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Rainy Day Music Average Customer Review: Audio CD (08 April, 2003) list price: $18.98 -- our price: $13.49 (price subject to change: see help) US | Canada | United Kingdom | Germany | France Editorial Review Somewhere inside Rainy Day Music beats the heart of a very fine folk-rock record. All chiming guitars and flawless falsetto, "Stumbling Through the Dark" captures the classic Jayhawks sound, and mid-tempo rockers "Tailspin" and "Eyes of SarahJane" recall older favorites like "I'd Run Away." "All the Right Reasons" floats on heavenly harmonies and "Save It for a Rainy Day" succeeds with nifty vocal interplay and a bright melodic hook. Yet, even with its share of jangle-pop gems, the disc also offers a few bland strummers that never quite take off. "One Man's Problem" boasts a catchy chorus but a dragging verse, and when chief songwriter Gary Louris hands the reins to drummer Tim O'Reagan or bassist Marc Perlman, the results suffer. The tasty pop treat "Angelyne" and an album-closing acoustic reprise of the opening track help redeem the disc's latter half, but in the end they only hint at how strong an album this might have been. --Anders Smith Lindall ... Read more Reviews (46)
Take a little Crosby, Stills, Nash & Young, throw in some Roy Orbison, a dash of Gram Parsons, pinch of early Eagles; mix it all around and then forget all that nonsense, cause these fellows have their own jam goin' on. Rainy Day Music stands on it's on ear, with it's own unique sound. If you're into Americana, or for that matter, exceptional music of any kind, then run, do not walk to your nearest outlet and buy this CD, you won't be sorry. You're welcome in advance. And for more fantastic Americana/Country/Alt, etc. try out Tift Merritt - Bramble Rose; Mary Gauthier- Filth and Fire; Toni Price - Born to Be Blue. ... Read more Asin: B00008NRLX |
$13.49 |
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The Thorns Average Customer Review: Audio CD (20 May, 2003) list price: $12.98 -- our price: $12.98 (price subject to change: see help) US | Canada | United Kingdom | Germany | France Editorial Review If ever a group's moniker were wrapped in florid irony, surely it's this bright, buoyant summit meeting of contemporary popmeisters Matthew Sweet, Shawn Mullins, and Pete Droge. Backed by an all-star studio ensemble that includes Jim Keltner, Greg Leisz, Brendan O'Brien, and Roy Bittan, the three nominally insulated musicians don't so much claim the legacy of Crosby, Stills & Nash on the harmonic riches of "Think it Over" and glorious "Now I Know" as find a musical common ground that can't help but echo history in its folk-rooted vocal glories (although it's hard to imagine the baby-boom icons wrapping themselves around the chunky funk of the title track here or the pointed impressionistic allegory of "Dragonfly.") Yet The Thorns forges an ego-sublimating higher ground that's anything but nostalgic. Fans of the three musicians may recognize their various sensibilities at work throughout, but it's a rewarding collaboration that virtually defies deconstruction. Don't be misled by the name--this is a beautiful, musically fragrant bouquet. --Jerry McCulley ... Read more Features Reviews (98)
All mid-tempo, laid-back, guitar-strumming ear candy with a slight shade of Traveling Wilburys (especially the opening track "Runaway Feeling"). Harmonies on "Such A Shame" recall The Beatles' "Because." Personally, the surprise gem of the bunch is the cover of The Jayhawks' "Blue," a song that always gave me goosebumps and The Thorns' version continues to do so. In sum, if you love and collect strumming guitar pop-rock containing three-part male harmonies, you would be remiss to not add this to your collection while it's at an introductory price. As a postscript, I should say I'm approaching this as a Matthew Sweet fanatic, and would like to point to his other solo works and underappreciated contributions to Lloyd Cole's late 1980's solo albums. No doubt this Thorns CD will lead others to the respective solo works of Pete Droge and Shawn Mullins, which, looking at it all cynically, is kind of the point here.
Asin: B000094VMS |
$12.98 |
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Nazarene Crying Towel Average Customer Review: Audio CD (25 March, 2003) list price: $14.99 -- our price: $14.99 (price subject to change: see help) US | Canada | United Kingdom | Germany | France Reviews (2)
When I listen to this CD however, I feel as if there is hope for modern music. There is musical redemption in this CD...songs written from the depths of man's heart, undefiled by the cold editing of machines. I haven't heard many CD's as truly musical as this one. This CD captivates me, because the song writing is so "transparent". By transparent, I mean that as you listen to the songs, you can see and hear past the music, and right into the hearts of those who wrote it. The human heart is layed out on a table on this CD. There are no alabis. There is no masking one's self. There is no hiding from truth. Buy this CD.
Asin: B00008L3JI |
$14.99 |
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26 Miles Average Customer Review: Audio CD (08 April, 2003) list price: $16.98 -- our price: $16.98 (price subject to change: see help) US | Canada | United Kingdom | Germany | France Editorial Review On his second solo release, Sean Watkins tones down the flatpicking guitar fireworks to focus on the kind of acoustic-based pop song craft that his band, Nickel Creek, has explored so successfully since its self-titled 2000 release. On 26 Miles, Watkinss songs recall the British-flavored folk-rock of Becks Mutations and, especially, the softly soaring melodies of alt-rock troubadour Elliott Smith. As a lyricist, Watkins has a long way to go to match these songsmiths, but he proves himself to be a graceful and inventive composer, and his smooth voice is well matched with the material. Balancing the vocal tracks are three fine instrumentals, notably "Chutes and Ladders," on which Watsons guitar and Trip Spragues saxophone chase down a quicksilver bebop melody. Overall, the production style is poppier than what weve heard from Nickel Creek to date, with drums (live and programmed), keyboards, and a smattering of electric guitar alongside the acoustic instruments. --Jeffrey Pepper Rodgers ... Read more Reviews (25)
Although I could write entire dissertations on the potentially perfect tunes crafted by Watkins, space limits such an opportunity. Thus, I'll instead highlight a few tracks: In his 26 years, Sean Watkins has certainly proved he knows what it takes to create a good song. "26 Miles" offers no disappointment; each song is carefully crafted, each word in perfect place, and each feeling convincingly expressed. I confess that I am a sucker for great music, but Watkins' work is beyond great, it is truly phenomenal. His seemingly simple approach and his honest expression of himself in his work lead to the masterpiece that is "26 Miles." Enjoy the ride.
There are so many highlights on this album, with something for just about any music lover. Jazz, folk, rock & pop influences combine expertly in Sean's capable hands. Every track speaks out, beckoning you to take it all in. Songs like "Chicago", "Letters Never Sent" and "Through The Spring" beg to be listened to again and again ... each time delivering a different nuance you might have missed on the previous listen. There's edgier songs too, "Brick Window" and "On Ice" grab your attention from the first note and leave you breathless throughout. And then there's the instrumentals that Sean is famous for. Each of the three instrumentals on the album have a very different vibe, but they all shimmer. It's amazing what this man has managed to accomplish so far in his life. He's a world class musician at 26. What's even more exciting is that he's going to keep learning and growing for many years to come. As incredible as he is now, I can't wait to hear where that journey will take him.
Asin: B00008L3V4 |
$16.98 |
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The Beautiful Letdown Average Customer Review: Audio CD (25 February, 2003) list price: $13.98 US | Canada | United Kingdom | Germany | France Editorial Review Contemporary Christian music has come a long way toward secular acceptance in recent years thanks to the likes of Switchfoot, who avoid obvious sacred references in their lyrics. It's also refreshing to hear CCM songwriters like Switchfoot's Jonathan Foreman explore love and belonging as song subjects. Unfortunately, The Beautiful Letdown hews too closely to the formula established by alternative CCM brethren Jars of Clay and Creed. Songs like the title track and "More Than Fine" come close to forging their own identity, but too often sound overproduced and designed to appeal to the widest audience. Still, Foreman's songwriting shows potential, and his progressive vision for spiritual themes indicates a willingness to color outside the lines. --Matthew Cooke ... Read more Reviews (326)
One last thing is that while the members of Switchfoot are Christian, to consider them part of the mainstream CCM industry isn't quite right. This is a band that's just as comfortable playing in a bar, as they would be in a church, which is a testament to the fact that they're likely one of the most accessible bands on tour today. If you can catch a live show, make sure you do it, because amazingly, they're even better live.
Asin: B000089IYW |
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Here in America (Bonus DVD) Average Customer Review: Audio CD (06 May, 2003) list price: $18.98 -- our price: $18.98 (price subject to change: see help) US | Canada | United Kingdom | Germany | France Reviews (9)
The highlights come not in the wonderful songs, though. Let's face it, all of the "live" songs on the CD itself were recorded on cassette tape and are of no better sound quality (actually sometimes worse) than the tape demos on the Jesus Record, though the handful of song demos on this CD are of good quality. No, the highlights come in-between the songs on the CD and DVD, when Rich Mullins shows us his heart and his uncanny, if simple, wisdom. From his sometimes quirky, sometimes heart-rending, and always thought-provoking anecdotes to his blunt, straight-to-the-punch one-liners and mini-sermons, this set shows us just what kind of prophet God sent us in the unlikely form of an unglamorized 80s-90s Christian pop icon. Of course, Rich was much different than the others in his genre. He made no secret of his many faults. He prefered to live on a very meager budget and help those in need than to make the possible millions he could have made off of his every hit record and over twenty chart-topping singles. He was not afraid, either, as this rare audio and video footage clearly shows, to express his opinion of any issue, sensitive or not, which he felt strongly about concerning God or the Church. Rich Mullins was a great songwriter, and a person of unlikely wisdom and courage in a day and age where the truth of God is being constantly watered down by a much astray Church. Rich has inspired a legacy, though, and the spiritual seeds God planted through him now have made their way into the churches and into even the Christian music mainstream. If you want to see and hear a bit from the heart of Rich Mullins, I encourage you to get this CD and DVD set. You will be enlightened, inspired, maybe a little ruffled, but you will certainly not be disappointed.
Asin: B000092Q55 |
$18.98 |
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The Sound of the Jam Average Customer Review: Audio CD (25 February, 2003) list price: $18.98 -- our price: $14.99 (price subject to change: see help) US | Canada | United Kingdom | Germany | France Editorial Review Unless you choose to invest in the five-disc Direction Reaction Creation box set, this 25th anniversary collection is the best Jam available. The 20-track retrospective heads chronologically from the debut "In the City" single to the farewell one-off "Beat Surrender" by way of the most notable chart hits and a sprinkling of classic album tracks. Although fans may quibble with the exclusion of peak-period singles "All Around the World," "Strange Town," and "When You're Young" (as well as the presence of the misanthropic "Mr Clean"), what strikes anew is the taut energy of the trio's playing, the bitter bile of Paul Weller's lyrics, and the sophisticated, hook-packed update of Britbeat from one so young (Weller was still only 24 in 1982 when he broke up the biggest band in Britain). --Garry Mulholland ... Read more Reviews (4)
The selections are roughly 50/50 split between singles and album tracks, which means that a lot of singles are missing - although only the lush ballad The Bitterest Pill and the obscenely catchy When You're Young are really missed. Album tracks such as the poignant English Rose and the powerful Liza Radley are certainly among tehir finest tracks. Their artisitc progression is quite easy to chart from the tracks here. With a love of 60s pop, they somewhat tagged onto the punk vibe in tehir early days, before coming into real form with the amazing, edgy Down In the Tube Station At Midnight, which builds into a truly stunning climax as its sad tale reaches its conclusion. The Eton Rifles then burst them into the UK Top 10, with it's hilarious lyrics on the class struggle - "all that rugby puts hairs on your chest, what chance have you got agaisnt a tie and a crest?" - before they increasingly took influences form black American music. Start! is especially inventive, and seems to be several songs in one. The acoustic social commentary of That's Entertainment is perhaps their greatest track - no wonder its one of the few that still features in Paul Weller's solo set. Having been heard in the film Billy Elliott, and covered by Britpoppers Gene, A Town Called Malice is their best known / least unknown song. With a very Motowny baseline it's representative of their later material, and extremely hummable, while lyrically still down to earth and quite English. The band were soon finsihed, as the artisitc differences become too much - bassist Bruce Foxton formed punk band Stiff Little Fingers, while Weller fronted the soulful, romantic Style Council (both great bands as well). Their legacy is impressive, and too easy to overlook.
Now with "The Sound of the Jam" one can get an idea of what American listeners missed out on the late 70's and early 80's. This is a complilation of some of the best songs from the Jam's six studio albums and greatest singles. The CD lists the tracks in chronological order from the raw punkish sound of the band's early days to the soulish/Motown derived sound of its later effots including their most famous song- "A Town Called Malice," which was featured prominently in the movie "Billy Elliot." This is really a terrific compilation for anyone curious about this band. As mentioned above the Jam's sound evolved greatly over time and this album allows a listener to follow that progression without the expense of buying every studio album. However, this CD is a teaser because once you start listening to the Jam chances are you're going to want to hear more.
Asin: B00008BNTH |
$14.99 |
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History Makers: Collection Average Customer Review: Audio CD (22 April, 2003) list price: $11.98 -- our price: $11.98 (price subject to change: see help) US | Canada | United Kingdom | Germany | France Reviews (1)
Asin: B00008XRWG |
$11.98 |
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Gods & Generals Average Customer Review: Audio CD (04 February, 2003) list price: $18.98 -- our price: $14.99 (price subject to change: see help) US | Canada | United Kingdom | Germany | France Editorial Review This prequel to director Ronald Maxwell's 1993 epic Gettysburg is no less sweeping in its scope, covering the early years of the American Civil War from Manassas to Fredericksburg. But while its musical score (a collaboration between vets John Frizzell and Randy Edelman) offers up a comparable range of music styles, it's a soundtrack that crucially revolves around emotional concerns of a more intimate, human scale. Its folk-rooted historical connections are given voice by Mary Fahl's Celtic-tinged "Going Home" and Bob Dylan's brooding "Cross the Green Mountain," while a sweeping, yet infinitely melancholy orchestral main title suggests the true, tragic costs of the conflict. Spare, haunting tracks like "Loved I Not Honor More," "My Home Is Virginia," and "The Soldiers Return" predominate to an unusual degree in a war epic, pastoral suggestions of tranquility defiled. Conversely, the battle cue "VMI Will Be Heard from Today" seems to pulse with a dark, medieval energy that's anything but heroic. --Jerry McCulley ... Read more Features Reviews (51)
You will be pleased to know that Edelman, as a composer, is continuing to evolve. There was a time when scores like Gettysburg and Last of the Mohicans shared nearly identical elements. Gods and Generals does no such harm. You will also enjoy - and I'm positive on this one - the Irish sound to a few of the tracks. Additional note of praise: 'VMI Will Be Heard From Today' is riveting and powerful, full of melodic brutality and force, a perfect war film track. Gods and Generals is full of solid music but it's a far cry from what I expected. You may fall deeply in love with this score, but as the eccentric owner of nearly sixty musical scores, this one comes nowhere close to the top ten. Still, if you have interest in Edelman's newest material, give Gods and Generals a shot.
Much to my surprise, Bob Dylan's song is both fitting and well-done, and I was never a Dylan fan. The etherial quality of Mary Fahl's performance in "Going Home" simply has to be heard. The music videos are a wonderful bonus. Overall, though, the orchestral pieces portray the sadness of a nation tearing itself apart, and it's powerful in a way far exceeding the typical epic style music. Mark O'Conner is one of the best fiddle players in America; here, as in The Patriot, he is key to the music's overall beauty. This one's a keeper.
'Gods and Generals' makes even the most manipulative James Horner score seem almost tasteful in comparison. ... Read more Asin: B00007MB7Q |
$14.99 |
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Welcome Interstate Managers Average Customer Review: Audio CD (10 June, 2003) list price: $17.98 -- our price: $13.99 (price subject to change: see help) US | Canada | United Kingdom | Germany | France Editorial Review After a four-year hiatus notable for some film and television soundtrack work, a lapsed contract, and a relaxed songwriting schedule Fountains of Wayne return with their third and best CD to date. The New York-based power-pop quartet delivers a diverse feast of infectious melodies and endlessly clever lyrics. Songwriters Adam Schlesinger and Chris Collingwood still slide on a sweet scale between the Beatles and the Monkees, but they've branched out from '60s sounds to include bona fide alt rock ("Little Red Light," "Bought for a Song"), orchestrated pop ("Halley's Waitress"), a country lark worthy of Dwight Yoakam ("Hung Up On You"), and hints of psychedelia ("Supercollider"). The Cars-flavored "Bright Future in Sales" and "Stacy's Mom" warrant heavy-rotation airplay. Following their acclaimed eponymous debut and the vastly underrated Utopia Parkway, Welcome Interstate Managers leaves no doubt that Fountains of Wayne are gaining strength. --Jeff Shannon ... Read more Reviews (196)
Well, they're back with Welcome Interstate Managers, and it is good. The first three tracks would be the best 1-2-3 punch of any album this year if the White Stripes didn't exist. That the subject matter includes cell phone explosions, a booze-addled salesman and lust for someone's mom both proves their genius and shows a tin ear for commercial prospects. Thank God. A lesser band would have taken the Cars-y riff on "Bright Future in Sales" and attached it to a song about a girl who needs love in the worst way, a way that only the lead singer can provide. I'm not saying we don't need those songs, but we do need to right the balance between boy/girl songs and soul-deadening career options songs. I think we're at one trillion to seven right now. After you've played this troika over and over and get to the rest of the album, you'll notice that they show equal facility with the down tempo numbers as well. "All Kinds of Time," "Hackensack" and "Fire Island" have a wistfulness that Paul Simon used to conjure, and you will hum them for days. Please, buy this record. Your summer depends on it.
1.Mexican Wine- Even though bad things happen, the sun still shines and everything will be alright. This seems to be a better version of Radiation Vibe, which is off their first album. It's a true power pop song that makes you want to sing along. 5/5 This album seemed to drag at first. I don't think it does anymore. I have taking a liking to all of the songs and found they are all incredible and this is an album for a true music lover. ... Read more Asin: B00009QGF2 |
$13.99 |
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Kimi Ga Suki Average Customer Review: Audio CD (26 March, 2003) list price: $47.99 -- our price: $47.99 (price subject to change: see help) US | Canada | United Kingdom | Germany | France Features Reviews (22)
Kimi Ga Suki Raifu ranks after Altered Beast and 100% Fun but before Girlfriend and the others. Maybe not worth 45 bucks (what CD is?) but excellent nonetheless. [DW]
Asin: B000087ER9 |
$47.99 |
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