 of the 60 tracks here have never before been released, with lo-fi versions of favorites like "Dear God" turning this into an interesting journey for casual fans and a dream collection for die-hard fanatics. Precious and rare live material pops up early on the first disc in the form of "Spinning Top" and "Traffic Light Rock," documenting a jagged, brash sound that seems a far cry from the meticulous approach and intricate layers of later records like 1989's Oranges and Lemons. The first two discs track that evolution in detail, exploring the band's early Clash-like pop-punk and the skewed social commentary of records like 1980's Black Sea, while offering up intriguing nuggets like a demo version of "Senses Working Overtime" from the amazing English Settlement. The last two discs comprise XTC's later incarnation as a studio band after Partridge's mid-'80s mental breakdown and subsequent retirement from the stage. Moving through the revolutionary Skylarking, including a stunning demo of "Grass," the music slowly morphs into the densely produced, late-Beatles sound of Oranges and 1992's Nonsuch. The set also includes a 60-page booklet as well as track-by-track commentary from Partridge and Moulding, making this a must-have for collectors even if they have somehow tracked down all this stuff themselves. One final note: the band does leave off material from Apple Venus Pt. 1 and Wasp Star (Apple Venus Pt. 2), but only because it's already been well-documented with the outtake records Homespun and Homegrown. --Matthew Cooke ... Read more Features Reviews (13)
Coat of Many Cupboards is essentially a closet-cleaning exercise; a 4-disc set comprised mostly of live, rare, and unreleased tracks, scattered (seemingly at random) with a handful of album tracks. ItÕs an embarrassment of riches even for the casual XTC fan. The first two discs, which cover White Music through Black Sea, are absolutely stellar. The incredible live cuts reveal the live XTC to have been wound incredibly tight, a juggernaut of jerky adrenaline and velocity. The other standouts are variant versions of several tracks from Drums and Wires, nearly all of which eclipse the album versions. Discs 3 and 4, which cover the remainder of the Virgin years, are a bit spottier. Home demos take the place of the live cuts, and these sometimes shaky efforts will be of more interest to established fans than to newcomers or more casual listeners. That said, thereÕs plenty of great material here too, including a wonderful live version of Yacht Dance and several outtakes from Sklarking. The only real disappointment here is that the Dukes of Stratosphear (XTCÕs tongue-in-cheek psychedelic alter-ego) are represented only by a pair of previously released album tracks; it would have been nice to delve a little deeper into the vaults of the Dukes. To top it all off, the entire set is beautifully and cleverly packaged. The booklet contains a long essay that focuses, lovingly and in some detail, squarely on the music. Partridge and Moulding also add extensive track-by-track commentary. Highly recommended.
Many of the songs which appear here are in some alternate form.Some were re-recorded with other producers to get more "commercial" versions of songs that could be singles.Sometimes the version here beats what was previously available - the "Ball and Chain" and "Punch and Judy" A and B-side here, for example. There are too many home demos here of songs that were done better in the studio.This could easily be reduced to a 2 or 3 CD package.But, much good music is on here.XTC deserve an "Anthology" styled treatment like this, in my opinion.They are one of the truly great bands we've been blessed with.Buy this, buy "Rag and Bone Buffet" which is another collection of unused scraps, buy the "Fuzzy warbles" discs of even more demos and unused material on Andy Partridge's APE label. ... Read more Asin: B00005V94X |
$59.98 |
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Heart and Soul Average Customer Review: Audio CD (28 August, 2001) list price: $64.98 -- our price: $58.49 (price subject to change: see help) US | Canada | United Kingdom | Germany | France Editorial Review Though Joy Division's anxious, angular songs echoed time-honored art-school obsessions from the Doors through Eno, they never stooped to cheap nostalgia or pretentious condescension. Neither bridge nor battering ram, the band's music--haunting and hypnotic, with an emotionally naked core as bleak as it was compelling--has transcended disposable pop culture past and present; leader-vocalist Ian Curtis's 1980 suicide only underscored the notion that Joy Division was a band out of time, figuratively as well as literally. In just over two years, the Manchester, U.K., group constructed a legacy whose influences have surfaced with the surviving members' New Order through macabre, psychically-damaged Curtis/Cobain parallels to the sonic atmospherics of Radiohead. And if their recorded output was limited, it has long been ill served by the record industry's worst Cuisinart instincts. Thus, this artfully designed four-disc, 81-track box should reign as the band's definitive recorded history. Journalist Jon Savage collaborated with band members Bernard Sumner and Peter Hook to assemble Joy Division's legacy into four subtly different chapters. Discs one and two center around the band's albums, Unknown Pleasures and Closer respectively, culling singles, demos, and outtakes. Disc three gathers BBC and Peel sessions and more than a dozen previously unreleased outtakes. The final chapter may be the most artistically revealing: 17 live tracks that represent not only the best of the band's darkly compelling songs, but show their riveting stage presence during a performance peak that spanned but seven months. The accompanying booklet presents an almost Rashomon-like take on the band, from its spare, impressionistic imagery through its multiple essays and, crucially, the lyrics of Ian Curtis, starkly presented as the candid, disquieting poetry that was the essence of Joy Division's murmuring heart and troubled soul. --Jerry McCulley ... Read more Features Reviews (67)
Asin: B00005MKHQ |
$58.49 |
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Crystal Days: 1979-1999 Average Customer Review: Audio CD (17 July, 2001) list price: $59.98 -- our price: $59.98 (price subject to change: see help) US | Canada | United Kingdom | Germany | France Editorial Review Though a much-ballyhooed phenomenon that influenced modern bands as diverse as Pavement, Hole, and Flaming Lips, Liverpool's Echo & the Bunnymen tellingly had their biggest American successes ("Lips Like Sugar" and a cover of the Doors' "People Are Strange") just as they were beginning to come apart at the seams. With frontman Ian McCulloch wailing his impressionistic/expressionistic lyrics (occasionally so obtuse it was hard to tell which adjective applied) over Will Sergeant's fevered, jaggedly hypnotic guitar lines like a shamanic voice in the wilderness, the Bunnymen didn't so much push rock's boundaries as redraw them entirely to their own grand specifications. Compiled with a fan's zeal and the frank circumspection of hindsight, this richly annotated (including running track-by-track commentary by McCulloch and Sergeant) four-disc set documents the Bunnymen from their awkwardly determined '79 tracks and singles through highlights from their '80s albums and a gratifying late '90s comeback. Sprinkled generously throughout are singles, B-sides, Peel Session outtakes, and live tracks that add insightful details to their compelling, if decidedly star-crossed tale. Disc four will be especially welcomed by the faithful, containing mostly live tracks from '83 to '87 and an unlikely, eclectic array of covers ranging from Dylan's "It's All Over Now" and the Stones' "Paint It Black" through the Doors, Lou Reed, and Television that suggest these were impossibly ambitious musicians who made their mark first and discovered their roots later. --Jerry McCulley ... Read more Features Reviews (22)
As for the box set - it is for the new and relatively unaware fan. Echo people have already picked up most of this material already. My main complaint - why wasn't the full "Shine So Hard" 4-song live 12-inch single from 1981 included? I have searched in vain for this brilliant recording (on CD)for years. Early MTV viewers may remember videos from "Shine So Hard" that were in the regular rotation for a while (1981-82) - it was during Echo's military garb phase. This is the definitive "live" Echo release, and it is nowhere to be found. Great versions of "Over The Wall" and "All That Jazz" are the best I have ever heard. All of which should have made "Shine So Hard" a perfect candidate for inclusion in the box set.
As for the collection itself, it's damn near perfect. Some of the normal versions of the tracks are missing, but that is easily remedied by buying the original albums themselves. Alternate versions of already legendary songs add to the mythology that is the Bunnymen. After all, this is over 4 hours of Echo-y goodness. Couple this with an awesome, in depth booklet about the group and you've got yourself a winner. And hey, they did! Ian (guitar/vocals) and Will(lead guitar) give commentary for tracks and suchlike. It makes for an interesting read. The only fault I can find with this set? The packaging. And this is minor griping. First, I don't like the CD cases... they're the kind that hold the discs too snug and make it feel like you might bust it if you try to free the CD too hard. Second, the aforementioned booklet is bound to the case and, at least with mine, the glue looks like it'll be ready to drop the book after a few readings. Ah well, one buys this for the music. As a child of the 80's (and hey,"Ocean Rain" came out the year I was born) I urge you to buy this if you've ever heard "Killing Moon". You won't regret it. While you're at it, try the Echo-inspired Coldplay. ... Read more Asin: B00005LMXO |
$59.98 |
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The Columbia Studio Recordings 1964-1970 Average Customer Review: Audio CD (21 August, 2001) list price: $47.98 -- our price: $42.99 (price subject to change: see help) US | Canada | United Kingdom | Germany | France Editorial Review Though the American folk movement of the early '60s wouldinfluence bands like the Byrds and Buffalo Springfieldand a score of oh-so-sensitive '70s singer-songwriters, its two mostlooming successes during the decade--Bob Dylan andSimon and Garfunkel--couldn't have seemed more disparate. While Dylanturned hard-left, outraging many a folk purist by zealously embracingrootsy blues-rock and its electrified cacophony, S&G veered toward thecenter, equally infuriating snooty pundits by embracing a Top 40 popsense whose ostensible shallowness often belied its rich musicaldiversity. In retrospect, Simon and Garfunkel's career as a duo wasremarkably brief (five albums in six years), if no less commerciallypotent (a slew of Top 40 singles, two Number One albums, and therequisite handful of Grammy Awards). This box set compiles digitallyremastered versions of the original S&G albums, each expanded toinclude bonus tracks (mostly previously unissued demos with a fewscattered outtakes, the quartet on Sounds of Silence thebest of the lot) and a booklet featuring new notes for each album andsong lyrics. It's a rewarding journey, wending from the almost slavishfolk devotion of Wednesday Morning 3 AMthrough the greeting-card iconoclasm of Sounds of Silence, themadrigal-pop of Parsley, Sage, Rosemary, andThyme to the increasingly impressionistic lyrical landscape ofBookends. Italso covers the rich musical tapestry of Bridge over TroubledWaters, which foreshadowed Simon's own diverse solo career byembracing everything from the Everlys and Jan & Dean toAndean folk and R&B. --Jerry McCulley ... Read more Features Reviews (14)
Asin: B00005NKKU |
$42.99 |
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Message in a Box: The Complete Recordings Average Customer Review: Audio CD (28 September, 1993) list price: $59.98 -- our price: $53.99 (price subject to change: see help) US | Canada | United Kingdom | Germany | France Editorial Review "This is it: Everything the Police released," boasts the notesin the 66-page booklet included with this box set. Obsessive fans have alreadywritten to rock magazines indignantly pointing out the omission of this or thatobscurity. But everyone else will find that these four discs include all thePolice they'd ever want to own. The first two discs include all of Outlandosd'Amour, Reggatta de Blanc, and Zenyatta Mondatta in theiroriginal order, interspersed with live rarities and singles B-sides. Discs 3 and4 are more satisfying, including the band's well-crafted studio high points,Ghost in the Machine and Synchronicity, plus more outtakes andlive tunes. The set ends with "Don't Stand So Close to Me '86," adismal remake of the early favorite. By this point, the musician's egos wererunning rampant and they were barely speaking. If anyone wonders why the groupcalled it quits so abruptly, this tune makes it clear that the split was smartand timely. --Jim DeRogatis ... Read more Features Reviews (78)
Asin: B000002G23 |
$53.99 |
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Kiss Deluxe Limited Edition Average Customer Review: Audio CD (20 November, 2001) list price: $195.98 -- our price: $195.98 (price subject to change: see help) US | Canada | United Kingdom | Germany | France Editorial Review Set aside the makeup, pyrotechnics, and coffin sales, and all that's left of "the hottest band in the world" is the music. Fortunately, in the case of for Kiss, the music is their strongest suit. This five-CD box set blends previously released recordings, demos, and unreleased live material. Rarities come in large part from the band's halcyon makeup period and include unheard songs from an assortment of demos. Among the curios are the Wicked Lester versions of "She" and "Love Her All I Can," replete with horn kicks and hand percussion. No less intriguing is the previously unreleased Destroyer-era, Slade-inspired stomper "Doncha Hesitate" and Paul Stanley's disco-influenced "God of Thunder." Other demos give insight into the band's proclivity for cannibalizing early material for portions of soon-to-be hits. Though most fans recognize the 1970s as Kiss's heyday, the 1980s material such as Creatures of the Night's "War Machine" and Asylum's "Tears Are Falling" holds up surprisingly well. The fifth CD, which consists of 1990s output, falls flat, though some sparks are rekindled with the rewrite of Argent's "God Gave Rock & Roll to You." The box includes a thick, full-color booklet with rare photos and insightful song-by-song commentary from the band. --Kelly Minnis ... Read more Features Reviews (26)
PROS: CONS: OVERALL:
While not thrilled with some of the re-released material, I understand it's purpose.I would have preferred to have the original studio tracks complementing the unreleased material.However, Paul's vocals on what would be Gene's signature song, "God of Thunder" was enough to hook me.Very haunting, and very different.Like "Wizard of Oz" with Buddy Ebsen as the Tin Man or any other "classic" with someone other than the people that made it special (Perry Mason without Raymond Burr), it gets you to thinking what might have been if these unfinished tracks made it to the record.
Asin: B00005R72E |
$195.98 |
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Lynyrd Skynyrd [Box Set] Average Customer Review: Audio CD (12 November, 1991) list price: $51.98 -- our price: $51.98 (price subject to change: see help) US | Canada | United Kingdom | Germany | France Features Reviews (31)
Asin: B000002OHV |
$51.98 |
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Creedence Clearwater Revival Average Customer Review: Audio CD (01 November, 2001) list price: $99.98 -- our price: $89.99 (price subject to change: see help) US | Canada | United Kingdom | Germany | France Editorial Review Popular but not hip, basic but not shallow, rooted but not retro, Creedence Clearwater Revival distinguished themselves in the late 1960s and early 1970s through these contradictions. This six-disc set is the definitive Creedence collection, offering superbly remastered versions of all of their studio and live albums and adding a disc's worth of pre-Creedence material. The ultimate blue-collar rock band, John Fogerty and CCR found success by wholly giving in to their fascination with the American South (despite hailing from Northern California) and exploring the turf that connected R&B and country--the same turf that their heroes at Sun studios tilled at rock's birth. As the songs on the first disc prove, they hadn't always taken this approach though perhaps they should have: The first four songs from 1961 (by Tommy Fogerty and the Blue Velvets), original compositions in the classic '50s rock & roll style they loved, hold up better than subsequent Golliwogs tracks that attempt to replicate the British Invasion sound in vogue at the time. Still, the Golliwogs tracks offer hints of John Fogerty's menacing growl and biting guitar that would fully blossom later on. When diving into CCR's entire body of work, many myths dissipate and a more well-rounded view comes into focus: the quintessential singles band that dominated AM radio was also quite an album band, releasing solid records from top to bottom even though half of the songs were saturating radio long before the LP would hit. Also, they weren't quite as far removed from their Bay Area brethren (who were reared on the same roots music) as is often stated, offering a number of long and loose jams that, while not overtly psychedelic, gave them and their fans a chance to stretch out. Without question, though, CCR were the kings of the three-minute rock single, and it's these now-ubiquitous gems--the consummate AM band now dominates FM radio--that will always define them. --Marc Greilsamer ... Read more Features Reviews (28)
Asin: B00005OM4K |
$89.99 |
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Music of Bill Monroe From 1936-1994 Average Customer Review: Audio CD (19 July, 1994) list price: $49.98 -- our price: $44.99 (price subject to change: see help) US | Canada | United Kingdom | Germany | France Editorial Review It's the rare artist who virtually invents a genre single-handedly, and there's no artist in any genre whose work has remained as dominant a force as Bill Monroe. The songs here not only define bluegrass, they remain the core of any bluegrass band's repertoire. Monroe added a dose of sophistication to traditional hillbilly music--intricate group harmonies, expert musicianship--and he rehearsed his Blue Grass Boys for hours on end. MCA's lavish 4 CD set covers 60 years and 98 songs, adding detailed notes and anecdotes. Beginning with 1936 duets with brother Charlie, the list of Blue Grass Boys reads like a roster of legends: Flatt and Scruggs, Chubby Wise, Mac Wiseman, Jimmy Martin, Vassar Clements,Sonny Osborne,Bobby Hicks, Kenny Baker, Bill Keith,Del McCoury, Peter Rowan, and Richard Greene; the list goes on and on, as does the legacy of Monroe's music. --Marc Greilsamer ... Read more Reviews (5)
Bill's vision regarding his music was absolutely remarkable.It was a new style, unheard of, captivating and invigorating.On track after track his genius is shown.A master mandolin player, a great vocalist for this new style of music and a larger than life figure.He was also tough and unrelenting on what he wanted.Bluegrass music today exists because of his demands and forsight.Almost every major figure of the second generation of bluegrass pickers played in his band at one time or another.We are now in the third generation of pickers and they are still influenced by his mastery. You can not go to a bluegrass concert today and not hear atleast one of his compositions. This box set shows why he is considered the father of bluegrass.The tracks vary from driving instrumentals, to gospel, to thought provoking songs of real life in the mountains.They attest to his unequaled grasp of the feeling that is meant to be presented in music, especially acoustic music.If you are a bluegrass fan, this is something you should already own.If you are not a bluegrass fan, buy this and enjoy and learn where the music came from. A classic box set, one of the best ever, an awesome collection.
Asin: B000002OSF |
$44.99 |
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Kiss - eXposed Average Customer Review: DVD (19 March, 2002) list price: $19.99 -- our price: $17.99 (price subject to change: see help) US | Canada | United Kingdom | Germany | France Editorial Review Ah, the '80s! A time of hair bands and their ludicrous MTV videos filled with spandex-clad band members and skimpily clad bimbos. Kiss: Exposed returns us to that forgettable era, as Paul Stanley and Gene Simmons show how to desperately try to remain cock rock's elder statesmen.This 1987 compilation serves up several now-hilarious video clips from Kiss's '80s "unmasked" period, including "Tears Are Falling," "Heaven's on Fire," "Lick It Up," and "I Love It Loud." (Count the fires burning in these classic video relics of days gone by!) Also on hand are Stanley and Simmons themselves, looking properly embarrassed as they act out rock's biggest fantasy: lounging by the pool with a bevy of (mostly) bare beauties. The saving grace is the generous selection of vintage live performances: hearing the band do "Strutter," "Detroit Rock City," "Ladies Room," and "Deuce" in its late-'70s prime is worth wading through the outdated '80s-style power pop... if you're a real Kiss fan, of course. --Kevin Filipski ... Read more Features Reviews (38)
Asin: B000063JZ7 |
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The Complete Billie Holiday On Verve, 1945-1959 Average Customer Review: Audio CD (09 March, 1993) list price: $169.98 -- our price: $169.98 (price subject to change: see help) US | Canada | United Kingdom | Germany | France Editorial Review That's right: Ten CDs with everything Billie Holiday recorded on VerveRecords between 1945 and her death in 1959--not only the songs, but concertintroductions, some of the rehearsals, and between-take studio chatter, too. All of which makes for a definitive portrait of Lady Day in her final years. For a long time these recordings were disparaged because it was said her voicewas no longer fine and mellow,"ravaged" by hard living, jail time,booze, and drugs.And there's no question that her later tone is darker, morebrittle and unstable than it had been in the '30s--but somehow I find myselflistening to this music more often than those Brunswick/Columbia or Decca sides,anyway.Like Frank Sinatra, who so often paid tribute to her influence,Holiday's artistry was never based on virtuosity; it was about interpretation,bringing out the emotions in a song and giving a personal reading.She neverstopped doing that, and for all the "strange fruit" you'll find inthis collection, it's a gold mine.--Jim Emerson ... Read more Features Reviews (10)
There is talking between virtually every track (on 7 or 8 of the 10 cds)(scores and scores of title and take numbers spoken, and respoken. The producer introducing tracks by title and making endlessly pointless studio remarks. (Of course the same uninteresting remark Of course the (properly recorded) music itself is wonderful but it's impossible to fall into any kind of musical reverie In fact the box set is so utterly unplayable I rebought the music on individual cds so that I can actually listen to it. Finally it's wildly overpriced, around 5/6 of the cd's are only for listening to once (and you might not even manage In reality at least half the box set is actually unreleasable outtakes/rehearsal tapes - boxed up as full price cds. So there are only around 4 cds of real, properly recorded releasable master take music. Oh yeah, and as if all this isn't enough bad news, they've jammed different sessions on to the same cd - so you get a handful of So get any other Billie Holiday box set than this - but get one! Verve should be ashamed of themselves for ruining an incredible archive like this.
She never had Ella's vocal range and flexibility and virtuosity (or her sweetness of sound); she never came close to Sarah's level of musicianship (or her richness of sound). But this set will convince you that Billie was the greatest of the great: to borrow from Virginia Woolf, among major jazz singers, Billie is the hardest to catch at the act of being great. This is an important release. Miss it at your soul's peril. ... Read more Asin: B0000046P3 |
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Queen of Soul: The Atlantic Recordings Average Customer Review: Audio CD (29 September, 1992) list price: $ |