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Charmbracelet Average Customer Review: Audio CD (03 December, 2002) list price: $13.98 -- our price: $9.99 (price subject to change: see help) US | Canada | United Kingdom | Germany | France Editorial Review Mariah Carey's ninth album has been touted as her comeback album, coming as it does after the belly flop that produced the overwrought soundtrack to her ill-fated film,Glitter. With Charmbracelet, Carey goes out of her way to fix all those aesthetic glitches, tempering the overblown vocals, simpering lyrics, and uninspired funk covers of her last album and returning to what she does best--showcasing her magnificent five-octave voice and pillaging her lift history for inspiration. After her breakup with superstar Luis Miguel, MTV meltdown, hospitalization for exhaustion, and the death of her father, Carey had a lot of emotional baggage to sift through. She has and, as a result, has created an inspired and diverse 15-song opus that finds her skipping from an impassioned Aretha Franklin-like gospel ("Saving Grace") to an impish cover of Def Leppard's power ballad "Bringin' on the Heartbreak." Though he's not mentioned by name, rapper Eminem is given a pointed drubbing on "Clowns" for hinting in the press and in his own song "Superman" of a relationship with Carey. There hasn't been such a compelling musical soap opera since Carly Simon's '70s roman à clef, "You're So Vain." However, the disc's most inspiring moment comes on "Sunflowers for Alfred Roy," a wistful elegy for her father that recounts his final days in his hospital room. This is a stunning return to form for Carey. --Jaan Uhelszki ... Read more Features Reviews (1080)
Asin: B00006RY8N |
$9.99 |
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Just Whitney Average Customer Review: Audio CD (10 December, 2002) list price: $18.98 -- our price: $18.98 (price subject to change: see help) US | Canada | United Kingdom | Germany | France Editorial Review Whitney Houston recaptures some former glory on her first studio album, thanks to her undiminished vocal prowess and a cadre of impressive producers that includes Kevin "She'kspere" Briggs, Babyface, Teddy Bishop, and Troy Taylor. Houston's pipes shine in the big break-up ballad "On My Own," which is cut from the same mold as 1993's massive "I Will Always Love You." But while her vocal chords are intact, some of the material here leaves much to be desired, including a flat version of Debby Boone's "You Light Up My Light" and the Missy Elliot-penned and -produced "Things You Say." On the plus side, the feisty "Tell Her No" finds Houston on defense, but she's much more interesting with her back against the wall as she huffs: "I can't wait for the day I can rub things in your face." The embattled diva doesn't attempt to gloss over her foibles, as evidenced by "Unashamed" ("Listen here and listengood/ I'm unashamed of the life that I lead, unashamed of the strength of my need"), "Love That Man," and "Whatchulookinat," a body slam at the tabloids that have documented Houston and hubby Bobby Brown's very public falls from grace. Houston may not have recovered her hegemony of the charts, but this album proves she's once again pointed in the right direction. --Jaan Uhelszki ... Read more Reviews (299)
Asin: B00006HCUW |
$18.98 |
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Duets Average Customer Review: Audio CD (26 November, 2002) list price: $18.98 -- our price: $9.99 (price subject to change: see help) US | Canada | United Kingdom | Germany | France Editorial Review Even in the face of epochal success, it's tempting to ponder what Barbra Streisand might have accomplished had she not spread herself across so many diverse entertainment media; so much ambition, so little time. This collection of 19 Streisand duets chronicles collaborations with Frank Sinatra and Judy Garland at one end of the scale and Don Johnson at the other. It finds the singer dabbling--if, as her bluesy miscue with Ray Charles on "Crying Time" argues, not necessarily triumphing--in styles she largely eschewed elsewhere in her career. Still, her unlikely collaborations with Barry Gibb ("Guilty," "What Kind of Fool") and Donna Summer ("No More Tears (Enough Is Enough") during the disco era scored her some of the biggest successes of her career, ample proof that with the right chemistry, Streisand could be as powerful a pop music chameleon as she was a diva. New recordings with veteran Barry Manilow (the warm, low-key "I Won't Be the One to Let You Go") and Josh Groban (David Foster's overwrought "All I Know of Love") supplement recordings that stretch from the '60s kitsch-a-go-go of Harold Arlen's "Ding-Dong! The Witch Is Dead" across five decades of Streisand's unparalleled career. --Jerry McCulley ... Read more Features Reviews (91)
Asin: B00006LFGD |
$9.99 |
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Justified Average Customer Review: Audio CD (05 November, 2002) list price: $18.98 -- our price: $13.99 (price subject to change: see help) US | Canada | United Kingdom | Germany | France Editorial Review Common wisdom holds that debut albums have an autobiographical slant, so it's hard to believe that Justin Timberlake's first non-'N Sync outing doesn't purloin much of its subject matter from the singer's breakup with Britney Spears. Half the songs are about the abrupt severing of a romance and the singer's rather hard-hearted stance. Sure, he may have been the wronged party, but that doesn't excuse the inflexible emotional posture revealed in "Cry Me a River," "Never Again," and the sniping "Last Night." But Timberlake apparently thinks it does, since he christened his record Justified. He also seems to enjoy boasting about the swinging single life, with many of the songs here almost gratuitously lascivious. Asides like "I could think of a couple positions for you" from "Right for Me" and "Better have you naked by the end of this song" from "Rock Your Body" will catapult the singer right off Radio Disney. But Timberlake shines when he moonwalks into more adult terrain, turning his back on the innocent dance pop that put 'N Sync on the charts. With the help of hip-hop producers Pharrell Williams and Chad Hugo of the Neptunes, Timbaland, and P. Diddy, Timberlake has turned out a remarkably cohesive and sophisticated slice of club-friendly R&B. --Jaan Uhelszki ... Read more Reviews (736)
Asin: B00006JO4Q |
$13.99 |
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Stripped Average Customer Review: Audio CD (29 October, 2002) list price: $18.98 -- our price: $9.99 (price subject to change: see help) US | Canada | United Kingdom | Germany | France Editorial Review Underneath all Christine Aguilera's coy affectations and vocal gymnastics lurks a rare talent. With her second album, Aguilera allows it to flower by abandoning all pretense at courting the teenage market. Stripped is a seemingly effortless move into weightier adult territory. Using her extraordinary voice as a much subtler instrument, Aguilera sings movingly and with grit and anger about the disintegration of a relationship; she's ultimately stronger for the pain. But that's not her whole agenda. Aguilera also extols the power of women on "Can't Hold Us Down," which features Lil' Kim. Other guests include Dave Navarro, Redman, and Alicia Keys. Aguilera cowrote most of the songs on the disc and produced one cut. She also partnered with former 4 Non Blondes leader and Pink collaborator Linda Perry on four songs, which gives Aguilera a rock edge that she has never before displayed. --Jaan Uhelszki ... Read more Reviews (1451)
Asin: B00006CXXU |
$9.99 |
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Britney Average Customer Review: Audio CD (06 November, 2001) list price: $18.98 -- our price: $13.99 (price subject to change: see help) US | Canada | United Kingdom | Germany | France Editorial Review Where Britney Spears's first two albums hewed to the early-'60s formula of one strong single plus a stack of filler--a fair bit of which ended up on the radio anyway--her third justifies itself as a full-length listen. Led by the single "I'm a Slave 4 U," a Neptunes-helmed piece of electrofunk that promises she'll do anything you want as long as it's dancing, the album continues through superior versions of Spears's poses. Calculated frustration with the adult world? Calculated independence? Sheer celebration? Check, check, and check: "Overprotected," "Let Me Be," and a cover of "I Love Rock & Roll" that brings to mind its bubblegum roots. Even without the joyous disco tribute of "Anticipating" and the not-icky ballad "I'm Not a Girl, Not Yet a Woman" providing symbolic respite from the rest of this machine-tooled music, Britney is one of the most human discs of the current teen-pop boom. If it spins off the deserved string of radio/video smashes, it may even buy this superstar a second 15 minutes. --Rickey Wright ... Read more Features Reviews (855)
Asin: B00005OM4N |
$13.99 |
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Before Your Love/A Moment Like This Average Customer Review: Audio CD (17 September, 2002) list price: $4.49 US | Canada | United Kingdom | Germany | France Features Reviews (255)
Asin: B00006JT6D |
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J.Lo [Bonus Track] Average Customer Review: Audio CD (24 July, 2001) list price: $13.98 -- our price: $13.98 (price subject to change: see help) US | Canada | United Kingdom | Germany | France Features Reviews (117)
Asin: B00005N83M |
$13.98 |
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02 Average Customer Review: Audio CD (12 November, 2002) list price: $18.98 -- our price: $18.98 (price subject to change: see help) US | Canada | United Kingdom | Germany | France Editorial Review O-Town, short for Orlando, Florida, the cradle of teen-pop civilization, was created for the ABC reality show Making the Band. The group's debut was a frothy confection of slick dance-pop hits that sold 2 million copies. With two hard years of touring under their belts, group members have stayed together and moved into a house in Santa Monica, California, where they cowrote six of the songs on their second offering and enlisted one of rap's royalty to work with them. Nelly cowrote and produced"Favorite Girl" and adds his trademark vocals to "Make Her Say." Since leaving the world of TV, O-Town has moved away from their boy-band beginnings. Switching from hip-hop to dance to pop, they sometimes come across as a band in search of a sound. But O-Town's collective heart really seems to be in guitar-driven rock. They give Bon Jovi a run for their money on the rather overwrought "These Days," while "From the Damage" could have been lifted off a Goo Goo Dolls disc. O-Town is a band in transition, but give them credit for taking over the reins of their career. Maybe by the next album, they'll figure out what they want to be now that they've grown up.--Jaan Uhelszki ... Read more Features Reviews (78)
Asin: B00006BCGV |
$18.98 |
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Missundaztood Average Customer Review: Audio CD (20 November, 2001) list price: $18.98 -- our price: $13.99 (price subject to change: see help) US | Canada | United Kingdom | Germany | France Editorial Review There's a rule in commercial pop: don't bite the hand that feeds you. Translation? If you're getting love on TRL, it's best leaving well enough alone and tinkering only slightly with the sound that pays your bills. So you have to give Pink a whole heap of credit. The Philly-raised songbird may have made her rep with infectious and rugged pop-R&B hits like "There You Go" and the remake of "Lady Marmalade," but like the fuchsia coif she once sported, that sound is gone. In its place is a more driving alt-rock attack, liberally laced with some late-night blues and heartfelt lyrics that, while they sometimes come off like diary entries (the simplistic bon mot "Your pain is painful" in "Family Portrait"), are clearly Pink's thoughts, as opposed to words someone put in her mouth. Helping Pink express her inner Alanis are Dallas Austin, who produced the insistent rocker "18 Wheeler," and former 4 Non Blonde Linda Perry, who Pink has resurrected from one-hit-wonder status. Mixing up thumping beats, ("Get the Party Started"), with folksy confessionals, Pink's potent vocals and her honest determination make this a risk worth hearing. --Amy Linden ... Read more Reviews (505)
Asin: B00005RFAI |
$13.99 |
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Let Go Average Customer Review: Audio CD (04 June, 2002) list price: $18.98 -- our price: $13.99 (price subject to change: see help) US | Canada | United Kingdom | Germany | France Editorial Review Self-professed skate punk Avril Lavigne sings that she'd "rather be anything but ordinary" on her debut. While the fact that she had a record deal by the age of 16 separates her from the pack, too often Let Go's lyrical shortcomings drag the teenager's musically impressive recording entrée into the realm of the typical. The catchy choruses of Go are substantial, though, thanks to Lavigne's riff-driven melodies and powerful vocals, which at times adopt the unorthodox intonation quirks of fellow Canadian Alanis Morrissette. The nuanced, dynamic "Losing Grip," "My World" (which perfectly captures the ennui of suburbia), and the buoyant power-pop blast "Sk8er Boi" are the collection's highlights. But Lavigne's honest yet awkward words weigh down the likes of "Mobile," "I'm with You," and "Naked." "Nobody's Fool," which displays her Pink-like take-me-as-I-am credo, hints that someday Lavigne's lyrics will match the strength of her music. --Annie Zaleski ... Read more Features Reviews (1891)
Asin: B000066NW0 |
$13.99 |
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