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Enema Of The State Average Customer Review: Audio CD (01 June, 1999) list price: $13.98 -- our price: $12.99 (price subject to change: see help) US | Canada | United Kingdom | Germany | France Editorial Review On their 1997 release, Dude Ranch, juvenile hardcore-pop band Blink 182 tickled the funny bone with an assortment of dumb sex jokes, off-color artwork, and between-song skits, including one of a dog drinking from a freshly peed in toilet. So, two years down the road, have the band matured at all? One look at the cover of Enema of the State, which features cover art of a tarted-up blonde nurse donning a rubber glove, provides the easy answer. Fortunately, Enema supports the humor with strong musicianship. The songs are more dynamic and multitempoed than those on Dude Ranch, sounding like a cross between the Descendents and Fountains of Wayne. And unlike the glut of alt-rock releases that offer one or two memorable songs, Enema is flush with instantly memorable melodies and ear-pleasing harmonies. Good, dirty fun--no more, no less. --Jon Wiederhorn ... Read more Features Reviews (1181)
Asin: B00000IPAX |
$12.99 |
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Warning Average Customer Review: Audio CD (03 October, 2000) list price: $13.98 -- our price: $9.99 (price subject to change: see help) US | Canada | United Kingdom | Germany | France Editorial Review After two years off following the release of the genre-expanding Nimrod, the usually insouciant trio Green Day are open to some weighty self-analysis. Gone are the raging rants, cartoonish antics, and anthropological musings about the punk scene, replaced by an introspection that brings to mind Michael Stipe and Bono. Like the U2 frontman, Billie Joe Armstrong still hasn't found what he's looking for, but he knows where he's been and is eager to move past the days when Green Day were considered the clown princes of rock. Witness "Jackass," which cautions, "Everybody loves a joke, but no one likes a fool." Proving that they aren't fools, Green Day take a substantial step forward, exploring new rhythms, sonics, and subjects. While many of the tracks are still cheeky and infectious, the deceptively simple melodies belie a quest for meaning, faith, and fulfillment. There's a tentative optimism here that's tempered by irony and flashes of self-loathing. Still, Warning transcends the darkness that clouded 1995's Insomniac. No longer so under the sway of the Buzzcocks and the Ramones, this time Armstrong and company dip into the early rock canon--the Beatles and Bob Dylan, among them. As a result, their first self-produced album is more "Nowhere Man" than "Blitzkrieg Bop." --Jaan Uhelszki ... Read more Reviews (457)
Asin: B00004XQP4 |
$9.99 |
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Nimrod Average Customer Review: Audio CD (14 October, 1997) list price: $11.98 -- our price: $8.99 (price subject to change: see help) US | Canada | United Kingdom | Germany | France Editorial Review Nimrod came along two years after 1995's Insomniac and was the first indication of Green Day's willingness to stretch the boundaries of punk rock. The fullness of the record is first hinted at on "Hitchin' a Ride," which starts out chug-a-lugging and then breaks into a raging rocker."Redundant" is accented with some psyched-out guitar work and has Billie Joe Armstrong singing a good deal more than usual. The wonderful "Platypus (I Hate You)" speed-rocks with abandon and recalls the early days of L.A. punk (a little Dickies here, a little Descendents there). The biting "Take it Back" is a snarling throwback to hard punk, and "Prosthetic Head" is an infectious ditty that counts among the very best on the album. Most surprising is "Last Ride In," an instrumental nod to the sensual surf-and-sun life. Of course, the crown jewel of the collection is the sentimental, acoustic "Good Riddance (Time of Your Life)," which seemed nearly inescapable when it was released. Beyond these standouts, even the "usual" Green Day fare here has punch. --Lorry Fleming ... Read more Reviews (405)
Asin: B000002NIH |
$8.99 |
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Hotshot Average Customer Review: Audio CD (08 August, 2000) list price: $13.98 -- our price: $13.98 (price subject to change: see help) US | Canada | United Kingdom | Germany | France Editorial Review In 1993, when Shaggy successfully reworked thePrince Buster skaclassic "Oh Carolina," he wason the cusp of creating a hot, new ska/pop fusion. Unfortunately, he opted tobecome a pop-reggae noveltyact like Snow. Shaggy's fourth album certainly won't win over new fans or appealto reggae purists and Capleton enthusiasts, butthat's fine by him. Whilethere are no immediate club anthems in the "Boombastic" or "Oh Carolina" vein,Shaggy's coarse vocaldelivery shines on the sweet, Latin-music-inspired "Chica Bonita." Likewise,"Not Fair"--where he boaststhat he'll take a woman "to the clouds without going downtown"--has Hit Singlewritten all over it. On thedownside, Shaggy's rap-reggae flow doesn't match the production values of theR&B production duoJimmy Jam and Terry Lewis. On "Lonely Lover," Shaggy andNext's T-Lo bastardize aclassic Main Ingredient song, whileon "Dance and Shout,"he distorts the MichaelJackson legacy bysampling "Shake Your Body (Down to the Ground)." --Dalton Higgins ... Read more Features Reviews (88)
The cd pro's - 90 percent of the tracks are great dance tracks, and are just fun. Single's such as "Angel" and "it Wasn't Me" don't age. Plus, each song doesn't repeat too much, and each track is a good length, (for a total of 53:07 minutes on the cd). The chorus's of most of the song's are very catchy (Think "Luv Me, Luv Me"). The whole album would work perfectly for a party. The lryic's are also pretty good. Even though I don't real care for some of the lryic's for tracks like "Freaky Girl". Tracks such as "Keep'n it real", "Angel", "Dance & Shout", "It wasn't me", "Luv me, Luv me", and "Hope" are all worth listening to at least once. Cd cons - Because of Shaggy's limited vocal range, most of the song's end up sounding pretty smiliar, (in fact "Angel" is probably the only song that doesn't really sound the same vocally). Tracks like "Hot Shot", "Freaky Girl", and "Hey Love" could have been better. Also, as it starts to get past track 10, the song's become filler's. That doesn't mean they're horrible, it just mean's they aren't as fun, as the other tracks. In fact the beat of the song's changes a lot at that point. Although Shaggy, will never have as much sucess with other works, as he did with this, it doesn't mean he is a bad artist, or a one hit wonder. This cd remind's me of the newer artist Sean Paul, who has a simliar style. I listen to probably 8 to 10 tracks on this album, when it's in the cd player, so it'sdefinitly a good album, it just could be better. If you buy this, I don't think you'll be disappointed, but you may be suprised by some of the seriousness of some of the tracks. After all is said and done, this is still a good album, by a decent artist.
Asin: B00004S7FJ |
$13.98 |
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Mer de Noms Average Customer Review: Audio CD (23 May, 2000) list price: $17.98 -- our price: $13.99 (price subject to change: see help) US | Canada | United Kingdom | Germany | France Editorial Review "A Perfect Circle is not a side project," proclaim the members of Perfect Circle. It's a caution worth heeding, since the most identifiable name in the band is that of vocalist Maynard James Keenan, lead singer of Tool. On the other hand, one wouldn't be much inclined to file this one under "side project" anyway. The musicians involved go to great lengths to create something distinctive, and if the uniformity of sound can be attributed to the fact that guitarist Billy Howerdel (whose previous songwriting credits include Tool, the Smashing Pumpkins, and David Bowie) is responsible for the lion's share of the music, well, the others aren't exactly marching in lockstep. Keenan's vocals here are quite different from anything heard from him before. Subtle, thoughtful, sober, they're a far cry from Keenan's work with Tool, which is what makes this album more than a side-project curiosity. Mer de Noms has a life all its own. --Genevieve Williams ... Read more Features Reviews (608)
Asin: B00004T99Z |
$13.99 |
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Europop Average Customer Review: Audio CD (30 November, 1999) list price: $13.98 -- our price: $13.98 (price subject to change: see help) US | Canada | United Kingdom | Germany | France Editorial Review On the wings of the hit club single "Blue (Da Ba Dee)," the Italian group Eiffel 65's Europop has soared into the ever-fleeting good graces of the dance-pop scene. The song is "a story about a little guy who lives in a blue world," and while it seems that the color of the fella's life was chosen arbitrarily, the real star of this tune is the vocoder effect reintroduced on Cher's megahit single "Believe." Listen to the entire record, though, and you'll hear this gimmick on almost all of the rest of the tracks as well. On first run-through, the one-trick-pony-ness of this effect is off-putting, and yet it is the album's one distinctive element. The songs on Europop live up to the album's broad moniker, skimming the basics of tried-and-true dance-pop ("Living in a Bubble," "Now Is Forever"), techno ("Dub in Life," "Another Race"), and acid house ("Europop"). The group even renders a fairly accurate impression of Depeche Mode-style goth-pop ("Your Clown"). But the tracks rarely deviate from a four-on-the-floor thud, numbing the ears to the songs' otherwise distinguishable qualities. The record is too hard to swallow in one bite; its tracks are much tastier as singles, serving well in a club setting as segues to stronger songs by other artists. --Beth Massa ... Read more Reviews (391)
Asin: B00003GPOT |
$13.98 |
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